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Steve - very nice. True, there isn't the warmth and nasty reaction to the fluorescent lights that one might expect from portra 800 - which is a very good thing!. However, I think you'd expect much more red halos from the Cinestill - a dead giveaway. I am impressed by the color balance in this Subway shot.

Magic of Capture One 11 for setting the white balance.

 

 

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The BBC reported today that a French couple went missing in China for creating a mural the establishment didn't see as art.

 

RIP, Liu Xiao Bo – human rights champion, Nobel laureate. 

 

Honoured in Hosier (graffiti) Lane, Melbourne, VIC, Australia.

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T-Max 400

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Bergger Pancro400 4x5" (developed in PMK) in Chamonix 45F2 with Symmar-S MC 150.

 

My first PANCRO400 4x5" capture which convinces me for this film over TriX320: it's clean, carefully produced, which I haven't seen with TriX320 lately I'm sorry to say.

 

Also, I'm inclined to think that I like this better than the PhaseOne Monochrome option because film has a more natural sharpness than the ultimate digital.

Stunningly good, Otto.

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Inside one of the barns. With my old French friend. Of course..........Contre Jour for Henry.

 

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Semflex Otomatic, 75mm 3.5 Angenieux, FP4

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Toys in the barn.

 

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Semflex Otomatic TLR, 75mm 3.5 Angenieux, FP4

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Hey everyone, it's been a a couple months, haven't been too active but trying to jump back in. I need to catch up on the thread, it looks like it's been very busy! I've only shot a few rolls of film recently and honestly haven't been very inspired but that needs to change. Here's a recent one shot on tri-x, hoping to jump back in and find my mojo again haha ...

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Edited by SunnySixteen
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Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

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Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

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