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50 Summilux M, just has a character about it that's insanely unique to me. Also love that you can hit that joystick button and punch in for super accurate focusing when needed.

 

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Edited by hellobrandonscott
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1 hour ago, hellobrandonscott said:

50 Summilux M, just has a character about it that's insanely unique to me. Also love that you can hit that joystick button and punch in for super accurate focusing when needed.

 

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The whole Leica SL2/M mix & match experience just gets better from there. My own go just about anywhere kit:

 

 

Edited by LBJ2
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49 minutes ago, Al Brown said:

Comparing the lux to the Summicron, apart from one stop difference to the latter, what was your motivation to get it?

The bokeh and overall OOF rendering is just something I think you need to experience to really understand. I did at least. And practically speaking, the focus tab, or lack of one on the cron, got annoying for me. I also have a Q2 and just grew so accustomed to having it.

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1 hour ago, hellobrandonscott said:

50 Summilux M, just has a character about it that's insanely unique to me. Also love that you can hit that joystick button and punch in for super accurate focusing when needed.

 

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This setup is my ride or die (but with SL2.) Capable of magic stuff!!!

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On 11/19/2023 at 3:06 PM, hellobrandonscott said:

50 Summilux M, just has a character about it that's insanely unique to me. Also love that you can hit that joystick button and punch in for super accurate focusing when needed.

 

Welcome, dear visitor! As registered member you'd see an image here…

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I’ll be my taking my version of this setup with me to Venice next month. 

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On 11/19/2023 at 9:06 PM, hellobrandonscott said:

50 Summilux M, just has a character about it that's insanely unique to me.

I'm a 35mm guy. I change lenses rarely and only own a 50mm Summciron V4 (with the tab) for the occasional portraits. For the SL2-S, I prefer the 35mm Summicron ASPH M. It's sharp to the corners from 4.0 onwards and shows lots of character until f 2,8, including a lovely bent focal plane (within sharp edges and corners!) and some glow and super-nice flares but maintains a skin-friendly, distinct sharpness and avoids smeary corners. It vignettes reasonably compared to other M 35mm lenses, even at full aperture. 

But my most frequently used set-up is the M6 (mostly loaded with ISO 400 stocks, B&W and colour) with the phenomenal 35mm Nokton f1,4 SC V2, which performs surprisingly poorly on digital but is a revelation on film.

 

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Edited by hansvons
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I shot this image with the SL2-S and the 35mm Summicron ASPH M at full aperture (Celtic graves in Portugal).

 

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And this one at f 8.0.

 

 

I find the adapter to be essential. I use the Novoflex L-M mount adapter. Before that, I tried a cheap adapter with unusable results. 

Edited by hansvons
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