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Bokeh Comparisons - Nocti v. 50 Lux v. 35 Lux


johnbuckley

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Last week, I went to a pumpkin patch with my M8 and Noctilux, and posted here a photo taken wide open of a pumpkin. I will state that I love the almost startling bokeh produced by the Noctilux, but some don't, as I found out.

 

The discussion on this forum a few days later about the 35 Summicron pre-Asph as the ideal lens for rendering bokeh was, I thought, very compelling -- and the shots illustrated a creamy, soft bokeh that was far less startling, and yes, pleasing to my eye.

 

So today I went back to the same pumpkin patch for some comparison shots. Now, the comparisons are not pumpkin to pumpkin, if you'll pardon the expression: someone must have wrestled away the pumpkin I shot with the Noctilux last week. But below, here's what you will see in order: Noctilux, 50 'Lux Asph at 1.4, 35 'Lux Asph at 1.4, and finally the same 35, but at f/2. I offer this simply as a means of illustrating the way these lenses draw and render OOF areas. It will be interesting to see people's preferences.

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Nocti.

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50 Lux wide open.

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35 Lux wide open.

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Finally, the 35 Lux at f/2.

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First I would like to say a big thanks for taking the time to do these.

 

I love the noctilux and plan to get one soon but to my eye (and my taste) this is the kind of situation where the nocti struggles a little. OOF areas of linear detail can render a little ugly to my eye. I find it all a bit distracting to be honest. All the others are great examples and I really like the 35mm shots. Already have a 35 Summicron pre Asph though so can't justify another 35!

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Guest guy_mancuso

Here the Nocti has a nice 3d look but the bokeh is just too distracting to my eye, i prefer the 75 lux in situations like this to the Nocti.

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There is a plasticity to the Noctilux that most people either love or hate. I like it, but I was actually stunned to find that the 35 Lux Asph produced what was, to me, the most visually appealing image. I think what bothers people about the Noctiliux is when you focus on something nearby, and there is a wall of color, so to speak, in the distance. That out of focus background becomes too jarring. That said, there are instances where it is really fun.

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For me, the Nocti gives a feeling of abstractness since my eye is not used/has not been trained to seeing many photographs like that. For me, the 35 Lux is more real and perhaps that is what makes it more pleasant.

 

Thank you for posting,

Arif

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Guest guy_mancuso

Mark reason I never fought the postmark issue was my heart was never tuned into it that much . Actually Jack and i have one and i did not even use it on our trip once. It's a lovely lens sometimes but it is a one horse pony too. I look at it as a prince and the frog analogy sometimes the images are awesome than others they just burp in your face. I can't warm up to not knowing exactly how it will handle a background . The 75 lux i know exactly what it will do. It's just me though and some folks love it and that is great for them. And i have actually taken some wonderful images with it but i can't count on it and that is what bugs me.

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Nocti/50. Rest indifferent.

 

However, that would change depending on subject. I think the Nocti pic for me is best is the composition more than the out of focus characteristics, so I agree with whoever said we need on subject photographed with various lenses.

 

If I have time I will try as well. I also have the pre-asph 35mm discussed.

 

I just need to find a good pumpkin (I have one in mind).

 

David

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