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Summilux 35/1.4 ASPH, orange filter
PP: Nik Silver Efex
stitch of two shots

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vor 1 Stunde schrieb mmradman:

I have fair number of clouds in this thread, all enhanced via ACR, some with and some without contrast filters.

See post #951, no filter.  I don't use "library" clouds to enhance image.  I don't do photo montage.

we have a different approach, I don't try to "enhance" the pictures with clouds, I try to make pictures 🙂

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thanks @e1k3

two days later there is some water again
Leica Summilux 35/1.4 ASPH, red filter
stitch of five shots portrait

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Bench in the mist...

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M246 & Zeiss Distagon 1,4/35 mm

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Hamburg Elbphilharmonie
Voigtlander Heliar-Ultra Wide 12mm f/5.6 Aspherical

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Hamburg subway station
Zeiss C-Biogon 21mm/4.5

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Which way is up?  Which way is down?

 

second day with my MM246— no regrets 

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this to me is Amsterdam in one photo

35mm Cron ver II

 

 

 

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Am 2.11.2019 um 20:12 schrieb muah:

Which way is up?  Which way is down?

second day with my MM246— no regrets

great shot and composition, muah!
I would cut a bit from the foreground.

Zeiss Hologon 16mm f/8, ND center filter

 

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Some where's Chinatown

 

 

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Edited by muah
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high ISO test
Summilux 35/1.4 ASPH

ISO 25000
 

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ISO 12500

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ready for the biggest commercial celebration - or what is the reason?
Zeiss Hologon 16mm
 

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The San Francisco-Oakland Bay Bridge from the Vista Point on Yerba Buena Island at 8:45 a.m. on a Sunday morning. 50mm Summilux with a red filter. Split toning applied in Lightroom. 

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The lone photographer, Harris 2019

MM246 with 28mm summaron at f22

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long time exposure with  Leica Tri-Elmar-M 16-18-21 @ f/8, ND 3.0
exposure time 60 sec.
PS: the f-stop in the EXIF is always wrong, when you use filters.

 

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Am 25.11.2019 um 18:13 schrieb Rosebud55:

The lone photographer, Harris 2019

MM246 with 28mm summaron at f22

why do you use f/22 and risk so much diffraction?
or: is the f/22 in the Leica EXIF wrong as in most cases?

 

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