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So you also like green , after the green of Fuji and the red of Philip :)

 

 

Here some anothre green and his variation  :)

 

 

Kodak Portra 400-R8-35-70 Vario Elmar

 

Green of Etretat Cliff

 

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Green of the Channel

 

 

 

 

Kodak Portra 160-Leica M7-28 Summicron Asph

 

 

Green of Annecy the Old City

 

 

 

Enjoy the green :)

 

Regards

Henry

Edited by Doc Henry
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So you also like green , after the green of Fuji and the red of Philip :)

Here some another green and his variation  :)

Kodak Portra 400-R8-35-70 Vario Elmar

 

Green of the Channel

 

attachicon.gifImage2granvnk kodp400lfht++++950.jpg

 

Enjoy the green :)

Regards

Henry

 

... and the green of M9 , less green than in film

when you watch at first glance , green is also green I admit with you,

and seems nice too , but when you compare ... it's not the same green ! :)

This is what must be demonstrated

 

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M9-50 Lux Asph

Uncorrected DNG > Jpeg for post

 

Henry

Edited by Doc Henry
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Henry - Many thanks.  I really appreciate your feedback!

 

Great tones, Jean Marc.  Love that Portra 800 doing double duty :)

 

 

This is a fanatastic photograph. Now, as I type this in the "Reply" box, I am forced to view it in a panoramic view. The height is from the base of the waste can to the top of the passage through which the mother and child are passing. Even from that view it is fantastic.

 

 

I really like the composition on this one Jean-Marc. Very nice indeed.

 

br

Philip

 

 

Many thanks !

 

Portra 800 is one of my fave films .

 

Here from the same roll same combo - 35 Summicron v1 on Leica M2-R :

 

34437324904_6aa70de335_h.jpg

Welcome glance by JM__, on Flickr

 

Cheers, JM

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I need the collective wisdom here to help me with this one. I remember the circumstances of taking it, wandering about at dusk on the breakwater with a telephoto lens and shooting back towards the road leading into town, but when I saw the picture I could not for the life of me remember seeing that broad curved band of - whatever it is - across the center of the picture. I thought at first it must have been a light leak, or some processing error. Then I thought a weird cloud. I can't remember seeing one, but I do remember there being a huge storm the next day. My brother who is a PhD in meteorology couldn't work it out, either. I wish I could remember, but I can't. Any ideas?

 

p2369279163-5.jpg

 

Weird mysterious thing, Apollo Bay 2012

Canon F1N, FDn 300mm f4, Kodak E100VS

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I need the collective wisdom here to help me with this one. I remember the circumstances of taking it, wandering about at dusk on the breakwater with a telephoto lens and shooting back towards the road leading into town, but when I saw the picture I could not for the life of me remember seeing that broad curved band of - whatever it is - across the center of the picture. I thought at first it must have been a light leak, or some processing error. Then I thought a weird cloud. I can't remember seeing one, but I do remember there being a huge storm the next day. My brother who is a PhD in meteorology couldn't work it out, either. I wish I could remember, but I can't. Any ideas?

 

p2369279163-5.jpg

 

Weird mysterious thing, Apollo Bay 2012

Canon F1N, FDn 300mm f4, Kodak E100VS

It looks like lens flare to me. I've seen similar flare from telephoto lenses. Just a guess.

 

In any case, it's very esthetic no matter what caused it. A happy accident :)

Edited by edwardkaraa
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That long expired  Portra 800 roll and the M2 + 35 Sumicron combo did travel quite a bit...

 

from Rio de Janeiro :

 

35231625856_1151d3aa8a_b.jpg

Café > by JM__, on Flickr

 

to  my native Provence :

 

35115126162_5ce643efbf_b.jpg

Cap Sicié by JM__, on Flickr

 

Cheers, JM

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For Henry: Ektar; red; green.

 

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M3, 90mm Elmar Collapsible

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The 28mm summaron seems to handle backlighting well and seems fairly even across the frame. I know my 28mm and 35mm summicron asph lenses would both produce an unpleasant veiling in a situation like this.

 

Do you have any experience of comparing the 28mm summaron with the 28mm summicron asph? If you have, I'd be interested in your comments.

 

 

I haven't compared them directly because I sold my 28 Summicron quite soon after acquiring the Summaron. However, part of my motivation for buying the latter (after having tested a copy) was that it seemed more resistant to flare than the two lenses you mention. For most of 2015-16 I was using a 35 Summicron ASPH almost exclusively and, whilst I like the lens very much, its ability to handle flare isn't one of strengths. The Summaron isn't impervious to flare by any means but it doesn't do the classic aspherical flare blobs (vivid elongated torus type shapes) that seems to be the hallmarks of the 28 and 35 Summicrons (and also the 24 Elmarit which I have owned in the past). Instead it tends towards a more gentle loss of contrast and occasionally a little green triangular blob, like in the example below. If you really push your luck, the Summaron will show a big shimmer of veiling flare that isn't particularly attractive.

