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I was summoned to our office in Canary Wharf, London, for a couple of days last week.  Only had a few small windows of time for some shooting; but I did bring along my Hassy SWC and an agenda...

 

This shot of the 8am morning commute with the motion blur has been on my bucket list....  If you look closely on the second staircase from the right you can see the same balding man riding the escalator most of the way up :).  And that "ADAM" sign is NOT a watermark :) :)

 

Canary Wharf Tube Station

SWC, Tri-X

attachicon.gifCanary Wharf.jpg

 

lovely, trippy !

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From a couple of weeks ago in Harlem...

Hassy 503cw, 250mm sonar superachromat, Ektar

attachicon.gifHArlem-2.jpg

 

 

 

 

Here's the vantage point, fwiw (although a bit earlier in the afternoon)

 

Super shot Adam, a really unique combination of telephoto and longer exposure, thanks for sticking around for the golden hour light.

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I was summoned to our office in Canary Wharf, London, for a couple of days last week.  Only had a few small windows of time for some shooting; but I did bring along my Hassy SWC and an agenda...

 

This shot of the 8am morning commute with the motion blur has been on my bucket list....  If you look closely on the second staircase from the right you can see the same balding man riding the escalator most of the way up :).  And that "ADAM" sign is NOT a watermark :) :)

 

 

Canary Wharf Tube Station

SWC, Tri-X

attachicon.gifCanary Wharf.jpg

Adam,

 

As soon as you put people back into your photography I'm getting more interested :).

Excellent execution, made me think immediately of Frank Hovarts "gare Saint-Lazare" and some work of Alexey Titarenko.

 

Out of interest, what was the film you used and the exposure time?

 

Rgds and keep it going,

 

Christoph

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Thank you!

 

Thanks Henry!

 

Thank you Steve!  I try to always have some sort of camera with me, and keep an eye out for opportunities.

 

 

 

Much appreciated Henry and Steve!  I do print some of my work, but I don't currently own a full-size photo printer and don't have a location permanent enough for a darkroom, so I usually only make 4x6 prints from a small portable printer that I have for now.  I have a few 11x14s, 16x20s and two 30x30s that I had made up at a local lab.  Hoping to get an inkjet printer next year, and have room for a darkroom in the next few years.  I would really like to get printing on a regular basis.

 

Here's one from last winter.  This is from the only FP4 roll that I've shot in 35mm, need to get a few more rolls for landscape work!

 

M3, Zeiss 50/2 Planar, FP4, D76:

 
35863185362_70074aebfb_c.jpg
Untitled by Brendan | Toews, on Flickr

 

 

Very nice picture and composition

Black is superb and snow as real and in relief on my Eizo screen

 

Send me your negative and I'll print for you in silver gelatine paper "free" !  :)

not inket printer please

Best

Henry

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Tasmanian Landscape II

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

M4-P, 28, Rollei IR400, svn

 

Rgds

 

C.

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It's very cool, Adam. Now owning a 40mm lens for my Hasselblad I am feeling the attraction of shooting wide on MF. Out of curiousity, was there a particular reason you did not line up the floor line vertically? It does add an interesting 'flaw' to an otherwise technically well executed photo. And how did you get it to look a tiny bit sepia?

 

br

philip

 

I was summoned to our office in Canary Wharf, London, for a couple of days last week.  Only had a few small windows of time for some shooting; but I did bring along my Hassy SWC and an agenda...

 

This shot of the 8am morning commute with the motion blur has been on my bucket list....  If you look closely on the second staircase from the right you can see the same balding man riding the escalator most of the way up :).  And that "ADAM" sign is NOT a watermark :) :)

 

Canary Wharf Tube Station

SWC, Tri-X

attachicon.gifCanary Wharf.jpg

 

 

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Tasmanian Landscape

 

attachicon.gif170412_2_M4-P_0053.jpg

M4-P, 28, Rollei IR400, svn

 

Rgds

 

C.

 

Tasmanian Landscape II

 

attachicon.gif170412_2_M4-P_0060.jpg

M4-P, 28, Rollei IR400, svn

 

Rgds

 

C.

 

 

Christoph - you certainly made the most of your photo opportunities during your visit to Australia - there has been stunning variety and all with impeccable quality. And you look like you enjoyed yourself above all! First rate stuff!

 

... and I agree with Phil.

 

Your series with this film are outstanding . I also send you my congratulations to bring with 

you film equipment , to take these nice landscapes and another australian pictures

Really amazing film giving certainly a plus for all your pictures

Also great thanks for posting in this thread Christoph !

 

Black and white are superb in these pictures

Best

Henry

Edited by Doc Henry
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^ LOL!! and a really nice shot to boot.

 

 

This is the classic 'face height' Aussie spider, patiently waiting for its catch.

When I do pre-dawn excursions in local bushland I'm always swishing my tripod ahead as a 'spider shield', getting a face full of web in the dark at 5am is never the best way to start the day.

 

Rolleiflex, Portra 400

35892823426_ed8cea795e_c.jpg

 

Simple and beautiful Richard :)

Beautiful color

Thank you

Henry

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I am back with some Cinestill shots from a meeting of car tuners a week ago. All done with my Mamiya 645 1000s with Sekor-C 80 on Cinestill 800T in 120. No schmootz so far :)

 

attachicon.gifBild-1-41.jpg

 

Picture was cropped

 

Another bike shot:

 

attachicon.gifBild-2-3.jpg

 

And the last for today:

 

attachicon.gifBild-3-2.jpg

 

Hi James  glad see you back after your flood

Pictures 2 and 3 have great colors , and Wow for the blue

Thank you James taking time to post again

Best

Henry

Edited by Doc Henry
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Both eyes open Bresson. One of the great benefits of RF photography.

 

Yes Steve :) ... and no liveview on M :angry:

I have 2 SLR and I still use for macrophotos but RF is the best for street photos

accurate human vision and redoutable catch "at the right moment" "à la manière de Henri Cartier Bresson" :)

Best

Henry

Edited by Doc Henry
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Yes Steve :) ... and no liveview on M :angry:

I have 2 SLR and I still use for macrophotos but RF is the best for street photos

accurate human vision and redoutable catch "at the right moment" "à la manière de Henri Cartier Bresson" :)

Best

Henry

 

Acurate and fast vision of the scene, only some few seconds to catch walkers , seagulls in the RF

to compose , to frame and to release shutter .

 

Redoutable mecanical RF ...nothing to replace human eyes and mecanical system !

 

 

Kodak TX400-Leica MP-50 Summilux Asph

 

 

Paris Street Photos

July 2017

 

 

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

 

 

Best

Henry

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I was summoned to our office in Canary Wharf, London, for a couple of days last week.  Only had a few small windows of time for some shooting; but I did bring along my Hassy SWC and an agenda...

 

This shot of the 8am morning commute with the motion blur has been on my bucket list....  If you look closely on the second staircase from the right you can see the same balding man riding the escalator most of the way up :).  And that "ADAM" sign is NOT a watermark :) :)

 

Canary Wharf Tube Station

SWC, Tri-X

attachicon.gifCanary Wharf.jpg

The 'marching ghosts' certainly give the image an unusual atmsophere. Lovely tones and composition.

Hasselblad SWC (& tripod) - do they fit in the aircraft overhead stowage?  :)

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