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Cracked salty scorched earth flakes, The Dead Sea, Israel


SWC, Velvia 50


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Rolleiflex 3,5C, Delta 100, D76 1:3

 

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Henry, you brought some really good pics from your latest trip!

 

James you are right . :)

It's also my impression because this time I don't purchase Portra 400 too much sensitive for this country

During my last mission I only took with Portra 400 the most and a little Portra 160. For b&w only Kodak Tmax

with fine grain and low Isos (100) and only some TX400 but mainly last time.

 

Lovely. Terrific composition.

 

Thank you Michael for passing and commenting :)

 

Best regards

Henry

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Terrific nature shot Henry. I particularly like how the cloud formation is rendered.

 

 

Thank you Philip for your nice comment . I appreciate :)

I do not regret to shoot more film this time than digital.

and also to shoot mostly with Ektar one of Adam favorite film

Best

Henry

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 Eilean Glas, Scalpay.  The 'blue hour', almost dark.  The problem of course with very long exposures at this time of day is that the light is dropping at the same time as reciprocity failure means increasing your exposure, so you're in something of a guessing game at times.  Really getting know your chosen film can be an advantage.

 

Hasselblad 503cw

Zeiss 150mm cf sonnar

Fuji Velvia 50

Very nice picture Steve

Magnifique color :)

Best

Henry

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Rolleiflex 2.8GX, XP2, Rodinal, X1 scans:

 

29013989273_c43d757b0d_c.jpg

Pippa 2016 #16 by chrism229, on Flickr

 

Using the Rolleinar 1 close up lens set:

29014024513_dbe2a1d863_c.jpg

Inca Berry by chrism229, on Flickr

 

and a silly one for the end of the roll:

29603155146_ef989b004e_c.jpg

Framed by chrism229, on Flickr

 

Chris

Chris remarkable pictures

High definition but "soft" impression

Best

Henry

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Today I treated myself a new scanner for the medium format. It is a Epson V550, thus being on the low cost end in the scanner world, but my first few tests with Vuescan gave some good results. I have to cope with my first roll of Velvia 50 - the reds are much to saturated. Any advice for this film in combination with Vuescan is much appreciated. In case anyone feels hungry:

 

attachicon.gifBild-1-396.jpg

Mamiya 645 1000s - Kodak Vericolor 100 (long expired)

 

James V550 and 600 are good scanners.

You can improve the scan with BetterScanning glass anti Newton ring.

The film is "flat" when you scan :)

Best

Henry

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Very lovely composition and blues with a painterly sky.  Really nice and among your best IMHO.

 

this one is really seller.  The film really has a classic look.  Definitely worth trying.

 

Thanks, Jean-Marc.   :)

 

 

Can you make PS stop, or have you fed the beast so much that it has acquired a mind of its own and taken over your household?!? :)

Thanks Adam for your nice comment

 

Here another with Kodak Ektar 100 developed in Tetenal at 30°C

 

 

Phu Ninh the lake and reflection

 

Leica M7

35 Summilux Asph

 

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It seems that Jean in Reunion Island will switch to the "dark" side * and goes to digital.

He is wrong unlike me who leaves the digital !

Good luck Jean !

 

Best

Henry

 

* like Dark Vador in Star Wars :)

The film is the best support and the most sensitive of all sensors together

The advantage is "natural" and not synthetic image ! I have yet experienced this time

during my humanitarian mission.

Edited by Doc Henry
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another picture in Kodak Ektar100  this time :)

 

Dawn at TamKy

 

 

Leica M7-35 Summilux Asph

Kodak Ektar

dev home Tetenal 30°C

 

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Rg

H.

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From a visit to FOAM recently (For those not in the know FOAM is a photo exhibition location in Amsterdam)


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Leica MP - 50mm summicron - Ilford HP5

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From a visit to FOAM recently (For those not in the know FOAM is a photo exhibition location in Amsterdam)

attachicon.gifHelmut_Newton.jpg

 

Leica MP - 50mm summicron - Ilford HP5

 

...  and the look to the photographer :)  Charles you have an admirer

Well done and very nice b&w tone

Best

Henry

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Testing of my new scanner continues. This time with an evening sky from Denmark:

 

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Mamiya 645 1000s - Kodak Vericolor 100

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And here another impression from the Baltic Sea. I tried to desaturate the reds but am not fully convinced...

 

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Mamiya 645 1000s - Velvia 50

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Thanks Adam for your nice comment

 

Here another with Kodak Ektar 100 developed in Tetenal at 30°C

 

 

Phu Ninh the lake and reflection

 

Leica M7

35 Summilux Asph

 

attachicon.gifImage9phuninhektar100m7feclrsuplfht+++600.jpg

 

It seems that Jean in Reunion Island will switch to the "dark" side * and goes to digital.

He is wrong unlike me who leaves the digital !

Good luck Jean !

 

Best

Henry

 

* like Dark Vador in Star Wars :)

The film is the best support and the most sensitive of all sensors together

The advantage is "natural" and not synthetic image ! I have yet experienced this time

during my humanitarian mission.

This is a very nice shot, Henry!

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