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A few grittier contrail compositions. I didn't plan for the sky to look like this but messed up exposure so I had to edit them in post. Actually, I often struggle with scanning photos with a lot of sky shot on C41 or b&w. Especially those on C41 tend to be much more grainy than I like. 

 

M4 50/2 (11817) 5222 in Diafine

 

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Flickr

 

35280570461_bb5bd09918_b.jpg

 

Flickr

 

35370760126_d99b52eda3_b.jpg

Flickr

 

Philip simple and nice

Henry

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Well you certainly haven't made it easy for us this time, Adam :)

 

It's amazing how much the light changes a scene. This is pretty obvious of course but I hadn't fully appreciated the extent of this change in the context of a sunset. It's difficult to pick one as the 'best' photo but nos 1 and 4 appeal to me the most. The first one because the light is very pleasant and because the image seems to retain a great deal of detail in the buildings. It is a great sunset photo, better than nos 3 and 4 which Ektar seems to have depicted slightly too saturated for my liking. The fourth I like, and perhaps more than no. 1, because it is so unexpected. I would never have thought that the scene would look like that just minutes after no. 3, in particular that the sky would turn so grey. There's a very cool contrast between the greys and reds, like something taken from Sin City, the movie.

 

All this said, though, I think they work best as a series. That strengthens the contrast between them and makes each stand out the most clearly. It also shows what a spectacle a sunset really is. I've always liked the German word for sunset, Sonnenuntergang, the latter part of which (like in Swedish) can mean 'sinking' but also 'going under', 'downfall', 'destruction', 'demise' and 'doom'. All rather powerful words but then again seeing a star disappear, even if only for a night, is pretty massive.

 

br

Philip

 

 

Greetings from balmy Canary Wharf, looking forward to a quick one night stand here.

Here is The last of the June 8 NYC sunset series (5/5)
Another 6 min exposure, with the Ektar holding up pretty well, as well as the resolving power of the zeiss biogon lens on the swc

 

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Just scanned my latest roll, Fuji Natura 1600. Here's a selection of the better frames:

 

35277839472_f2ac5ca7e2_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839482_d4ae5e7944_o.jpgM7-ZM 50/2-Natura 1600 by edward karaa, on Flickr

 

35277839492_171c75703d_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839502_01402d2352_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839512_1a41164400_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839522_dc8f3ac060_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

34634566483_b19660a667_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

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Guest NEIL-D-WILLIAMS

Okay

So first of all the light leaks look like they are self inflicted ................when I put a film holder in the back of the camera and close the locking leaver it will leave about a 16th of an inch gap, with just a small press on the back of the camera it snaps into place with and obvious CLICK............I guess I have been over protective of the camera and didn't want to force anything..........so there you have it, it looks like Williams F@clked up again.

Next

I took a couple of pictures today of a flower arrangement that I prepared myself this morning. There is one shot wide open, there is one shot at F45 and another shot with the Leica S.................my question is which one looks the best, and why

A/.

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

B/.

C/.

Edited by NEIL-D-WILLIAMS
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From 1992...

in Mongolia 

 

 


Ektachrome 100 HC on a Pentax ME Super:
 

28008966940_bd08bcc102_b.jpg

Welcome drink, Molom by JM__, on Flickr

 

27946248810_6c7795fa7e_b.jpg

Molom welcoming visitors in the yourte - ger . by JM__, on Flickr

 

Tri-X Pan 6049 on Lubitel 6x6

 

9565479053_1c50b76d95_b.jpg

Welcome drink. by JM__, on Flickr

 

Cheers !

 

JM

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From 1992...

in Mongolia

 

 

 

Ektachrome 100 HC on a Pentax ME Super:

 

28008966940_bd08bcc102_b.jpg

Welcome drink, Molom by JM__, on Flickr

 

27946248810_6c7795fa7e_b.jpg

Molom welcoming visitors in the yourte - ger . by JM__, on Flickr

 

Tri-X Pan 6049 on Lubitel 6x6

 

9565479053_1c50b76d95_b.jpg

Welcome drink. by JM__, on Flickr

 

Cheers !

 

JM

That's an unbelievably difficult light for slide film. Well done!

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Brendan your picture in b&w are always superb :) specially this one

nice tree with great contrast and black tone

Thank you

Henry

 

Thank you Henry!

 

Beautiful tones!

 

Thanks Edward!

 

Very nice but looks like its been over sharpened in PP

 

Thanks!  Oversharpening is not all that likely since I don't do any sharpening in post, my guess is that the look is a result of Flickr attempting to downsize a 36mp file...

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Just scanned my latest roll, Fuji Natura 1600. Here's a selection of the better frames:

 

35277839472_f2ac5ca7e2_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839482_d4ae5e7944_o.jpgM7-ZM 50/2-Natura 1600 by edward karaa, on Flickr

 

35277839492_171c75703d_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839502_01402d2352_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839512_1a41164400_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839522_dc8f3ac060_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

34634566483_b19660a667_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

HA! FUJI NATURA 1600!................MAGIC FILM!. :)

 

I particularly like the second frame. It is like standing there and looking over the guy's shoulder.

 

Best,

 

Wayne

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Just scanned my latest roll, Fuji Natura 1600. Here's a selection of the better frames:

 

35277839472_f2ac5ca7e2_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839482_d4ae5e7944_o.jpgM7-ZM 50/2-Natura 1600 by edward karaa, on Flickr

 

35277839492_171c75703d_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839502_01402d2352_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839512_1a41164400_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

35277839522_dc8f3ac060_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

 

34634566483_b19660a667_o.jpgM7-ZM 35/1.4-Natura 1600 by edward karaa, on Flickr

So nice.

Sorry to hear, that Fuji will abandon this film. Unfortunately I couldn't buy it here in Germany anyway. Does anyone know if there is a difference to the Superia 1600?

 

Regards

 

Frank

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Thank you very much Wayne, Frank!

 

As far as I know, Natura 1600 is made only for the Japanese market. I ordered mine from Japan on eBay. I'm not sure how different it is from Superia but I have the impression it has lower contrast and saturation, and probably finer grain.

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Seems Maco has it, though it is on a few days' back order.

 

https://www.macodirect.de/film/farbnegativfilm/fuji-natura-1600-135-36?c=13

 

br

Philip

 

 

So nice.

Sorry to hear, that Fuji will abandon this film. Unfortunately I couldn't buy it here in Germany anyway. Does anyone know if there is a difference to the Superia 1600?

 

Regards

 

Frank

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Seems Maco has it, though it is on a few days' back order.

 

https://www.macodirect.de/film/farbnegativfilm/fuji-natura-1600-135-36?c=13

 

br

Philip

I could be wrong, but, when I ordered my latest batch of Fuji Natura 1600, seller, Japanese, commented that the film would no longer be available in the popular three pack. He did not say anything about the film being discontinued.

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