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50 Summicron, Kodak Gold, M3

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One fine day.

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16 minutes ago, Kl@usW. said:

This is what happens if  you forget to take off the yellow filter and the scanner white balance doesn't get it... 

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II (D) ;  Elmar 3,5cm, P400

I'm pretty sure we've all been there, Klaus. Add to that forgetting to remove lens caps and misloading film thinking you've loaded it correctly until you come to unwind and it goes back into the cassette all too quickly.

Having said all that, it's still a lovely picture in all its yelowness.

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HP5 & 35:1.4v2

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Edited by grahamc
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vor 2 Stunden schrieb stray cat:

I'm pretty sure we've all been there, Klaus. Add to that forgetting to remove lens caps and misloading film thinking you've loaded it correctly until you come to unwind and it goes back into the cassette all too quickly.

Having said all that, it's still a lovely picture in all its yelowness.

Thank you Phil.  And I agree, the " unexpected  fast rewind" is one of  the worst moments in a film-photographers life... of course I´ve been there too. 

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Kuba, Contax G2, 45mm, Ektachrome

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On 4/29/2024 at 11:06 PM, stray cat said:

pineapple girls, oaxaca mexico 2011

50mm summicron, portra 160VC

So precious, and it really pops with that dark background.

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Weekend Lift Diptych
MA Summilux-M 50 ADOX Color Implosion

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Edited by Ernest
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charro, mexico 2011

m6ttl, 35mm summicron, portra 160vs

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vor einer Stunde schrieb stray cat:

charro, mexico 2011

m6ttl, 35mm summicron, portra 160vs

Very good Phil! I like these portraits with 35mm, not too close and you also see a very interesting background

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Am 30.4.2024 um 13:53 schrieb grahamc:

Kodak Ultramax & MP , 35:1.4v2

 

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Ahhh fantastic! It is a composition like in a movie! You can hear the sea and the water  when she is leaving the pool. 

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5 minutes ago, benqui said:

Very good Phil! I like these portraits with 35mm, not too close and you also see a very interesting background

Thank you sincerely, Marc. I've always considered the environmental aspect of your wonderful portraits adds so much context and interest to them. We the picture-makers are, after all, responsible for all that is in the frame.

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23 minutes ago, benqui said:

Ahhh fantastic! It is a composition like in a movie! You can hear the sea and the water  when she is leaving the pool. 

Thanks a lot Marc, I was happy with this and very glad you like it 😁

all the best

graham 

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British Window somewhere on Evelyn Road, London

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I-2 with Polaroid I-type color film

 

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Ready for departure. Le Crotoy Northern France, 04.2024. Leica IIIf, Elmar 3,5 50mm, AGFA APX100, dev. in Moersch Finol. Scan from Negative.

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On 5/1/2024 at 11:47 AM, Kl@usW. said:

This is what happens if  you forget to take off the yellow filter and the scanner white balance doesn't get it... 

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II (D) ;  Elmar 3,5cm, P400

I think it’s brilliant Kl@us, far more interesting than a ‘straight’ as seen shot. I’m sure I have a yellow filter somewhere to have a go.

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11 hours ago, Nachtmsk said:

M6 with 35/cron

Film is Scala 50, processed in the BW slide kit

This has rather a haunting look to it. It's partly the result of either expired chemistry or I messed up the re-exposure step while processing the positives. It looks like I ran it through a filter, but there was no post processing on this image.  Whatever it was, I liked the result.

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It is great! Looks like it comes straight out of a good movie. 

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