Ernest Posted January 24, 2021 Share #74021 Posted January 24, 2021 Advertisement (gone after registration) 14 hours ago, christoph_d said: Colourstudies, 39 years ago. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Contax 139, Planar 1.4/50, Orwo UT18 I hope you have some more studies to share with us! This one is floating my boat. 1 Link to post Share on other sites More sharing options...
Advertisement Posted January 24, 2021 Posted January 24, 2021 Hi Ernest, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
Ernest Posted January 24, 2021 Share #74022 Posted January 24, 2021 15 hours ago, stray cat said: Oh, yeah! This one WANTS to be noticed! Big, bold and brassy in Y*E*L*L*O*W, disorder in the order ("yes sir, no sir, three bags full sir"), daringly, dangerously red-lining at the top. Run it up the flagpole with that wire and see who salutes it! But hang on - what's going on here? - it's been REDACTED! A wonderful, mischievous and alluring interplay Rog. Most certainly billboard-sized in the backlit transparency propping up one of those round corners in the Guggenheim! Wink, wink--nudge, nudge, my wishdream of all time, to claim some real estate with art in the incomparable Guggenheim. Billboard-sized, no less! Gasp! (Never mind the slight incongruity of flat art on a curved wall, architectural rules beg to be challenged.) Yes, I started with the notion of redacted yellow journalism. Yellow was a truck making a delivery on 2nd St., and I worked to get that wire just so, which was part of the back door mechanism. I didn't realize it would stand in for the flag pole hoist, as you creatively suggest. The flag of yellow journalism coaxing saluting. Absolutely, as you point out, "disorder in the order." The wire as the connotation of tensile strength and the dangers of tension. It's true, I imagined the text and exactly what would be redacted: the heading with the date and perhaps an ambiguous letterhead, then the addressee, the opening argument certainly needed obscuration, and don't forget the end focus of the first paragraph. Is there perhaps a second paragraph or an enumeration of bullet points mandating a call to action. Certainly, the concluding finality of an order with a note of urgency is unquestionably redacted, as is the identity of author. It's all there but isn't there. Yellow journalism with blood red laceration. My posting preceding this one I titled Censorship, but it is actually the color field of a book burning--the ultimate redaction. Thanks, Phil, for fleshing out the redactions of my disordered piece. Now, I can lean back in a Wassily chair and daydream the Guggenheim. Phil, you're too funny. 1 1 Link to post Share on other sites More sharing options...
Ernest Posted January 24, 2021 Share #74023 Posted January 24, 2021 17 hours ago, philipus said: Another one from the 'Where I have slept' project Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Flickr 203FE 40/4 Ektar X1 There's no denying the photographic record, evidence of three bodies that were once there, or perhaps are still there. And yet, the only witness cannot bear the sight. The palette: gray, titanium white, and cobalt violet (the color of clotted blood or nearly the signature of Roman royalty?). I am guessing the non-witness is Donald Sutherland heeding the direction, "Don't Look Now." 2 Link to post Share on other sites More sharing options...
Popular Post Wayne Posted January 24, 2021 Popular Post Share #74024 Posted January 24, 2021 (edited) Entrance to Primitive Area, National Muzzle Loading Rifle Association (NMLRA,) Friendship, Indiana...............Sweet relief from the Iphone. OOOOOh Yes! They are very serious about it. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Zeiss Super Ikonta IV, Fuji Acros Edited January 24, 2021 by Wayne 20 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Zeiss Super Ikonta IV, Fuji Acros ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124338'>More sharing options...
Ernest Posted January 24, 2021 Share #74025 Posted January 24, 2021 13 minutes ago, Wayne said: Entrance to Primitive Area, National Muzzle Loading Rifle Association (NMLRA,) Friendship, Indiana...............Sweet relief from the Iphone. OOOOOh Yes! They are very serious about it. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Zeiss Super Ikonta IV, Fuji Acros Well, no one is going to muzzle me; this is one awesome "shot!" Seriously! 2 2 Link to post Share on other sites More sharing options...
Bo-Sixten Posted January 24, 2021 Share #74026 Posted January 24, 2021 NYC 1980. Dusties revisited. Leica M4, FP4. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 15 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124374'>More sharing options...
christoph_d Posted January 24, 2021 Share #74027 Posted January 24, 2021 Advertisement (gone after registration) 7 hours ago, Ernest said: I hope you have some more studies to share with us! This one is floating my boat. Ernest, I will, if I find more 🙂. My filing system is not exactly foolproof, and I am plodding along searching through a selection of slide boxes to see what is worth scanning... Also, unlike my Kodachromes, Orwo UT18 has acquired a certain colour shift with time. Here's a picture from about the same time as the previous one - a colour study of a different kind if you want - September '82, somewhere on Mallorca. I probably used a very long f8/500 third party lens for this one. And I am not quite sure if I pushed the Agfa 50S to 200, which would explain the grain. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Yashica, 8/500 (?), Agfa 50S 8 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Yashica, 8/500 (?), Agfa 50S ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124427'>More sharing options...
John Robinson Posted January 24, 2021 Share #74028 Posted January 24, 2021 Picnic anyone? Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Leica M6, Summicron 50 (III), Kodak Ektar. 5 11 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Leica M6, Summicron 50 (III), Kodak Ektar. ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124429'>More sharing options...
