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3,5F, Velvia 100F

 

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I see great pictures in this page and some with the Leica MP.

Thanks Gentlemen :)

 

 

Here two shots also with the MP at Chambord Castle

April 2017

 

 

Kodak TMAX400-MP-35 Summicron Asph

very light camera I like much  :)  MP  a great camera of Leica IMO

It reminds me much the Leicaflex SL with the same principle , a mechanical

camera with lighmeter you want use or not

 

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Best

Henry

Edited by Doc Henry
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Another manner to shoot castle :)

 

 

Blois Castle (XVth century)

The castle of King François 1st

April 2017

https://en.wikipedia.org/wiki/Ch%C3%A2teau_de_Blois

 

 

Kodak TX400-Leica R4S-50 Summicron

 

 

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You notice that "black is black" , homogeneous in film , "no banding" and inhomogeneous  like in digital

I call that " deep black"

 

Best

Henry

Edited by Doc Henry
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Now Chambord Castle in color

I have happily the Leicaflex SL as back up , for some color pictures

The color roll of my Leica M7 doesn't  unrolled ,  forget to verify the rewind knob

it's my fault

 

 

Leicaflex SL-Kodak Portra 160-35 Elmarit > suggestion of Gary for this lens.Thanks Gary :)

 

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Notice the size of the big bridge in comparison with walkers

 

Henry

Edited by Doc Henry
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Welcome 3oob a great picture with the MP and "King of Bokeh" 35

Nice tone and grain

Thanks for joining us and posting

Best

Henry

 

Hello Henry,

 

thanks, i like the grain of film.

Picture taken in France in Roussillon.

Cordially

Sandrine

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For Gary , thanks for your nice ballons posted above in a blue variation theme :)

 

I offer you this time , green color and several another colors :)

 

Kodak Portra 400 a great film of Kodak for warm color

M7-28 Summicron A

 

Mondial Air Ballon

Chambley Lorraine 2015

 

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Best

Henry

Edited by Doc Henry
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Beautiful.

Indulge me please, I recalled somewhere not so long ago you sort of explained "how to".

Can you do this again please, briefly.

Gary

 

 

I would like to know, as well.

 

Gentlemen, basically I use a half frame camera - Olympus Pen F and standard 38mm lens mounted on a tripod. The end result is a print of the three companion negatives making up the panorama being the most I can accommodate in my enlarger.

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Some remarks/hints I experienced recently in the process of handling negatives and to digitize them which I find useful to share:

 

+ I stopped using LFN wetting agents in the last step of washing the negatives. Supposedly it should help against dust, but I don't see any difference of either using or not using wetting agent. 

+ Instead I found it much better useful to wash the film at the end well with distilled water and then hanging the film to dry - don't even use a squeegee anymore. No residues left on the negatives!

+ Before scanning/digitizing the negatives just use a dust blower to get rid of some tiny remaining dust particles. 

 

This way I can get a negative scanned which barely needs any kind of post processing to remove residue or dust traces. Just my 2 Cents, comments welcome :)

Edited by Martin B
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