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vor 1 Stunde schrieb Ernest:

The diagonals in the background that mirror the model's arms is oh so subtle. Applause for the way you orchestrate backgrounds in your studies. Mesmerizing model channeling Medusa.

Thank you very much Ernest for your kind words. The comparison with Medusa is really very good. This was my only photo were the background and her arms chimed together. 

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Our old hometown. Ektar in the Rolleiflex.

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On 1/6/2025 at 2:26 PM, Kl@usW. said:

No, it´s perfect !   and: there is no thing like too much fun... 

 

On 1/6/2025 at 3:49 PM, Wayne said:

There is this thing- probably a technical photography term of which I am ignorant- that to my mind results in a photograph more perfectly matching the memory of the moment, as opposed to presenting a perfect technical presentation of the actual subject at the time. Sort of like what your head creates as you ponder the past.....without benefit of having the photo in front of your eyes.  This photo has that thing. Thanks. It is perfect.

Best,

Wayne

 

 

16 hours ago, Ernest said:

So much of too much is more than enough to munch on.  Applause, applause. 

Thank you all so much! After a shoot with Natalia one comes away with a lingering smile and a bunch of films dying to be developed. Only a peek at the drying films is enough to return the smile. Printing the negatives results in a series of memorable scintillating tableaux. People and good memories are precious.

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The sculpture group refers to an anecdote that has been passed down in Offenbach. According to this, many years ago a Frankfurt citizen visited Offenbach in the winter. There he was attacked by dogs running loose. When he bent down to throw a stone at the animals, it was frozen solid. He then called out in the Frankfurt dialect: "Krieh die Kränk, Offenbach! Die Staa binne sie aa, die Hunde lasse se laafe." In standard German this means "Damned Offenbach! The stones tie them up, the dogs let them run." Offenbach, Germany

M6 from 1985 with Summilux-M 1:1.4 /35 (V2) 1991., Kodak Porta400@200

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Edited by lexffm
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Also connected (post before) is a bench in the schoolyard of the art college in Offenbach, Germany. But that has other reasons these days.

M6 from 1985 with Summilux-M 1:1.4 /35 (V2) 1991., Kodak Porta400@200

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Generation „Z“ in Offenbach, Germany

M6 from 1985 with Summilux-M 1:1.4 /35 (V2) 1991., Kodak Porta400@200

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First Picture from 2025.

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Leica IIIf, Schneider Kreuznach Xenar 2,8 50mm, AGFA APX 100. Scan from Negative.

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Chandelier of an Asian restaurant in Bad Schwalbach, Germany.

M6 from 1985 with Apo-Summicron-M 1:2 /50 ASPH., Kodak Porta400@200

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A flower level in the "Kleinmarkthalle" in Frankfurt, Germany

M6 from 1985 with Summilux-M 1:1.4 /35 (V2) 1991., Kodak Porta400@200

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Venice # 8 , Nov 2024, Sunset

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Hasselblad SWC, Portra 400

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This good boy came to live with us exactly one year ago today. 
 

Nikkormat FT2, Nikkor-H 85mm f1.8  wide open,  Kodak Pro Image 100, lab scan with minor corrections.  
 

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One more of the adorable goofball. 
 

Same as previous but Nikkor 55mm f1.2 factory AI version. 

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Lydia

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Berlin Moabit Agfa Record II 6X9 RPX 400

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