Einst_Stein Posted March 14 Share #1 Posted March 14 Advertisement (gone after registration) Premier Imaging makes a lot of print paper, some are among the most inexpensive, but the user feedback are rare. It doesn't seem very popular. Any experience? what paper type you'd recommend. Thanks. Link to post Share on other sites More sharing options...
Advertisement Posted March 14 Posted March 14 Hi Einst_Stein, Take a look here How is Premier Image Print Paper What is your most favorite paper type. I'm sure you'll find what you were looking for!
Bikie John Posted March 15 Share #2 Posted March 15 I like the papers from Fotospeed - UK company, I am not sure whether they trade internationally. They offer a custom profiling service for their own branded papers and it seems to work pretty well. I generally use their Photo Smooth Pearl for bog-standard stuff where the highest quality doesn't matter, it is a plastic-coated paper which I find quite pleasing. For serious stuff I like the (considerably more expensive) Fine Art Platinum Gloss. It looks like a slightly textured unglazed traditional gloss darkroom paper and renders colours and details beautifully. And it is very good for B&W. John Link to post Share on other sites More sharing options...
hansvons Posted March 19 Share #3 Posted March 19 In my humble opinion, and realising that printing papers are not only a thing of taste but also an abysmally deep rabbit hole, I defaulted to two papers for serious prints: Hahnemühle Photo Rag 308 and Hahnemühle Photo Rag Baryta in 36” rolls. That’s it. I don't see a reason to change that for what I do. YMMV, of course, for many reasons, eg the thin Japanese papers or textured papers. 2 Link to post Share on other sites More sharing options...
PhotoCruiser Posted March 19 Share #4 Posted March 19 I used several Hahnemühle with my Epson ET 7750 printer and the results were great, but Hahnemühle may be difficult to get outside Europe. Chris Link to post Share on other sites More sharing options...
LocalHero1953 Posted March 19 Share #5 Posted March 19 (edited) I have also settled on three basic papers, all Canson: Rag Photographique (matte), Platine (semigloss), Baryta Photographique II (gloss). I have some of the Rag Photographique in double sided for making books. But I also have a large box of a RC semigloss that I was conned into buying ten years ago (recommended by a sales person masquerading as a photo workshop adviser) which I use for cheap prints for giving away or proofing. Plus the usual range of papers in small quantities bought for trials but not adopted. Edited March 19 by LocalHero1953 1 Link to post Share on other sites More sharing options...
pedaes Posted March 19 Share #6 Posted March 19 (edited) My two favourites are Hahnemuhle Photo Rag Ultra Smooth (308gm Matt) and Canson Baryta Photographique II Matt. For semi-gloss I use Epson 'Signature Worthy' Traditional. All recommended. I am in the UK and we cannot get the full range of Epson 'Signature Worthy' papers. If you are in the US, I know Red River papers are well thought of. Edited March 19 by pedaes 1 Link to post Share on other sites More sharing options...
Einst_Stein Posted March 20 Author Share #7 Posted March 20 Advertisement (gone after registration) You all mean, the new papers may be good or better, but simply because they are coming late, people are reluctant to change? The cheaper price can hardly justify switching? Link to post Share on other sites More sharing options...
Jeff S Posted March 20 Share #8 Posted March 20 ImagePrint Black custom profiles, along with the P900, which has easy matte/photo black ink switching, allow me to easily experiment with different papers, new and old. I like various Canson, Hahnemuhle, Epson, Ilford, Red River and other brands, depending on the pic and desired rendering. It’s also good to stick with a new paper for some time to learn its traits, but experimentation in the digital age is enormously easier than darkroom days. 1 Link to post Share on other sites More sharing options...
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