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Another sunset pic from a recent road trip.

After driving for 2 hours under cloud cover and drizzle, I was lucky to  get a brief moment of sunshine as the sun was setting at around 9:40PM.

 

Twelve Apostles, Great Ocean Road, Victoria, Australia

Hasselblad, 50mm FLE, Expired stock of Fujifilm NPC 160

 

Regards,

Ramesh

Glorious colours, I'll have to keep my eye open on eBay.
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I guess the one above comes from the same area as this one:

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

M4-P - Cron 35 - Ektar

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And just one more:

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

 

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Advertisement (gone after registration)

Another sunset pic from a recent road trip.

After driving for 2 hours under cloud cover and drizzle, I was lucky to  get a brief moment of sunshine as the sun was setting at around 9:40PM.

 

Twelve Apostles, Great Ocean Road, Victoria, Australia

Hasselblad, 50mm FLE, Expired stock of Fujifilm NPC 160

 

Regards,

Ramesh

 

 

What a wonderful landscape with these fine pastel colors. Thanks for sharing!

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Ramesh,

 

Astonishingly beautiful as usual, and only 2 hours up the road ;)

 

What did you rate the NPC160 at for exposure. I’m sure I still have some in the freezer from 2008.

 

Cheers

 

J :)

Thank you for your kind words. 

I rate both the Fujifilm and Kodak 160 films at 100.

 

Cheers,

Ramesh

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Guest Nowhereman

A wonky horizon for Adam from last spring (actually I don't think it is as wonky as it looks, it is a canal bank that is angling away from where I was stood)...

 

 

Ian - I'm not sure one always wants horizons to be straight; sometimes even a little slant may help the composition. There is a classic book, Cezanne’s Composition: Analysis of his form with diagrams and photographs of his motifs, by Erle Loran, a painter, who in the 1920s lived a couple of years in Cezanne's studio. He photographed some of Cezanne's motifs, shown in his book together with analytical diagrams highlighting Cezanne's composition: including slanting horizons, leaning verticals and tables whose right and left sides don't line up. Here's a page from the book.

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A wonky horizon for Adam from last spring (actually I don't think it is as wonky as it looks, it is a canal bank that is angling away from where I was stood). Portra 400.

 

26024336908_62ff9319cf_b.jpg

 

 

 

More Meadow buttercups.

 

39186853814_f311842c6e_b.jpg

 

Lovely set of images. Love the colour rendition of Portra and your skills in capturing it - subtle and under stated.

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Steve, nice image - you have nailed the exposure. I am a sucker for compositions with leading lines :-)

Thanks Ramesh - I'm the same, but normally the more subtle variety.

Exposure wise I used an incident meter, compensating for the yellow filter. Might have been September or October, but definitely in the sunny UK. :)

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