Popular Post Steve Ricoh Posted December 26, 2017 Popular Post Share #44481 Posted December 26, 2017 Advertisement (gone after registration) Think I'm finally getting the hang of the Plustek scanner... Here my latest scan having engaged with Negafix M6 35 Tri-X Beer by -Steve Ricoh- 20 Link to post Share on other sites More sharing options...
Advertisement Posted December 26, 2017 Posted December 26, 2017 Hi Steve Ricoh, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
Wayne Posted December 26, 2017 Share #44482 Posted December 26, 2017 Think I'm finally getting the hang of the Plustek scanner... Here my latest scan having engaged with Negafix M6 35 Tri-X Beer by -Steve Ricoh- I would say that you have. When I think of scanners, I am reminded of the fondness I developed for the controversy associated with the "white balance" feature associated with digital cameras. Then, having few beers is in order. 3 Link to post Share on other sites More sharing options...
Steve Ricoh Posted December 26, 2017 Share #44483 Posted December 26, 2017 (edited) And another rather incidental offering, M6 35 f/2, HP5+, Plustek scan Chinese Art by -Steve Ricoh- Edited December 26, 2017 by Steve Ricoh 18 Link to post Share on other sites More sharing options...
philipus Posted December 26, 2017 Share #44484 Posted December 26, 2017 I agree with you Steve. As for the last sentence though, while I'm no darkroom expert I'd wager that more is possible with a hybrid workflow than can be done in the darkroom, particularly in that one is able to make very fine or detailed adjustments to photographs and thereby improve them more or more easily. Ultimately it's how the photographer wants the photograph to look which matters, and thankfully we all enjoy freedom in that respect. I do not see any harm in post processing a scan to correct or to enhance for artistic reasons. Isn't this broadly equivalent to darkroom techniques, accepting that software post processing and digital printing is likely to be inferior to wet tequniques. 4 Link to post Share on other sites More sharing options...
Doc Henry Posted December 26, 2017 Author Share #44485 Posted December 26, 2017 (edited) I would say that you have. When I think of scanners, I am reminded of the fondness I developed for the controversy associated with the "white balance" feature associated with digital cameras. Then, having few beers is in order. And another rather incidental offering, M6 35 f/2, HP5+, Plustek scan Chinese Art by -Steve Ricoh- Steve good definition , contrast and b&w tone Nice pictures and composition Plustek scan seems a compromise of digitalizing film Best Henry Edited December 26, 2017 by Doc Henry 1 Link to post Share on other sites More sharing options...
Steve Ricoh Posted December 26, 2017 Share #44486 Posted December 26, 2017 I agree with you Steve. As for the last sentence though, while I'm no darkroom expert I'd wager that more is possible with a hybrid workflow than can be done in the darkroom, particularly in that one is able to make very fine or detailed adjustments to photographs and thereby improve them more or more easily. Ultimately it's how the photographer wants the photograph to look which matters, and thankfully we all enjoy freedom in that respect. I think you're probably right, Philip. It should be easier by far to dodge and burn in the digital domain than with sticks and cut outs during enlarging. I think part of me is reminiscing from my early days in the darkroom.But in terms of the wet silver gelatin print, it's unparalleled. But I've heard but I'm not sure how accurate it is, that silver gelatin printing can be produced using a digital record of the negative. It seems plausible given it's another light source. 1 Link to post Share on other sites More sharing options...
becker Posted December 26, 2017 Share #44487 Posted December 26, 2017 (edited) Advertisement (gone after registration) MP 40 mm DK Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited December 26, 2017 by becker 14 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3425820'>More sharing options...
Popular Post fotomas Posted December 26, 2017 Popular Post Share #44488 Posted December 26, 2017 In the closed coalmine Zeche Zollverein, Kohlenwäsche Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Sinar F 4x5", 65 mm SuperAngulon, HP5 27 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Sinar F 4x5", 65 mm SuperAngulon, HP5 ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3425821'>More sharing options...
becker Posted December 26, 2017 Share #44489 Posted December 26, 2017 its just work Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 16 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3425822'>More sharing options...
Doc Henry Posted December 26, 2017 Author Share #44490 Posted December 26, 2017 (edited) I think you're probably right, Philip. It should be easier by far to dodge and burn in the digital domain than with sticks and cut outs during enlarging. I think part of me is reminiscing from my early days in the darkroom. But in terms of the wet silver gelatin print, it's unparalleled. But I've heard but I'm not sure how accurate it is, that silver gelatin printing can be produced using a digital record of the negative. It seems plausible given it's another light source. Steve and Philip, recently I spent many nights to print with my Focomat It's easy to enlarge and choose the format size of paper you want and it's a pleasure to enlarge according to your choice , enlarge one portrait or crop interesting part of your neagtive . I prefer to work in my darkroom than in front of my computer. Best Henry Edited December 26, 2017 by Doc Henry 4 Link to post Share on other sites More sharing options...
becker Posted December 26, 2017 Share #44491 Posted December 26, 2017 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 14 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3425825'>More sharing options...
gbealnz Posted December 26, 2017 Share #44492 Posted December 26, 2017 Gary and I trying to be artistic by shooting a selfie (or is that a wefie?) on a passing bus. Ghent Ha, had forgotten about that one, and I suspect there'll be more. Good shot. Gary 3 Link to post Share on other sites More sharing options...
Doc Henry Posted December 26, 2017 Author Share #44493 Posted December 26, 2017 In the closed coalmine Zeche Zollverein, Kohlenwäsche 032F93.jpg Sinar F 4x5", 65 mm SuperAngulon, HP5 Frank superb black Thank you Henry 1 Link to post Share on other sites More sharing options...
Doc Henry Posted December 26, 2017 Author Share #44494 Posted December 26, 2017 MP 40 mm DK ll beach.jpg its just work brick 1.jpg summer 3.jpg Becker it's magic Really nice series in film Best Henry 1 Link to post Share on other sites More sharing options...
Popular Post becker Posted December 26, 2017 Popular Post Share #44495 Posted December 26, 2017 (edited) work again M2 50 mm Elmar coll. Adox Art ser Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited December 26, 2017 by becker 22 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3425847'>More sharing options...
becker Posted December 26, 2017 Share #44496 Posted December 26, 2017 M2 50 mm Elmar Coll Adox Art Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 13 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3425856'>More sharing options...
philipus Posted December 26, 2017 Share #44497 Posted December 26, 2017 Surely, this must be the SL that Henry meant Looks great in Shirley's hands, methinks. Flickr 50/1.4A Portra 160 (EI80) Ha, had forgotten about that one, and I suspect there'll be more. Good shot. Gary 14 Link to post Share on other sites More sharing options...
EoinC Posted December 26, 2017 Share #44498 Posted December 26, 2017 Think I'm finally getting the hang of the Plustek scanner... Here my latest scan having engaged with Negafix M6 35 Tri-X Beer by -Steve Ricoh- I think you've nailed it, Steve. Scanning Grandmastery. 3 Link to post Share on other sites More sharing options...
EoinC Posted December 26, 2017 Share #44499 Posted December 26, 2017 ...But I've heard but I'm not sure how accurate it is, that silver gelatin printing can be produced using a digital record of the negative. It seems plausible given it's another light source. ...or with Platinum Palladium printing... 3 Link to post Share on other sites More sharing options...
EoinC Posted December 26, 2017 Share #44500 Posted December 26, 2017 MP 40 mm DK ll beach.jpg This is one of my favourites so far, Becker. Please keep them coming - I'm addicted. 2 Link to post Share on other sites More sharing options...
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