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Tintin in Antwerp


Paulus

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Thick atmosphere, and good choice of a PP.

The whole scene is eerie, from the pavement to the look of the boy we cannot see (you focused on him but he's in the dark and turns his back to us – what does he looks to ?) and the name of the ship – Venezia.

To me, those pictures where apparently nothing happens and really many things there there without insistence are what I like most.

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Paulus, I love my version of that lens. I always shoot wide open at 2,8. I like the content and the toning. I think this scene would have been much stronger if the boy was the only thing in focus @ 2,8. Much enjoyed.

 

I,m sorry but I was mistaken. The lens wasn't my 4,5/21mm but my summilux asph 50mm

 

I hope this doesn't change your idea of this capture.

 

I appologise for the inconvenience

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it reminds me of karaboudjan :)

 

 

 

I understand.:)

 

In the comic, the ship is lying " negative" image . The whole picture is a negative of this picture, but it is striking, what ones subconsiousness does with stored images in your head.

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I understand.:)

 

In the comic, the ship is lying " negative" image . The whole picture is a negative of this picture, but it is striking, what ones subconsiousness does with stored images in your head.

 

Very nice composition, atmosphere and toning. By the way, my son has that book! Tintin was on of my favorites when I was young.

 

Tri:)

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I understand.:)

 

In the comic, the ship is lying " negative" image . The whole picture is a negative of this picture, but it is striking, what ones subconsiousness does with stored images in your head.

 

Mille Sabords ! :D

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