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Old lens quality


neal

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This is for anyone who doesn't believe that old glass can be sharp. This photo was taken with an Olympus OM-D E-M5 with a mint condition 1935 vintage 50mm F2 Summar.

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I recently picked up a Leitz 5cm F1.5 Xenon- went for a reasonable price as there were some nasty reflections in the images of the lens. With some help across the globe, I was able to disassemble the lens and get the haze out.

 

Wide-open on the M9,

 

15569008332_89ff7f81c2_b.jpgMarine Museum, Xenon

 

And at F4, 1/25th sec hand-held.

 

14947416614_4d51593f4d_b.jpgMarine Museum, Xenon

 

The front and rear elements are clean, with the haze out: dramatic improvement. I think a lot of the bad rep comes from scratched glass and internal haze. A little more flare than my "really clean" Summarit, the Xenon is uncoated. I did a "Super-Speed" shootout between this lens and a Zeiss Sonnar 5cm F1.5 from 1934, converted to Leica mount. The Xenon did far better than the reputation had me believe.

 

The 1934 Sonnar, wide-open.

 

15568986412_be36b4a520_b.jpgMarine Museum, Quantico

Edited by Lenshacker
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This is for anyone who doesn't believe that old glass can be sharp.

Very nice examples, Neal & LensHacker.

Good job in sorting out the Xenon too.

 

Out of curiosity before I packed away my kit last Friday I tested my '61 50mm f2.8 Elmar against my new 40mm f1.4 Nokton.

I just set very flat (studio flash) lighting and put the M8.2 on a (Leitz Tiltall!) tripod. The Elmar only focusses down to 1m so the subject was small in the frame in both cases (see third picture). To counteract the shorter focal length of the Nokton I moved the 'pod closer to allow for a similar 'size' in the frame.

 

Here are selective enlargements of the results. These (obviously) are JPEGs @ screen-res of 72dpi & quality 10 in order for them to fit on the screen. The originals are, of course, sharper but as these are both at the same 'level' they can be used for direct comparison.

Elmar top; Nokton below;

 

Standard sharpening on body; no sharpening in PS6; both shot f11 @160 ASA.

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Edited by pippy
Dating Elmar
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These seem to me to indistinguishable - and both impressive.

 

Old lenses stopped down usually provide excellent images. New lenses usually seem to outperform at wide apertures. If there is no need for f1.0 or 1.4 (which I never do), saving a small fortune has many attractions - $5000 for something i don't need gives me pause for reflection.

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