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Peak District on another overcast winter's day, Acres Wild, all to myself. I find it fascinating how random tunes come mind when I'm out walking!

 

Leica MP

CV 12mm

Adox Silvermax

Love the presentation and vignette drawing the eye in. Nice one.

 

Christopher

 

 

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Here's one I took around 2003 (FM3a + Nikkor 45mm/2.8P; Reala) on the Inland Kaikoura Road in the vicinity of Mt Lyford, Land of the Long White Cloud.

I'm sorry the photo looks over sharpened.

 

attachicon.gifInland Kaikoura Road.jpg

Lovely landscape; love the layering and sense of depth as the uv makes the distant mountains hazy.

 

Great shot.

 

Christopher

 

 

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Another from Saturday afternoon on the Marlborough Downs. 1957 Leica IIIg, 1951 Summicron 5cm Collapsible, Acros100, Rodinal.

 

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Womens March Londen, 21 Jan 2017

 

Developed at home in Rollei rpx-d. Leica M4, Voigtländer 15mm III

 

Tips and suggestions welcome.

 

 

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Edited by cdwouda
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Scaffolding.

 

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The High Line, NYC.

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I'm trying to do a little more blogging at the moment to give a little more purpose to the general shooting that I do and to put what I find about shooting film in a place other than my head.  

I'd appreciate a little feedback on this post if that's OK.  If this is not the place please say and I'll delete the post.

 

The write up is about the photos from the Veledrome I took recently.

 

http://russelljd.co.uk/national-track-championships-2017/

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I'm trying to do a little more blogging at the moment to give a little more purpose to the general shooting that I do and to put what I find about shooting film in a place other than my head.  

I'd appreciate a little feedback on this post if that's OK.  If this is not the place please say and I'll delete the post.

 

The write up is about the photos from the Veledrome I took recently.

 

http://russelljd.co.uk/national-track-championships-2017/

Very good, Russell. I like your writing style. It would be good to read more in there of the experience shooting at the event.

 

Indoor velodromes (even relatively new ones like Manchester) tend to have both dim and inconsistent lighting. Well done for the shots you got.

 

Here are a few more from Aigle on Tri-X...

28111272014_da96c93784_b.jpgD002 by Eoin Christie, on Flickr

 

28933237425_f9ec988c1f_b.jpgA002 by Eoin Christie, on Flickr

 

28314761394_99f229d5bb_b.jpgA001 by Eoin Christie, on Flickr

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I like this, Jean-Marc. The ghosted figure adds another dimension to it.

 

Absolutely, a nice accident, was obviously on a  slow shutter speed due to a dark red filter fitted on the 35 Summicron and 50 ISO film.

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Very good, Russell. I like your writing style. It would be good to read more in there of the experience shooting at the event.

 

Indoor velodromes (even relatively new ones like Manchester) tend to have both dim and inconsistent lighting. Well done for the shots you got.

 

Here are a few more from Aigle on Tri-X...

28111272014_da96c93784_b.jpgD002 by Eoin Christie, on Flickr

 

28933237425_f9ec988c1f_b.jpgA002 by Eoin Christie, on Flickr

 

28314761394_99f229d5bb_b.jpgA001 by Eoin Christie, on Flickr

Thanks Eoin, I'll have a look at where I can write a little more about the actual shooting itself.

 

Love the shots too! It's made me want to got a lot more often tot he Veledrome.

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Hi Henry, the scanner that was used at the printing place was a Fuji SP-3000, I have not gotten myself a film scanner yet. What would you recommend as a good one for me to scan my own personal negatives?

 

I hope that the next place I get to process the film will develop them so as the colour and sharpness will be as sharp as I have pictured in my head!

There was a place just round the corner from me called UK film lab they have moved to Canada and are now called Canadian film lab, you can still send it to UK address and it is forwarded, the scans are top quality see Keith M's posts sharp and lovely colour

 

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Through a shop window.  IIIg, 5cm Summicron Collapsible, Acros100, Rodinal.

 

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I snapped up an SWC/M a couple of months ago! Wow. I love it! Very much!! So versatile for such a 'basic' camera. I'll have to get around to uploading some of my scans from it...

 

In the meantime, a couple of older 80FE Planar, Ektar shots. 

Colour is a bit iffy. I gave up my own colour development since these. Too many bad rolls. The blix went bad in a heartbeat.

Such limited options with C41 kits here and dev costs are minimal, so now it's someone else's problem!

 

32166889230_03d4a02dfb_b.jpg

 

32423463691_0595cae039_b.jpg

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I'm trying to do a little more blogging at the moment to give a little more purpose to the general shooting that I do and to put what I find about shooting film in a place other than my head.  

I'd appreciate a little feedback on this post if that's OK.  If this is not the place please say and I'll delete the post.

 

The write up is about the photos from the Veledrome I took recently.

 

http://russelljd.co.uk/national-track-championships-2017/

I like your writing style as well, though for me the story stops a bit apruptly. I am wondering: after all your ponderings about the film/developer combinations, how did you like the results, what would you do differently next time? What have you learned?

 

Rgds

 

Christoph

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