Peter Branch Posted July 3, 2018 Share #1 Â Posted July 3, 2018 (edited) Advertisement (gone after registration) Deleted as no image attached. Edited July 3, 2018 by Peter Branch Link to post Share on other sites More sharing options...
Advertisement Posted July 3, 2018 Posted July 3, 2018 Hi Peter Branch, Take a look here Leica 16-35mm Images. I'm sure you'll find what you were looking for!
Peter Branch Posted July 3, 2018 Author Share #2  Posted July 3, 2018 (edited) Try again:-  This is an example of the high contrast images the lens produces even when straight into the morning sun.  Processed in Lightroom CC Classic with strong minus blue, i.e. a Yellow filter equivalent.  Even more creditable as a Leica 82mm UVa II filter was fitted - you can never be too careful near building operations.  Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited July 3, 2018 by Peter Branch 12 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/286218-leica-16-35mm-images/?do=findComment&comment=3548703'>More sharing options...
jrp Posted July 3, 2018 Share #3  Posted July 3, 2018 It is indeed a contrasty lens.  I am still wondering about the colour balance. I tried with a B+W UV Haze filter, which still seems to render everything quite cool. Perhaps it's the new 3.2 firmware colour balance. Link to post Share on other sites More sharing options...
RoySmith Posted July 3, 2018 Share #4 Â Posted July 3, 2018 Wow. Â How much post-processing was done to this image ? Link to post Share on other sites More sharing options...
Peter Branch Posted July 3, 2018 Author Share #5  Posted July 3, 2018 Wow.  How much post-processing was done to this image ?  That is a difficult question to answer. Some would say quite a lot because the image was so high contrast that shadows had to be lightened and highlights toned down.  I used a bit of Lightroom "Clarity" on the soil. There were also a few artefacts which had to be dealt with due to the extreme blue cut needed to darken the sky to match other images in what has become a series. I doubt that these can be detected but it would not have been possible to make a satisfactory A3 print, which is the aim, without what is basically tidying-up.  When I was taught B&W printing some 60 years ago this sort of thing was routine. Lightroom makes it easier but it is essentially the same. There is absolutely nothing fancy about the Image Processing.  I made a mess of the post and the technical information got lost.  ISO 50, 16mm, f/3.5, 1/250sec. The crop is to the A3 ratio, 1:1.414, and there is no perspective correction. 3 Link to post Share on other sites More sharing options...
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