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Gubbio

 

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M5, 40, Color Implosion, ns

 

Rgds

 

C.

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I don't have the Hasselblad any more, but I'm looking forward to putting some FP4+ through the Mamiya 7 soon. It is just a wonderful film, especially I think in medium format:  [Re: Hopetoun Falls, 2012]

 

This is a beautiful photograph, stray cat. So nice.

Take a bow, man!

Edited by Suede
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Gubbio

 

attachicon.gif170511_1_M5_0019.jpg

M5, 40, Color Implosion, ns

 

Rgds

 

C.

 

This is stupendous, Christoph - puts me in mind of de Chirico eg https://alchetron.com/Giorgio-de-Chirico-1276060-W#demo

 

I don't have the Hasselblad any more, but I'm looking forward to putting some FP4+ through the Mamiya 7 soon. It is just a wonderful film, especially I think in medium format:  

 

This is a beautiful photograph, stray cat. So nice.

Take a bow, man!

 

Thank you so much, Suede, I really appreciate that!

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Actually, here's a pair, taken at the same time as the last waterfall photo, using the (very useful) facility of interchangeable backs of the Hasselblad. Both taken using superb films - FP4+ and E100VS. I chop and change a bit over which one I prefer - do you have any thoughts either way?

 

p2497121764-5.jpg

 

 

p2497121761-5.jpg

 

hopetoun falls, 2012

hasselblad 500c/m, 80mm planar, kodak e100vs (top) and ilford fp4+

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Horse and Buggy

 

Just dusted off my 1953 Rolleiflex 3.5f TLR having not used it for years. My grandfather bought this camera from new and passed it to me as a 13th birthday present in 1959. I might use a bit more often.

 

Ilford Delta 100 Pro, shot in the shade hand held at 1/15th f3.5. The horse stood still, the driver moved! Minolta MultiPro scan

 

36977317195_0e5cb52ff2_o.jpg

 

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Actually, here's a pair, taken at the same time as the last waterfall photo, using the (very useful) facility of interchangeable backs of the Hasselblad. Both taken using superb films - FP4+ and E100VS. I chop and change a bit over which one I prefer - do you have any thoughts either way?

 

p2497121764-5.jpg

 

 

p2497121761-5.jpg

 

hopetoun falls, 2012

hasselblad 500c/m, 80mm planar, kodak e100vs (top) and ilford fp4+

 

Phil , more "savage" impression in watching color with wet fern plants and moss on stone

not visible in b&w. Only color give this impression.

For me color first and secondly b&w nice for water

Henry

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I don't have the Hasselblad any more, but I'm looking forward to putting some FP4+ through the Mamiya 7 soon. It is just a wonderful film, especially I think in medium format:

 

 

 

hopetoun falls, 2012

hasselblad 500c/m, 150mm sonnar, ilford fp4+

 

For the beauty of water , black and white gives a nice rendering here

Regards

Henry

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Horse and Buggy

 

Just dusted off my 1953 Rolleiflex 3.5f TLR having not used it for years. My grandfather bought this camera from new and passed it to me as a 13th birthday present in 1959. I might use a bit more often.

 

Ilford Delta 100 Pro, shot in the shade hand held at 1/15th f3.5. The horse stood still, the driver moved! Minolta MultiPro scan

 

 

 

Ray nice picture with good definition "à la manière de" film

The Minolta scan is a very good scanner may be a little better than V600 or 700

Henry

Edited by Doc Henry
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 Thanks so much !

 

 

 

These pictures from Mongolia are just so "present" - they actually give me some sense of actually being there with their wide field of vision and ezquisite detail. And has been remarked, the colours are just brilliant!

 

Brilliant shot , wow !

 

I don't have the Hasselblad any more, but I'm looking forward to putting some FP4+ through the Mamiya 7 soon. It is just a wonderful film, especially I think in medium format:

 

p1079198966-5.jpg

 

hopetoun falls, 2012

hasselblad 500c/m, 150mm sonnar, ilford fp4+

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Ray nice picture with good definition "à la manière de" film

The Minolta scan is a very good scanner may be a little better than V600 or 700

Henry

I presume that's a joke Henry. A little better than a flatbed!

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I just spent all of one penny on this:

 

https://www.amazon.co.uk/Larry-Bartletts-Photographic-Printing-Workshop/dp/0863433669/

 

I believe it consists of Bartlett showing his negatives and then what he did with them in the darkroom to arrive at the final print. (ie that bit we tend to deride as 'post-processing'!) There are more copies left if anyone is interested.

 

Chris

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I don't have the Hasselblad any more, but I'm looking forward to putting some FP4+ through the Mamiya 7 soon. It is just a wonderful film, especially I think in medium format:

 

 

 

hopetoun falls, 2012

hasselblad 500c/m, 150mm sonnar, ilford fp4+

 

Just excellent.  I'm a huge fan of FP4+ as well.  What do you develop it with? 

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The big dead gum at Halls Gap, Victoria

 

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Van Gogh Museum, Amsterdam

 

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Guest NEIL-D-WILLIAMS

Waiting for the tide to come in 6x6 with Hassy 503WC

Tmax 100

 

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Guest NEIL-D-WILLIAMS

God

Hasselblad 503CW

Tmax 400

 

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