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Another dandelion.

 

Semflex Otomatic TLR, Angenieux 3.5, Holga 120 400 ISO.

 

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Iris

 

Same camera,lens, film

 

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While I was in America this past couple of weeks I took one camera, one lens and nine rolls of one film stock. My purpose of the trip, which I booked the evening before I flew out at 9:30am the next day, was totally unrelated to photography. The presence of my camera enabled me to get some space and unwind my mind from the pressing issues I found myself dealing with. It helped more than I could have anticipated. I intend writhing an essay about it to post on my website.

 

Anyway, enough talk, here is a picture:

 

 

Boston, April 2017

M6TTL, 35mm Summicron, Tri-X

Proves my thought that you could easily live with one camera and lens I reckon. Sort of have to with the SWC.

Gong to adopt this one/one approach with the MP, either lock the spares away or sell them off.

Great shot Phil.

Gary

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Proves my thought that you could easily live with one camera and lens I reckon. Sort of have to with the SWC.

Gong to adopt this one/one approach with the MP, either lock the spares away or sell them off.

Great shot Phil.

Gary

 

Gary , yes for one camera if you like only (in example) b&w or color

I notice that during the conversion of color in b&w in film (by crop)

and the same notice for digital , you lose details and definition.

Better you stay in color in digital. The conversion color >b&w is

approximative way ! not ideal if you're a purist :)

 

For my next trip or mission , I'll take M7 for color and MP my M monochrome

the 2 SLR as back up. Lens 35, 28mm and a MacroElmar 90 ... may be also

the 50.

 

For the shot of Phil , nice definition,contrast and grain. 

Thanks

Best

Henry

Edited by Doc Henry
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My first roll of film in 6 years. These are scans from the lab. I am waiting to receive my Epson V600 so that i can scan the film from another lab that developed my M3 film, because their scans were terrible. Should be able to get better detail on these pictures as well. 

Of coarse i don't want to saturate all of you with an entire roll of film lol. 

So heres maybe 3 or 4 that i like.

All these take with Canon AE-1, 50mm f1.4, Ilford HP5.

 

Lovely picture

 

Canon AE-1, 50mm f1.4, Ilford HP5

 

The grain of the floor and grass are superb

 

Canon AE-1, 50mm f1.4, Ilford HP5.

 

Another lovely picture

 

Ok last one for today.

 

I like the grain of the statue

All in Ilford HP5 very nice film

 

... and Welcome Alex , If you have more pictures I'll take them :D

Thank you for posting

Henry

Edited by Doc Henry
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Another dandelion.

 

Semflex Otomatic TLR, Angenieux 3.5, Holga 120 400 ISO.

 

attachicon.gifimg439.jpg

 

Iris

 

Same camera,lens, film

 

attachicon.gifimg440.jpg

 

Wayne , in these pictures , I like specially the grain of this film , a little blurry 

and the "soft" aspect of black and grey.The Iris is very nice like a b&w charcoal

painting

Thanks

Henry

Edited by Doc Henry
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While I was in America this past couple of weeks I took one camera, one lens and nine rolls of one film stock. My purpose of the trip, which I booked the evening before I flew out at 9:30am the next day, was totally unrelated to photography. The presence of my camera enabled me to get some space and unwind my mind from the pressing issues I found myself dealing with. It helped more than I could have anticipated. I intend writhing an essay about it to post on my website.

 

Anyway, enough talk, here is a picture:

 

<snip>

 

Boston, April 2017

M6TTL, 35mm Summicron, Tri-X

 

Glad you had the diversion, some sanity under difficult circumstances! You will point us to your essay I hope? The photograph is certainly a good teaser.

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I really like the second one (fourth in the series). The detail in the shadows in the foreground is what HP5 does particularly well.

 

Thank you Doug. You're right Ilford HP5 is a good b&w film !

My result after some dozen rolls of this film

Henry

 

...  who said "each new film is a new sensor" :) 

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This is a very nicely executed portrait Charles.

 

 

Amber

 

attachicon.gifAmber_Essen.jpg

 

501C - 150mm Sonnar - Ilford Delta 400

 

 

Welcome Alex. I particularly like the first photo.

best

philip

 

My first roll of film in 6 years. These are scans from the lab. I am waiting to receive my Epson V600 so that i can scan the film from another lab that developed my M3 film, because their scans were terrible. Should be able to get better detail on these pictures as well. 

Of coarse i don't want to saturate all of you with an entire roll of film lol. 

So heres maybe 3 or 4 that i like.

All these take with Canon AE-1, 50mm f1.4, Ilford HP5.

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Thank you for your kind comments Gary, Henry and Charles. Charles I will certainly point you all to my essay - I just have to write it first! BTW your portrait of Amber is really lovely, and a great choice of location. The 150mm Sonnar for the Hasselblad is a very special lens.

 

In the meantime this is another picture from the trip. The contrast range here was quite extreme:

 

p2309599798-5.jpg

 

Isabella Stewart Gardner Museum, Boston, April 2017

M6TTL, Summicron 35mm, Tri-X

Edited by stray cat
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I know that stuff, it's the stuff you exported to our fair land many years ago, and we've spent the rest of the time trying to eradicate it. GORSE. :D

 

 

Must have come with the rats.  :D  I rather like Gorse personally as it can flower at almost any time of the year and can provide a bit of colour during the bleaker winter months. 

 

Some more gorse: this time looking east along the South Dorset Ridgeway above Abbotsbury. Portra 400 and 28 Summaron.

 

M0003447-tw.jpg

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Must have come with the rats.  :D  I rather like Gorse personally as it can flower at almost any time of the year and can provide a bit of colour during the bleaker winter months. 

 

Some more gorse: this time looking east along the South Dorset Ridgeway above Abbotsbury. Portra 400 and 28 Summaron.

 

M0003447-tw.jpg

 

One from Keith country (don't think I've seen Keith in the thread for a while?). Portra 400.

 

34422050626_5504c93838_b.jpg

 

Ian , S U P E R B pictures specially the second ....color , definition , contrast perfect nothing to say :)

Thanks Ian for posting

I really like this thread  ! I am like Phil :D  one of the two threads I follow with "I love my M7" .

Best

Henry

Edited by Doc Henry
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Thank you for your kind comments Gary, Henry and Charles. Charles I will certainly point you all to my essay - I just have to write it first! BTW your portrait of Amber is really lovely, and a great choice of location. The 150mm Sonnar for the Hasselblad is a very special lens.

 

In the meantime this is another picture from the trip. The contrast range here was quite extreme:

 

p2309599798-5.jpg

 

Isabella Stewart Gardner Museum, Boston, April 2017

M6TTL, Summicron 35mm, Tri-X

Phil , I like much this black specially coming from TX . It's normal IMO

Thanks for this lovely picture

Best

Henry

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Proves my thought that you could easily live with one camera and lens I reckon. Sort of have to with the SWC.

Gong to adopt this one/one approach with the MP, either lock the spares away or sell them off.

Great shot Phil.

Gary

 

When I travel and have no particular photographic subjects in mind I take just one camera and one lens - usually the IIIg and 50/2.8 Elmar or IIIf with SBOOI and 50/1.4 Canon LTM.

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Edward I just scan this picture taken in Bangkok (rare picture) :)

If i find more I'll post here for you

 

 

Bangkok in the 1990's

Edward , less traffic at this time  :)

I like these tuk tuk ,we are sitting behind, we see the back of the driver
and he is also our air bag
. In Laos you have same tuk tuk :)

 

Leica R4S-Summicron 50-Fuji Superia 100

 

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Rg

Henry

 

 

 

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