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Hoosiers.

 

J, a better friend than I deserve. One of the best carpenters around. Not much heart for dealing with mechanical issues, though.

 

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Minox LX, Foma 100

Edited by Wayne
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Chrism and Philipus have fired my spirit.

 

First you have cubism, and then you have........well..........squashism?

 

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Minox LX, Foma 100

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Hoosiers. Canine variety.

 

Owner let me scratch and pet for a few minutes. Nothing like making a couple new friends. Appears to have an interest in cameras.

 

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Minox LX, Foma 100

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I'll participate in this cube game.

A couple from Rotterdam.

Leicaflex SL

35 Summicron R

Ilford XP2

Plustek 8100

Gary

 

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Needs to be on a Minox, or at least your Pen with Tri-X or some other super-grained film. :D

Gary

I'm glad you mentioned what you did, I'm thinking of getting a Pen F to enhance the 'grain to subject' ratio. If one goes to the bother of shooting film, it needs to look like film. If someone pauses and asks: 'Is this film or digital', you've more or less wasted your time and money. Edited by Steve Ricoh
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strong contrast week is almost over for Mr Miller... :)

IIIg, 28 summaron, Portra 400 +1

Lunch, Park Avenue, NYC

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The Pen Fs are cool for a bunch of reasons. Not the lease of which is the fact that using one feels very similar to using a Leica. I mean, there are obvious differences, but in general, they have the same sort of fun factor. And getting over 70 frames on a 36 exposure roll is pretty cool, too.

 

Audience.

 

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Pen F, Fuji 200 Superia

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I'm glad you mentioned what you did, I'm thinking of getting a Pen F to enhance the 'grain to subject' ratio. If one goes to the bother of shooting film, it needs to look like film. If someone pauses and asks: 'Is this film or digital', you've more or less wasted your time and money.

Wasn't actually me telling how it was done Steve, sorry. I was having a nice dig at Wayne with his distinctive Minox shots.

You're right though, the thought of a Pen F has me considering it as well.

I'm finding the exact similarity though with my M/F shots, they can look like digital, very clean and sharp. I like them like this though, makes me feel better for forking out so much money for the best lenses, and "bigger" film.

Gary

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R8 with APO Elmarit 180 on Kodachrome 64, a film (formerly?) infamous as the Kodachrome that scans the worst of all three. I scanned this one with SilverFast 8.8 with settings on Kodachrome. I just changed the WB automatically in C1

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Edited by otto.f
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FM3A, Fuji C200, Micro- Nikkor 70-180

 

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Guest NEIL-D-WILLIAMS

R8 with APO Elmarit 180 on Kodachrome 64, a film (formerly?) infamous as the Kodachrome that scans the worst of all three. I scanned this one with SilverFast 8.8 with settings on Kodachrome. I just changed the WB automatically in C1

Otto

I like that kind of picture.............it brings out the creative photographer in you

 

Neil

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