Bateleur Posted January 24, 2021 Share #74029 Posted January 24, 2021 20 hours ago, mdachs said: First I took a photo of my apprentice Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! then she made a picture of me m6 2/90 I/2 xp2 Joachim Lovely photo's Joachim, especially the details, the busy workspace before your apprentice, her concentrated look and your activity with the torch. 1 Link to post Share on other sites More sharing options...
verwackelt Posted January 24, 2021 Share #74030 Posted January 24, 2021 vor 5 Stunden schrieb John Robinson: Picnic anyone? Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Leica M6, Summicron 50 (III), Kodak Ektar. I take the Ham-Sandwich… Link to post Share on other sites More sharing options...
frame-it Posted January 24, 2021 Share #74031 Posted January 24, 2021 Leica iiif/kodak Portra 160/Nippon Kogaku Nikkor 5cm Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 10 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124698'>More sharing options...
frame-it Posted January 24, 2021 Share #74032 Posted January 24, 2021 Leica iiif/kodak Portra 160/Nippon Kogaku Nikkor 5cm Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 9 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124699'>More sharing options...
Popular Post frame-it Posted January 24, 2021 Popular Post Share #74033 Posted January 24, 2021 Leica iiif/kodak Portra 160/Nippon Kogaku Nikkor 5cm Patterns Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 20 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124700'>More sharing options...
Steve Ricoh Posted January 24, 2021 Share #74034 Posted January 24, 2021 Ektar EI 200; FM2n Nikkor 50mm f1.2 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 18 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124721'>More sharing options...
thschm Posted January 24, 2021 Share #74035 Posted January 24, 2021 Silent Moment III Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Hasselblad 500cm, Planar 2,8/80mm, Ilford HP5+, Adox FX39II, Vuescan, Epson V800, darktable 19 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Hasselblad 500cm, Planar 2,8/80mm, Ilford HP5+, Adox FX39II, Vuescan, Epson V800, darktable ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124723'>More sharing options...
Popular Post Rennrocky Posted January 24, 2021 Popular Post Share #74036 Posted January 24, 2021 Kalmar Slott Leica II CV 3.5 28 mm HP5 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 23 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124767'>More sharing options...
mdachs Posted January 24, 2021 Share #74037 Posted January 24, 2021 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! m6 1.4/35 pre xp2 Joachim 8 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! m6 1.4/35 pre xp2 Joachim ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124876'>More sharing options...
dimm Posted January 24, 2021 Share #74038 Posted January 24, 2021 Print on the wall M3 | Summaron-M 28mm f/5.6 | Kodak TMax 400 (20 years old) | Rodinal 1:50 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 14 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=4124926'>More sharing options...
Ernest Posted January 24, 2021 Share #74039 Posted January 24, 2021 10 hours ago, christoph_d said: Ernest, I will, if I find more 🙂. My filing system is not exactly foolproof, and I am plodding along searching through a selection of slide boxes to see what is worth scanning... Also, unlike my Kodachromes, Orwo UT18 has acquired a certain colour shift with time. Here's a picture from about the same time as the previous one - a colour study of a different kind if you want - September '82, somewhere on Mallorca. I probably used a very long f8/500 third party lens for this one. And I am not quite sure if I pushed the Agfa 50S to 200, which would explain the grain. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Yashica, 8/500 (?), Agfa 50S This is a very luminous rendition: grain and color shift underscoring a color impressionist statement, the depiction of the changing quality of light in the landscape. And what I find significant, like a visual footnote, is the small figure. squatting, perhaps collecting something with his blue bucket. This footnote is a statement that this is the mediation of wild nature with man's tilled farm fields. The line of shrubs cutting across the field may be an irrigation trough or simply a fence, but it serves man's industry, nonetheless. The Monet lighting and coloration calls to mind earlier 18th-century aesthetics of the sublime and the beautiful, on one hand, and the picturesque on the other. In 1775, Thomas Gray mentioned his use of a "Claude glass" to view the picturesque to fully appreciate its nature. The Claude glass, named after painter Claude Lorrain, was a blackened mirror that artists or observers used to create art works in the style of Claude Lorrain. An artist held this small pocket mirror, turned his back to the scene, and observed the landscape reflected in the mirror. Certainly, it's pre-photographic and a backward glancing view of nature that you have photographed here head-on. Not generally recognized is the notion of the 18th-century in terms of pre-cinema, since William Gilpin, who defined the picturesque aesthetic, mounted a Claude glass on his carriage to observe "a succession of high-coloured pictures . . . continually gliding before the eye." I wonder if he should be credited with the first rearview carriage mirror. Thanks, christoph_d, for this inspiring work. A very large print would emphasize the 18th-century heritage. 3 1 Link to post Share on other sites More sharing options...
Ernest Posted January 24, 2021 Share #74040 Posted January 24, 2021 4 hours ago, Steve Ricoh said: Ektar EI 200; FM2n Nikkor 50mm f1.2 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Wow! I even want to crop for just the blur. A winner, taking a victory lap in overdrive! Link to post Share on other sites More sharing options...
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