GMB Posted September 23, 2009 Share #1 Posted September 23, 2009 Advertisement (gone after registration) I plan to attend a studio portrait workshop. The guy who runs the workshop told me that he uses either infra-red, frequency slave units, or a direct cable from the camera to the flash unit to trigger the external studio lights, He further said that the IR or slave units trigger system is mounted on the horseshoe of the camera and that the ones he has will work on Nikon/Canon and probably some other brands (definitely not Sony). Do you know what units work with the M8 / M8.2? Also, my understanding it that it is not possible to use a direct cable to link the camera to the flash. Apologies for asking such basic questions but I have no experience with studio lights. Thanks. Georg Link to post Share on other sites More sharing options...
Advertisement Posted September 23, 2009 Posted September 23, 2009 Hi GMB, Take a look here Leica M8 / 8.2 and studio flash. I'm sure you'll find what you were looking for!
lxlim Posted September 23, 2009 Share #2 Posted September 23, 2009 Yes. These triggers do work. I use them with pocket wizards. Link to post Share on other sites More sharing options...
dcuthbert Posted September 23, 2009 Share #3 Posted September 23, 2009 pocket wizards are the most popular, I use the Elinchrom units with all my studio gear and haven't had any issues Link to post Share on other sites More sharing options...
Nicoleica Posted September 23, 2009 Share #4 Posted September 23, 2009 Remote triggers are the best way to go, but if you do decide that you want to use a direct cable connection, this can easily be done by fitting an adaptor onto the hot-shoe. As some studio flashes use a pretty high trigger voltage though, you would be well advised to use a 'Safe-Sync' adaptor, or equivalent. Link to post Share on other sites More sharing options...
B&W Posted September 23, 2009 Share #5 Posted September 23, 2009 I use the Elinchrom units with all my studio gear and haven't had any issues Me too! Link to post Share on other sites More sharing options...
Clook Posted September 23, 2009 Share #6 Posted September 23, 2009 I use Bowens heads fired with a Kenro IR trigger mounted onto the M8 hotshoe. The heads in turn can trigger a couple of Nikon SB800 speedlights which I sometimes use for a more creative set-up or to illuminate a backdrop. Depending on the shoot I can switch from M8's to my Nikon DSLR's without a problem. Only problem I found was that initially the trigger was a bit of a tight fit onto the M8 shoe. I was reluctant to force it and sorted the problem out with a bit of pressure using pliers. (On the trigger NOT the camera!) For some reason I never encountered this problem with the Nikons, they must have a slightly taller shoe gap. Link to post Share on other sites More sharing options...
footnoteblog Posted September 23, 2009 Share #7 Posted September 23, 2009 Advertisement (gone after registration) Pocket Wizards will fit just fine on the M8. If you have even more questions about off-camera lighting and triggering, you can come to the Strobist flickr discussion page. Link to post Share on other sites More sharing options...
trs Posted September 23, 2009 Share #8 Posted September 23, 2009 Since I did not want to spend money on PocketWizard and such because I don't really use my studio much. I just bought a Nikon hotshoe adaptor that has strobe connection. Works great, but of course it is not as free as pocketwizard. Link to post Share on other sites More sharing options...
GMB Posted September 23, 2009 Author Share #9 Posted September 23, 2009 All, Thanks a lot for the helpful responses. Georg Link to post Share on other sites More sharing options...
grober Posted September 24, 2009 Share #10 Posted September 24, 2009 Pocket Wizard works well but I strongly object to the large physical size of the PW. I bought and use the smaller radio trigger from Morris, a Chicago company whose USA phone number is 312.421.5739. (Or just Google your way to the Morris COmpany in Chicago.) Fans of the PW will say that it has longer range. I don't doubt that but I don't care: for studio usage, who needs 1/4 mile? Heck, I'm quite happy with a radio range of 25 feet. Replacing the bloody flash cords is the main thing here, not photographing someone in a football stadium from a seat in the opposite end of the place. For me, the tiny and cheap Morris unit works just fine. -g Link to post Share on other sites More sharing options...
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