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Though plenty enough for everyone, the neighbor's hay always tastes best,

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From a recent road trip on Scotland's NC 500

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MM2 35mm Summicron, B&W Yellow Filter

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Toronto, Summer 2017

M246-28/2.v2

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35 Summilux pre-asph

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I was out looking for patterns created by the sunlight and shadows from the trees. Ended up mesmerized by the sun and had to point the camera towards it. The ground is partially blown out but I don't think it was possible to remain both correctly exposed and at the same time have the sun appear bright enough - well not if one is supposed to bring back details from the shadows. If anyone knows a trick or two to remedy this I'd love to learn about it?

37804901224_b1afaf1092_b.jpgEmptyName 52 by Christian Fjeld, on Flickr

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Ponyhenge, Lexington, Massachusetts

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Liverpool waterfront at dusk, M246 with Summilux 28mm.

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Posing in front of No 1, M246 with Summilux 28mm.

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