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A walk in the park - in Berlin

 

M7, TriX-400, CoolScan V, XTOL (?)

 

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Provia 100F

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Yesterday evening, I posted that image of Luskentyre elsewhere and was asked why I did not correct the magenta cast.  That would be unthinkable to me, I might as well not use Velvia 50 if I felt the need to 'correct' the way this emulsion reacts to certain light, location and atmospheric conditions.  Anyway, the comment caused me to think a little again about why I use Velvia to unlock it's palette rather than it's outright accutance, so I put some thoughts on my blog for anyone who might be interested:

 

http://www.uklandscapephotographer.com/fujifilm-velvia-50/

 

Thanks for sharing ! A refreshing read.

Quoting you if you allow me ...:

 I make a point of avoiding those life-wasting  film vs. digital arguments that still rage on photography forums, but I will always attempt to offer an explanation as to why I use film if asked.

(...)

Whichever technology is chosen, there is no escape.  Both directions require education and understanding to really find one’s own voice as a photographer.

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Let's go racing.

Took the M6 and 35 Summicron, so the obvious choice for action. Not.

Delta 100 Professional

R09 1:25

Plustek 8100

Gary

 

 

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Nice sense of the skittish in the first one Gary. Did you have a bet? . ;-) .Tony.

To be honest Tony, horse racing is not me, but on a few occasions I do, a small wager here and there ($1-2, maybe really rash, $5).

And normally always only on horses my employer owns.

We live on a thoroughbred farm, so the view out the kitchen window is mares and foals right now.

Gary

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Singapore, on the Sands SkyPark Observation Deck high above the city...

 

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M4-P, 25, Portra 160, ns

 

Rgds

 

C.

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Sunset on the Observation Desk.

 

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M4-P, 25, Portra 160, ns

 

Rgds

 

C.

Edited by christoph_d
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Into the realm of the postcard. View onto the "Gardens by the bay".

 

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M4-P, 25, Eagle640@200, ns

 

Rgds

 

C.

 

 

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Finishing with a kitsch view of the Marina Bay Sands Hotel.

 

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M4-P, 25, Eagle640@200, ns

 

Rgds

 

C.

 

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Winehouse red. Leica M6 and Zeiss 50mm Sonnar f1.5. Tony

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Last couple from the races.

Same details as the other two.

Gary

 

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Guest NEIL-D-WILLIAMS

I'm back

Miss Jane TMAX 400

 

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