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The Provia is not as highly colour- saturated as the Velvia. Velvia has warmer tones but turns skin colour into red. So maybe the better overall-film might be Provia.

If bright colours are necessary, I would go for the velvia. Some say provia looks a bit "cold", but I can´t say this.Neutral to a bit higher saturation, in my opinion.

Thanks, Klaus. The attributes that you assign to the velvia are what i get out of velvia 50. To me, though, the velvia 100 that os currently on the market is very different from the 50 and much closer to the provia. I think i need to shoot more of it and get more familiar with it
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Thanks, Klaus. The attributes that you assign to the velvia are what i get out of velvia 50. To me, though, the velvia 100 that os currently on the market is very different from the 50 and much closer to the provia. I think i need to shoot more of it and get more familiar with it

The Velvia 100F should not be as saturated as the Velvia 100, but the Velvia 100 should deliver almost the same results as the 50.

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Adam, Inside Fuji , Provia versus Velvia have a  slight difference in color IMO

deeper color for Velvia but both are slides with intense and vivid tone

perhaps more vivid for Velvia  . I also think they are a difference with Kodachrome

 

Film is really rich and varied in color level and to speak only Kodak and Fuji
but there are others  :)

Best

Henry

Edited by Doc Henry
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Oh Henry, did you recognize it? Yes it's near St gilles, "Cap la Houssaye".

thanks my friend! 

Jean it's near Saint Leu and Saint Gilles ?

Superb sunset picture in b&w :)

Best

Henry

Edited by janorun974
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M7 summicron 50V4 TriX400@800

 

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B&w now but  in Kodak TX400-MP-Apo Summicron 90 Asph

if you like nice "natural" grain

 

old stone in wild nature

 

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.... :)

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... :)

 

Found on a boat

 

Kodak TX400-MP-90 Apo Cron Asph

 

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Rg

Henry

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M2, Elmarit 2.8/21, APX 100

 

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I think you're right Erl, a little on the warm side. I'm still finding my feet with what to use where and with scanning colour film in general.

 

Looking through my results of a recent phase of late summer dawn/dusk colour sea/landscapes (with Portra/Ektar), I prefer the Ektar shots because there is little red in the frame anyway except the sun casting on the clouds that I want to accentuate. The Portra shots all have much more difficult white balance, with a difficult for me to correct tendency to magenta, especially where there is a lot of green in the frame. 

 

This is a classic example with Portra 160, I spend ages fiddling to try and subdue that magenta feel but can't get it quite right. To be honest, I'd expected the opposite outcome (Ektar giving WB problems, Portra all 'creamy and dreamy')

I need a lot more time with both (and the Fuji) to figure out what works best for me (and my post-skillset) but there is only so much time and... !

27650515626_dae50bf8c7_b.jpg

 

You might try the Viveza plugin from the free Niksoftware collection  and quickly  adjust hues and colors just like dodging and burning BW photos, by zones .

 

https://www.google.com/nikcollection/

 

My 2 centavos, JM.

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Wow the 90 cron asph is super sharp Henry, the grain is splendid! 

Jean , yes "sharp" and with analog camera the rendering becomes also "soft" :)

Thanks for watching and commenting

Rg

H

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... :)

 

Found on a boat

 

Kodak TX400-MP-90 Apo Cron Asph

 

attachicon.gifImage5cordkodlfht+++950tc.jpg

 

Rg

Henry

 

Sorry it's not Kodak but Bergger Plus 400

http://bergger.com/nos-produits/films/bergger-brf400-plus-1-film-135-36.html

http://bergger.com/?___store=bergger_en&___from_store=bergger_fr

Edited by Doc Henry
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Back to Kodak TX400 (dev D76 dil 1:1 20°C)

 

 

MP-35 Lux Asph

Not corrected

Nikon Coolscan 5000-Nikon Software

 

Annecy "The Venice of Alpes"

The Old City

 

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Rg

H.

Edited by Doc Henry
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All this colour being posted, I have to follow suit.

Our roses are all but done for the season, time to prune, soon.

R8

R 28-70

Kodak Old Gold 200

Gary

 

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