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Hi All , just pass M10 thread ,  I see this thread of Nowhereman

http://www.l-camera-forum.com/topic/268393-m10-color-rendition-compared-to-m9-m240-sl-cameras/

That's the proof it has something not satisfying in color for the sensor.

As I said above,spectrum of sensor curve and spectrum of eyes curve*  do not match in comparison

and as long as it does not match , we will always have a problem of similarity

This is valid for Leica and for all other digital brands...

NHM speaks about color of skin in digital...

 

Henry - You've missed my point, which is in the very first posting in the thread you linked. I wrote, "One of the reasons that I didn't buy the M240 was its color rendition compared to that of the M9. My view was reinforced reading posts by two photographers with excellent color vision and perhaps the same taste in color as I have: Marc Williams ("fotografz") and Charles Peterson. I don't want to refight old battles, but they both felt essentially that, if you fixed the [M240] colors you wanted (say, skin tones), other colors would go out of whack..."

 

In other words, I didn't have a skin tone problem with the M9; nor do I have one with the M10, which, in my view, has some color rendition improvements the give still more flexibility in processing than the M9. I made no overall statement on digital cameras having problems with skin tones.  

 

More generally, I find your continuous bashing of digital a detriment to this thread — but you know that, for I have written so several times. I could post here an M10 picture showing excellent skin color, apparent "grain" in highlights and the rendition of "pores" in the skin, which you seem to think cannot be done with digital, but there is no point in doing so. I would have thought that seeing good, and some excellent, film shot should be sufficient for this thread.

 

Cheers, Mitch

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Have you ever tried Capture One to process your raw files I find the colours far superior to Lightroom also in one of the threads they were comparing The M240 to a Fuji and it is common knowledge that fuji produce probably the best jpg's of any make

 

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very nice composition

We are soon in May and the North of France is cold minus 2°C

so I post for you another picture of our canal frozen in Februray 2017

taken during my biking ride .. with problem of frozen finger for triggering

minus 10°C :)

 

Kodak TMAX400 (for Klaus)-Leicaflex SL-50 Summicron

 

attachicon.gifImage18cankodtmax400lxslfeslfht+++950.jpg

 

Best

Henry

 

I currently listen on SACD  "Anton Bruckner" Symphony  n°3, on my tube amplifier

I recommand you by Simone Young as conductor  !  great interpretation  of Bruckner

as in cameras for comparison, I have 3 interpretations of this same symphony

 

Thanks, Eoin. Never thought panty hose would define me; but I'll take it!

Excellent, Adam. I consider this one of your best, which is saying something!

 

This is a really lovely, Ian.

The Palladian bridge at Prior Park.

 

And view from the bridge

M0003101-w.jpg

 

Nice, Chris.  The earth tones are reddish like Ektar.  I also got this with he Portra 160 from my 120 rolls from Miami.  This is surprising as I was expected less saturated and neutral earth tones.

More Portra 160:

 

34139314031_36cd2bb3c1_c.jpg

Flotsam 2 by chrism229, on Flickr

 

34229645886_0bd4dfc81f_c.jpg

Flotsam 1 by chrism229, on Flickr

 

34139281961_5cd9098183_c.jpg

Cormorants by chrism229, on Flickr

 

C.

 

very nice, Klaus.

FM3A, 135/2.8, Fuji C200

 

attachicon.gifFM3A_Maerz_18.jpg

 

Those redtones are always tricky with digital. The sun was quite low and lightended this part almost without refelctions for this view.

 

Very nice.

FM3A, 135/2.8, Fuji C200

 

attachicon.gifFM3A_Maerz_17.jpg

 

Lovely composition, Richard!

Just before sunrise from Mevagissey, Cornwall. Mackerel sky with HP5+, 50mm Summilux III probably.

33726298901_9ee3f5e477_c.jpg

 

And the fine colour of Fuji Pro400H at Tintagel, same lens.

32873004004_324a876300_c.jpg

 

I just realised that second shot is from 107 rolls of film ago! I have a bit of catching up to do..

 

Really nice, Henry.

Blois Castle

Apr 2017

 

 

Kodak TMAX400-Leica MP-Summicron 35 A.

 

attachicon.gifImage27bloiskodtmax40mpfeslfht++++-2-550.jpg

 

Rg

H

 

Nice Neil, but looks a bit flat.

