tgray Posted May 26, 2009 Share #41 Posted May 26, 2009 Advertisement (gone after registration) I should add that agitation is a personal thing. The key to it is to be consistent. If you don't like a result, you can change the development time. If you change your agitation style AND the time, it will be hard to change your results systematically. I always do five NON-gentle inversions every 30 seconds. Each inversion is a quick flip 180 degrees and back, and then a slight twist of the can so as not to do all my inversions around the same axis. Works fine for me. Overdoing agitation can give you sprocket hole surge marks and high contrast. Under doing it can give you bromide drag trails in the sprocket holes. Which a lot of people mistake for surge marks and over agitating your film. Link to post Share on other sites More sharing options...
Advertisement Posted May 26, 2009 Posted May 26, 2009 Hi tgray, Take a look here Development fiasco... TriX + Xtol. I'm sure you'll find what you were looking for!
drums1977 Posted May 27, 2009 Author Share #42 Posted May 27, 2009 Thanks a lot too, tgray. For next rolls, I'll stick to 3 inversions (5 secs) every 30 seconds, it has worked well this time. My my, hey hey... Home development is here to stay... (I'm going to see Neil Young next saturday! ). Link to post Share on other sites More sharing options...
john_s Posted May 29, 2009 Share #43 Posted May 29, 2009 Drum, you mentioned agitation back there. I'd like to offer an alternative to the frequent agitation that most people use. More agitation means more contrast. Longer development means more contrast. But these two are not exactly the same. More agitation means more contrast in the highlights, relatively speaking. Sometimes that is what you want, but often you don't. I prefer minimal and gentle agitation. My negs are easier to print this way (traditional printing, not scanning). For scanning you don't want too much contrast anyway. You have heard the old saying "expose for the shadows and develop for the highlights." It's good advice (as long as there is enough light, of course). Recently I read (and I've already forgotten where! Sorry!) another version which I like very much: "Expose for the shadows, develop for the mid tones and agitate for the highlights." Link to post Share on other sites More sharing options...
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