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messy boat by Theodor Kierdorf, auf Flickr

Leica M-A 35 FLE

 

Thank you, Ilford FP4 Plus developped in ID 11 1+1 11 min. Scanned with Nikon Coolscan 9000 EE and no post processing.
Regards Theodor

 

Thank you Theodor for this nice picture :) .

You give us another proof , that in Monochrom , no correction is needed for film

I am glad you mention that

Thanks for posting . Have you more ?

Henry

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As promised in my post above, look at this picture taken with Leica MM1

 

Moiré is really horrible on the bars of the 2 buildings :angry: specially at left 

No moiré in film  :)

 

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The fault is due to squarred pixels and smoothing line by camera software

 

Henry

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I'm back to film too, the reason? I've been back in the darkroom doing Silver Gelatin Prints for my next exhibition, these prints show the true qualities of the film, if you look only the pictures on a monitor the difference is not so noticeable, but when you do an enlargement from film and you look at that amazing quality, it's unique. I'm very happy with my Leica Monochrom but when do you print inkjet the quality is not the same. Right now I'm doing Dihital Negatives and printing in Silver Gelatin Paper making contacts, it's very nice, but in my opinion, the film and the timeless negative are still better.

Regards

Lluis

 

Llhuis, to whom you say :)

Nothing worth the film , and you're right !

Welcome Llhuis and please share your pictures with us

I love Spain and landscapes or street photos must be very nice.

Thank you and good photos

Best

Henry

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For Wayne :)

 

Incense stick (VN)

 

Fuji Superia 100-M7-35 Summilux Asph

Like Theodor VHFreund , no correction

Nikon Coolscan 5000 Tiff > Jpeg for post

 

 

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Rg

Henry

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Besides the M6, lately I have been shooting with an old Mamiya 645. It's the only medium format camera I have. I really like the large negatives! Scans are so much better on the Epson V600 compared to 35mm.

Antonio

 

54449083147fd3511eefd1c058477a53.jpg

 

07370ac959d3aee36e4e1365de21f2b0.jpg

 

 

Sent from my iPhone using Tapatalk Pro

 

Montez really impresive first picture

Both are nice black and grey tone , white is white

Thanks for posting

Best

Henry

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Hoi An (VN)

Sept 2016

 

 

Kodak TMAX100 (dev D76)-Leica MP-50 Summilux Asph

Nikon Coolscan 5000

 

 

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Rg

Henry

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Thank you for the comment. I get considerable inspiration from this thread. I am deeply grateful to all who contribute.

 

I was thinking of Ian (Wattsy) when I took the shot below.

1. A while back, he posted a shot of an old tire, along with a humorous comment on the subject

2. He was gracious enough to to respond, fully, on a question I PMed about concerning his 90 Macro-Elmar, inspiring me to purchase the Collapsible Elmar, to try out the physical characteristics/advantages of such a lens. I am pretty happy with it, and think I may go for the Macro-Elmar, combine it with the 50 Summicron DR,  28 5.6 Summaron (LTM,) M3, and call it a kit.

 

attachicon.gifimage72856.jpg

 

M3, 90mm Collapsible Elmar, Portra 160

 

Old tires, BBQ, WD40, and a folding chair..........The stuff of a productive day.

 

Wayne really nice choice of the subject . From an environmental point of view,

decadence of modern civilization.

Nice color and thanks for posting.

Your collapsible Elmar 90 must look like the Macro Elmar 90

Henry

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Took a trip down to the Land of the Long White Cloud a few years ago, and took this unpeaceful activity on an otherwise VERY peaceful lake:

 

p958772489-5.jpg

 

Te Anau, New Zealand 2010

Leica R8, Elmarit-R 135mm f2.8, Ilford FP4+

 

Phil, I like much this picture. Nice b&w picture

Impressive effect

Thanks for  posting

Henry

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Last portrait from my Melbourne challenge roll:

 

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M4-P, 35, Rollei IR400, 92 Filter, exposed at 25ASA, developed in Rodinal 1:50

 

Regards,

 

Christoph

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And the very last one:

 

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M4-P, 35, Rollei IR400, 92 Filter, exposed at 25ASA, developed in Rodinal 1:50

 

Regards,

 

Christoph

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Last portrait from my Melbourne challenge roll:

 

attachicon.gif170408_2_M4-P_0023.jpg

M4-P, 35, Rollei IR400, 92 Filter, exposed at 25ASA, developed in Rodinal 1:50

 

Regards,

 

Christoph

 

Outstanding Christoph  :)

Nothing to say :) for definition, contrast, tone it's perfect 

with soft lines of face arms and legs , not hypersharp like in digit.

Thanks Christoph

Rg

Henry

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I'm back to film too, the reason? I've been back in the darkroom doing Silver Gelatin Prints for my next exhibition, these prints show the true qualities of the film, if you look only the pictures on a monitor the difference is not so noticeable, but when you do an enlargement from film and you look at that amazing quality, it's unique. I'm very happy with my Leica Monochrom but when do you print inkjet the quality is not the same. Right now I'm doing Dihital Negatives and printing in Silver Gelatin Paper making contacts, it's very nice, but in my opinion, the film and the timeless negative are still better.

Regards

Lluis

 

Llhuis, about darkroom , for a family order I made yesterday another prints

with my Focomat enlarger and Focotar lens

 

llford paper 18x24 cms and also 30x40 + Ilford developer

 

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Best

Henry

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messy boat by Theodor Kierdorf, auf Flickr

 

Leica M-A 35 FLE

 

 

 

Thank you Theodor for this nice picture :) .

You give us another proof , that in Monochrom , no correction is needed for film

I am glad you mention that

Thanks for posting . Have you more ?

Henry

only one 35016079625_0a4f5849cc_b.jpglow tide marina Castletown by Theodor Kierdorf, auf Flickr Edited by vhfreund
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If I got some time I went through my archive and scan some old negatives. Now I found another rare film I exposed in 1992. An ORWOCOLOR QRS 100.
This was the first, or maybe second, film offered by ORWO for the Kodak C-41 process instead of the old Agfa-Color process after the end of the GDR. It was only short time at the market, since ORWO Filmfabrik Wolfen was liquidated shortly after it's introduction. Guess it was only available for about 2-4 years.
Got the impression, that the negatives faded quite a bit, although stored in the dark most of the time. But with some effort they could be scanned quite well. So it's hard to say if some colors depend on fading or on the character of this film.

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Here is another one from this roll fo ORWOCOLOR QRS 100

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