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75 'lux and M8


huwge

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Guest guy_mancuso

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Same thoughts Kurt , the 80 lux was a bear to give up . But i found it's replacement and the Lux is it. I do miss my 180 f2 though, need to go play with that 135 apo more but I do like it.

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Kurt-

Really lovely B&W porttrait. After reading you all for days, looking at the samples, I have a 1st version 75 'lux I located [lighter] which will be delivered tomorrow, at what seems a very good price. Just what I needed for my continuing jazz musician project, shot in abysmal light in clubs. I'll post something as soon as I get done with the next week's shoot.

 

--Norm

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Guest guy_mancuso

Norman if you can get away with it try a monopod or even a leica table top and push it into your chest. Will really help on the slow shutter stuff

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Guy, you are absolutely correct about the 180. I'm afraid nothing is going to replace it on the M8. The 135 apo is nice, but with imprecise framing and the obvious shorter reach it's a lot more work than the 180. When you pulled out the DMR with the 180 attached ... everbody knew you meant business. :D

 

Thanks Norm, it's the perfect lens for what you are looking to record. The Noct is also nice, but I prefer the length of the 75lux for low light situations.

 

Kurt

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Guy--

 

Thanks for the suggestion, in fact I used to use a Leitz table top tripod with the small ball head, bracing it against the wall, tables, etc. It's been a few years since I have actually seen it--it's somewhere around here...

 

By the way, has anybody considered, if they have or can find one, the old 180mm Elmarit lens for the visoflex? I haven't seen one in a while, and it's an old optic, preset diaphragm, but wide open, it might have the--dare I say--"glow?" Failing that, doesn't the lens head of the 135mm Elmarit come off, to be used with an adapter on the Viso? Again, wide open, it could provide 180mm equivalent. Didn't you have one of these?

 

--Norm

The [not so old} guy from the age of pre-set diaphragms

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Here's one that is definitely at f4 - I am really impressed by the sharpness at the centre. I need to try this at > f4.

 

I think Guy said it right when he said that the pairing of the 75 'lux and apo 90 gives you the best of both worlds. I am beginning to think that my asph 50 'lux will be seeing less use as a consequence. But then again, it's always horses for courses and it's nice to have more than one nag in the stable

 

Huw

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Just an example, wide-open:

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Norm, a tip for the first-gen 75 Lux: buy the B+W slim 60mm IR 486 filter. It comes with a lens cap, which can otherwise be a problem to locate for this unique lens. The newer lens cap is all that Leica can provide, and it sticks out too far, catching on things and falling off.

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Guy--

 

Thanks for the suggestion, in fact I used to use a Leitz table top tripod with the small ball head, bracing it against the wall, tables, etc. It's been a few years since I have actually seen it--it's somewhere around here...

 

By the way, has anybody considered, if they have or can find one, the old 180mm Elmarit lens for the visoflex? I haven't seen one in a while, and it's an old optic, preset diaphragm, but wide open, it might have the--dare I say--"glow?" Failing that, doesn't the lens head of the 135mm Elmarit come off, to be used with an adapter on the Viso? Again, wide open, it could provide 180mm equivalent. Didn't you have one of these?

 

--Norm

The [not so old} guy from the age of pre-set diaphragms

 

I use the 180 Elmarit with a Visoflex III ( type for microscope, matte screen removable from the front and M8 frame painted on with thin marker) for b&w, mostly very slow film It is soft at full aperture and draws nicely with - to me - pleasing background blur. 135mm Elmar and Tele Elmar (first version) heads both come off and are usable on Visoflex with adapter 16464, as are the Elmar 65mm and the head of the Elmarit 90.

Teddy

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I faced the same choice a while ago. When I found a Lux at a decent price, I decided to go for it, mainly because I thought that I could resell it without a loss if I don't like, something that seem unlikely if I were to get a new Cron (which at the time was more expensive anyway). As it turned out, I loved the Lux from day one, and while I sometimes get the focusing wrong, it is just gorgeous if you nail it.

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Guest guy_mancuso

Little accessory for the Lux fans that i got and really like

 

http://www.leicagoodies.com/ Look for the steer

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Guest guy_mancuso

Ruben it is double stick foam on the inside of it and the rubber bands hold it in place. It does not press to hard but it is firm.

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I use the 180 Elmarit with a Visoflex III ( type for microscope, matte screen removable from the front and M8 frame painted on with thin marker) for b&w, mostly very slow film It is soft at full aperture and draws nicely with - to me - pleasing background blur. 135mm Elmar and Tele Elmar (first version) heads both come off and are usable on Visoflex with adapter 16464, as are the Elmar 65mm and the head of the Elmarit 90.

Teddy

 

Addendum: Sorry, I neglected to mention that for the 135 Elmar f4 lens head you also need adapter 16472, which screws into 16464.

Teddy

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Guy, I got a steer too, and in addition to working really well, it is very snappy looking. Glad you suggested is previously.

 

Rubén and Georg, these pix demonstrate what this wonderful lens can do in the right hands.

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The 75 lux arrived this afternoon. Too late to even look at files tonight, but thanks for the suggestions. Guy, Bill--I had forgotten about Leicagoodies, and the addition of the STEER to the lens seems a great idea. In the meantime, thanks for the suggestion about the filter. In fact, the thin filter seems to be a good idea, as I tend to skip using lens caps, anyway, as I'm always losing them. Now to find a 1.25x magnifier....

 

Thanks all,

Norm

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