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The Hasselblad 500C arrived just before I had to dash to town for a (social) meeting.  A quick perusal raised some questions.  In image 1 there appears to be a fastener missing from the small oblong black plate. Anyone know what the plate is for and should I be concerned about the lack of fastener?

Image 2 of the right side shows a small button below the the shutter-tension knob.  Purpose?

Image 3 shows the lever on the lens between the words "Synchro" & "Compur".  Purpose?

(All images Leica Q).

 

PS - apologies if people feel this is too much of a digression! 

 

PS2 - thank goodness for this film-load video!

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Edited by Keith (M)
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The Hasselblad 500C arrived just before I had to dash to town for a (social) meeting.  A quick perusal raised some questions.  In image 1 there appears to be a fastener missing from the small oblong black plate. Anyone know what the plate is for and should I be concerned about the lack of fastener?

Image 2 of the right side shows a small button below the the shutter-tension knob.  Purpose?

Image 3 shows the lever on the lens between the words "Synchro" & "Compur".  Purpose?

(All images Leica Q).

 

PS - apologies if people feel this is too much of a digression! 

 

PS2 - thank goodness for this film-load video!

 

Image one is the auxilliary shutter synch.  The 'missing fastener' that you refer to is not a missing fastener, it is the socket for the synch cable hook.

Image two is the mirror lock-up lever

Image three is the dof preview lever.

 

A little light reading for you: http://www.butkus.org/chinon/hasselblad/hasselblad_500c/hasselblad_500c.htm

Edited by honcho
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Now that's a box-camera Keith.

Others have covered most of the obvious.

I have a book on the Hasselblad series which I can "scan" relevant sections if you really get stuck, or the manual which Steve linked to isn't sufficient.

Good luck, this is the beginning of another nice journey.

Gary

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Thanks guys. Have downloaded and read the manual on the Butkus site (should have thought of that myself - doh!).

Cosmetically the camera is virtually pristine and makes all the right noises when activated.  Even my wife was impressed by its appearance (unlike with the slightly careworn GW690II I bought earlier this year).  Must find time tomorrow to go shoot the roll of Tri-X I just loaded and there should be time over the weekend for a dev session.  

 

So, film-wise I now have 35mm rangefinders x 3; 35mm SLR's x 2; 6x6cm TLR x 1; 6x6cm SLR x 1 and 6x9cm rangefinder x 1  :0  Did someone mention 5x4"?  Get thee behind me, Satan!  ;)

 

And now back to our usual broadcast...

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The 500 series is awesome, and virtually indestructible Keith. Just be sure to observe the state of the body and lens, the cocking state, before you mount a lens. Not a biggie, but it can/will catch you if you're not careful.

Gary

 

If you experience a jam, as you may well do at some point, DO NOT force the lens!

 

It's a good idea to carry an unjamming tool.

Edited by honcho
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Walking on water in clear Hebridean October air.

 

Hasselblad 503cw

Zeiss 50mm cfi distagon

Fuji Velvia 50

 

 

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Using the SWC as a street camera Eoin?

Great shot.

Gary

Hi, Gary. That is likely to be its main career path, as it's stuck with me, and that is where most of my photo's are snapped. I've developed a bunch of test films over the last few days, but haven't really had a chance to look at them in detail (and haven't had time to digitize, hence the paltry effort of 1 this morning).

As with most wide angles, the package seems to benefit from having some foreground, and it is fairly easy to obtain plenty of DOF. I'm hoping to get out over the weekend and get a bit 'streety' somewhere with plenty of humanoid traffic.

 

You can add yourself to the list of those culpable in my descent into the dark and dingy SWC-dens of dark alleyways.

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If you experience a jam, as you may well do at some point, DO NOT force the lens!

 

It's a good idea to carry an unjamming tool.

Cough, splutter - that's a tenth of what I paid for the camera etc!  Thanks for the tip, but anyway at this stage I do not envisage changing lenses (that would be pushing my luck...)

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Cough, splutter - that's a tenth of what I paid for the camera etc!  Thanks for the tip, but anyway at this stage I do not envisage changing lenses (that would be pushing my luck...)

I agree! Save your fifty+ quid by adopting an absolute protocol of checking lens and body cocked status before attempting connection.

Also check magazine wound status to avoid accidental double exposure.

Have fun.

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Cough, splutter - that's a tenth of what I paid for the camera etc!  Thanks for the tip, but anyway at this stage I do not envisage changing lenses (that would be pushing my luck...)

 

The 80mm planar you have on the camera is a great lens and will serve you well.

 

For it's age, the camera seems to be in good cosmetic condition.  Did you buy it from the Hasselblad shop at Aperture UK?

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Some new friends from Williamsburg, Brooklyn

Hassy 503cw, 80mm planar, Fuji Pro 400H

 

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