 

M0003814w.jpg

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Guest NEIL-D-WILLIAMS

... and the green of M9 , less green than in film

when you watch at first glance , green is also green I admit with you,

and seems nice too , but when you compare ... it's not the same green ! :)

This is what must be demonstrated

 

attachicon.gifL1013505granvm9la50lfht+++950.jpg

 

M9-50 Lux Asph

Uncorrected DNG > Jpeg for post

 

Henry

 

Love the boats Henry

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Guest NEIL-D-WILLIAMS

I need the collective wisdom here to help me with this one. I remember the circumstances of taking it, wandering about at dusk on the breakwater with a telephoto lens and shooting back towards the road leading into town, but when I saw the picture I could not for the life of me remember seeing that broad curved band of - whatever it is - across the center of the picture. I thought at first it must have been a light leak, or some processing error. Then I thought a weird cloud. I can't remember seeing one, but I do remember there being a huge storm the next day. My brother who is a PhD in meteorology couldn't work it out, either. I wish I could remember, but I can't. Any ideas?

 

p2369279163-5.jpg

 

Weird mysterious thing, Apollo Bay 2012

Canon F1N, FDn 300mm f4, Kodak E100VS

 

Phil

No idea what happened there but I like it....I like it a lot :)

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Guest NEIL-D-WILLIAMS

 

 

 

 

 

 

Many thanks !

 

Portra 800 is one of my fave films .

 

Here from the same roll same combo - 35 Summicron v1 on Leica M2-R :

 

34437324904_6aa70de335_h.jpg

Welcome glance by JM__, on Flickr

 

Cheers, JM

 

Love this......this is my kind of Photography

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Guest NEIL-D-WILLIAMS

Ive just developed 2 rolls of Across 100 and 2 sheets of 8x10...........I still have 4 more rolls of Across, 3 ross of Etkar 100 and 4 sheets of 8x10. I guess I won't be going tp far tomorrow :) :)

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I need the collective wisdom here to help me with this one. I remember the circumstances of taking it, wandering about at dusk on the breakwater with a telephoto lens and shooting back towards the road leading into town, but when I saw the picture I could not for the life of me remember seeing that broad curved band of - whatever it is - across the center of the picture. I thought at first it must have been a light leak, or some processing error. Then I thought a weird cloud. I can't remember seeing one, but I do remember there being a huge storm the next day. My brother who is a PhD in meteorology couldn't work it out, either. I wish I could remember, but I can't. Any ideas?

 

p2369279163-5.jpg

 

Weird mysterious thing, Apollo Bay 2012

Canon F1N, FDn 300mm f4, Kodak E100VS

 

Phil, superposition of two photos ?

Anyway I find this photo pretty and especially beautiful color

Best

Henry

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I haven't compared them directly because I sold my 28 Summicron quite soon after acquiring the Summaron. However, part of my motivation for buying the latter (after having tested a copy) was that it seemed more resistant to flare than the two lenses you mention. For most of 2015-16 I was using a 35 Summicron ASPH almost exclusively and, whilst I like the lens very much, its ability to handle flare isn't one of strengths. The Summaron isn't impervious to flare by any means but it doesn't do the classic aspherical flare blobs (vivid elongated torus type shapes) that seems to be the hallmarks of the 28 and 35 Summicrons (and also the 24 Elmarit which I have owned in the past). Instead it tends towards a more gentle loss of contrast and occasionally a little green triangular blob, like in the example below. If you really push your luck, the Summaron will show a big shimmer of veiling flare that isn't particularly attractive.

 

M0003814w.jpg

 

Very nice contre-jour Ian :)

I like much when all the details and specially color are still visible in the shadows 

specially small yellow flowers :)

About 28 Summicron and 35 Summicon the 28 has much flare in comparison

With the summaron 28 (the new one) you think Ian , you don't have flare

Anyway contre-jour has always flare but It's nice IMO

Best

Henry

Edited by Doc Henry
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Ive just developed 2 rolls of Across 100 and 2 sheets of 8x10...........I still have 4 more rolls of Across, 3 ross of Etkar 100 and 4 sheets of 8x10. I guess I won't be going tp far tomorrow :) :)

 

Good news Neil :)

Have you received my PM ?

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