4 x 5 Portrait of my wife T-Max 100 

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Too much chit chat and not enough photos. :)

 

Back to flowers. In the UK the Pasque flower is now uncommon and is limited to chalk or limestone grassland that is grazed just right (not too much, not too little). Therfield Heath in Hertfordshire has probably the best remaining display of these flowers – certainly it must have the greatest numbers in one place – and this year's show was stunning by any measure. 

 

Portra 400 and Macro Elmar-M

34192730851_385a14834d_b.jpg

 

Ditto

34192733131_b6bb574b9a_b.jpg

 

 

28 Summaron-M

tumblr_op4q5megKo1r1w4b4o1_1280.jpg

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Too much chit chat and not enough photos. :)

 

Back to flowers. In the UK the Pasque flower is now uncommon and is limited to chalk or limestone grassland that is grazed just right (not too much, not too little). Therfield Heath in Hertfordshire has probably the best remaining display of these flowers – certainly it must have the greatest numbers in one place – and this year's show was stunning by any measure. 

 

Portra 400 and Macro Elmar-M

34192730851_385a14834d_b.jpg

 

Ditto

34192733131_b6bb574b9a_b.jpg

 

 

28 Summaron-M

tumblr_op4q5megKo1r1w4b4o1_1280.jpg

 

really nice, Ian.

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Back to my infatuation with the Manhattan Bridge in NYC.

 

This one with the Hassy SWC and Ektar.

 

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Leica m2 +Voigtlander 50mm f/1.5 + acros develop&scan lab

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Guest NEIL-D-WILLIAMS

Back to my infatuation with the Manhattan Bridge in NYC.

 

This one with the Hassy SWC and Ektar.

 

I take it this is a view from your living room window :) :) :) :) 

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I take it this is a view from your living room window :) :) :) :)

 

ha, ha, no but I do live in Manhattan

 

I was thinking the same about you and those cows  :lol:

Edited by A miller
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I bought an OM2n a couple of years ago and never got around to playing with it. I was so jealous of my brother's OM1 back in the early seventies, and I'm beginning to remember why. Those microprisms make focusing so easy for old eyes!

 

50/1.4, XP2, HC-110, X1:

34325833295_86bd965e19_c.jpg

Orchid by chrism229, on Flickr

 

34167831802_156d734286_c.jpg

Dobson's Creek by chrism229, on Flickr

 

33941953330_243ccf39cc_c.jpg

Malagash beach by chrism229, on Flickr

 

I'm going for my last opera weekend in Toronto next week, and I'm thinking I shall take this little beauty just for fun.

 

C.

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Spring has taken on a decidedly wintrier feel in the last week or so (there have been frosts overnight this week). These were taken about three weeks ago when it almost felt like summer.

 

At Shaw's Corner in Hertfordshire – George Bernard Shaw's former house. 28 Summaron-M and Portra 400.

 

34167018812_758b986697_b.jpg

 

 

34284020646_ae02bb5330_b.jpg

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A long exposure with the new 120 format of Cinestill 800T.

Looking north at Miami Beach, overlooking the (crescent shaped) Fountainbleu Hotel.

 

Hassy SWC

 

Overall, I am doubting that Ektar wouldn't have been better.

 

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Need help?

NYC

M-A, 28 elmarit pre-asph, Cinestill 800T w/ 85B filter

 

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M3, 50 Summicron DR, Svema Color 120

 

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Out walking about in "Deep America" when I saw red and thought of Henry. While composing, the gentleman rushed out of the door: WHY ARE YOU TAKING PICTURES OF MY HOUSE?" I showed him my old film camera, told him it was a hobby, and loved taking shots of different shades of red. He became friendly and curious, and we talked about film for a few minutes. He was amazed folks were still using it. Ultimately he let me take the photo, which I ruined by getting my finger near the lens.

 

M3, 50 Summicron DR, Svema 120 Color.

 

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You see, Henry, your influence in bringing back awareness of film photography knows no bounds. :)

 

 

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Immediately following my encounter with the gentleman in previous post, I ran into this young man who peddled right up and asked if he could have my camera. I struck a bargain: he lets me take his photograph, and I let him use the camera to take a shot of me. 

 

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The price paid:

 

 

M3, 50 Summicron DR, Svema 120 Color

 

 

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