Jump to content

Recommended Posts

Advertisement (gone after registration)

I recently bought the Q3 43 and I really like it. Having owned a monochrom, I thought I might buy a q2m for low light event shots. However, secondhand they are as expensive as a q3.

Though I didn’t like the files from the Q2, I guess files from the Q2M will be totally different.

Problem - for me - mixing a Q2M with Q3 43 would be the handling. A Q3 can be setup equally as the Q3 43. The Q2M fits the lay-out of the SL2 series which I use as well.

But, after three years with a monochrom, I find it hard to convert color to b/w. Once seen in color on screen, it’s color…

For those owning several Q’s: which setup do you prefer?

Link to post
Share on other sites

And I have a preset in Lightroom that imports those DNGs as monochrome so I never see them as color unless I choose to.  Now I need to decide whether or not to keep my Q2M, since I have an M10M.

Edited by kkochheiser
Added comment.
Link to post
Share on other sites

1 hour ago, Jeff S said:

Do you close your eyes to eliminate colors before composing a scene?  

What did you do in B&W film days?

Why are you bothering to look at your screen?

 

I meant the computer screen when culling or processing.

Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...