J.Nordvik Posted February 7, 2020 Share #41 Â Posted February 7, 2020 Advertisement (gone after registration) Â Link to post Share on other sites More sharing options...
Advertisement Posted February 7, 2020 Posted February 7, 2020 Hi J.Nordvik, Take a look here White balance through warm lenses on digital cameras. I'm sure you'll find what you were looking for!
Exodies Posted February 7, 2020 Share #42  Posted February 7, 2020 3 hours ago, jaapv said: I think Exodies' measurements are within the tolerances. Statistically they are the same. I’ve changed my mind after looking into the algorithms used. I couldn’t find any which didn’t simply process the RGB values from the sensor. So, I agree with jaapv, and believe the round window isn’t involved. I did some more tests with various filters from a Profoto flash attachment and ND filters on the round window. Fixed shutter, aperture and ISO. clear 5050, tint -7 6 different colours 4750, -5 2 different colours 4900, -5 1 different colours 4800, -6 1 different colours 4850, -5 3 different ND (1, 2 or 3 of +3 stacked) 4750, -5 Link to post Share on other sites More sharing options...
sblutter Posted February 13, 2020 Share #43  Posted February 13, 2020 I only shoot for print & exhibition in RAW (not the Internet). Don't care abt WB. Do all that in PS, which often leads to a lot test prints and happy endings - when I get to 'Ahhhhh...' Keep in mind other variables: If for print; paper, printer, ink-set and especially the light in room they are to be viewed - all important factors For internet; that's a 'who knows?'. People may be looking at an uncalibrated or old monitor - or even worse - on their phone! In other words, a photo may look perfect to you only on your home computer. I wouldn't worry about slight skews of color due to lens. Your intent counts, not the equipment's PS: When a scene has too many different light types to balance pleasingly, I'll throw in the towel and revert to B&W 2 Link to post Share on other sites More sharing options...
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