DirkR440 Posted June 12, 2016 Share #16961 Posted June 12, 2016 Advertisement (gone after registration) one more from my recent holiday. We had to take this water plane to get from the airport to the island. (MP, Summilux 50 pre-asph, CineStill50) Maldives on film by Dirk Raffel, auf Flickr 10 Link to post Share on other sites More sharing options...
Advertisement Posted June 12, 2016 Posted June 12, 2016 Hi DirkR440, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
Fotoklaus Posted June 12, 2016 Share #16962 Posted June 12, 2016 (edited) Not really............is there B&W slide?? Alos @EION can Bang Bang Gang process color slides? Yes, some BW films can processed to BW- slides (positives) with a different kind of process. The base layer has to be clear, of course. AGFA Scala was the most famous, ADOX Silvermax could be processed also to slides instead of negatives. It is called "reversal- developing". Edited June 12, 2016 by Fotoklaus 2 Link to post Share on other sites More sharing options...
gbealnz Posted June 12, 2016 Share #16963 Posted June 12, 2016 Not really............is there B&W slide?? Alos @EION can Bang Bang Gang process color slides? Not sure how I can explain it better, better than Klaus that is. You are faced with three basic choices. B&W, you now all about this, so it needs no explanation. T-Max, HP5, FP4, Delta, and all the others. Colour negative. Same deal, you have used them already, Portra, Ektar, etc, etc. Colour Slide. Velvia, Provia, (and back in my day, Agfa RS100, Ektachrome), etc. And since you asked, yes, there is (I think) B&W "slide"film, so B&W reversal film. Not sure if it still available though. So, off you trot to take some pictures. One A-12 back has B&W, lets say Tri-X. Another A-12 has Portra. And since you are an affluent rig worker yet another now has Provia in it. Which to use? All of them, or just the one(s) you want. Moody night scenes? Use the Tri-X. Brilliant colourful Maldives scenes like Dirk is showing us at the moment, Provia for that. Get the idea? Different films stock (not just size or speed/sensitivity difference), but actual end result. I recalled Eoin saying no to the E-6 processing in Singapore etc, so it "could" be problematic. Similar case here, only the one lab doing E-6 now, so I had better get my skates on and finish the frozen Provia I have. Gary Link to post Share on other sites More sharing options...
@McLeica Posted June 12, 2016 Share #16964 Posted June 12, 2016 (edited) A bit of Velvia loveliness with a rainbow over Loch Lomond. Rainbow Over Loch Lomond by @McLeica, on Flickr Edited June 12, 2016 by @McLeica 9 Link to post Share on other sites More sharing options...
Guest NEIL-D-WILLIAMS Posted June 12, 2016 Share #16965 Posted June 12, 2016 Slide???? Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3060268'>More sharing options...
Fotoklaus Posted June 12, 2016 Share #16966 Posted June 12, 2016 Yes! Colour transparency, colour reversal, slide, colour slide, Diapositive, Dia. The process is E-6. And there are only Fuji Velvia and Fuji Provia left, so you just have to remember those two names... 1 Link to post Share on other sites More sharing options...
gbealnz Posted June 12, 2016 Share #16967 Posted June 12, 2016 Advertisement (gone after registration) Yeah, slide, is transparency, hence "trannies". Not the trannies you are used to Neil. "Chrome" also used to denote slide film. Lastly, "E-6 process". Gary 2 Link to post Share on other sites More sharing options...
@McLeica Posted June 12, 2016 Share #16968 Posted June 12, 2016 (edited) I've been going back through my archives and pulling out some of my favourite shots. M3 + 50mm Summicron, Ilford Delta Pro 100 Footscray Meadows by @McLeica, on Flickr Edited June 12, 2016 by @McLeica 11 Link to post Share on other sites More sharing options...
Fotoklaus Posted June 12, 2016 Share #16969 Posted June 12, 2016 (edited) Rolleiflex 3,5F, Fuji Velvia 100F (Colour transparency film, also called slidefilm) Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited June 12, 2016 by Fotoklaus 9 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3060273'>More sharing options...
Guest NEIL-D-WILLIAMS Posted June 12, 2016 Share #16970 Posted June 12, 2016 Not sure how I can explain it better, better than Klaus that is. You are faced with three basic choices. B&W, you now all about this, so it needs no explanation. T-Max, HP5, FP4, Delta, and all the others. Colour negative. Same deal, you have used them already, Portra, Ektar, etc, etc. Colour Slide. Velvia, Provia, (and back in my day, Agfa RS100, Ektachrome), etc. And since you asked, yes, there is (I think) B&W "slide"film, so B&W reversal film. Not sure if it still available though. So, off you trot to take some pictures. One A-12 back has B&W, lets say Tri-X. Another A-12 has Portra. And since you are an affluent rig worker yet another now has Provia in it. Which to use? All of them, or just the one(s) you want. Moody night scenes? Use the Tri-X. Brilliant colourful Maldives scenes like Dirk is showing us at the moment, Provia for that. Get the idea? Different films stock (not just size or speed/sensitivity difference), but actual end result. I recalled Eoin saying no to the E-6 processing in Singapore etc, so it "could" be problematic. Similar case here, only the one lab doing E-6 now, so I had better get my skates on and finish the frozen Provia I have. Gary Cheers Gary, it took you a while to get it into my thick skull but its in so no need to dwell on it :) 1 Link to post Share on other sites More sharing options...
Fotoklaus Posted June 12, 2016 Share #16971 Posted June 12, 2016 So you'll get an unique "original" with those films: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Imagine that in 3x3 Meters shining bright... 7 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! Imagine that in 3x3 Meters shining bright... ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3060277'>More sharing options...
cwolffensperger Posted June 12, 2016 Share #16972 Posted June 12, 2016 Yes! Colour transparency, colour reversal, slide, colour slide, Diapositive, Dia. The process is E-6. And there are only Fuji Velvia and Fuji Provia left, so you just have to remember those two names... There's also still Agfa CT Precisa available.And to mix things up Neil: you can also develop e6 film like this or like provia in C41 chemicals, which gives you more grain a unpredictable color shifts (cross processing). Google it to see the effect. Verzonden vanaf mijn iPhone met behulp van Tapatalk Link to post Share on other sites More sharing options...
cwolffensperger Posted June 12, 2016 Share #16973 Posted June 12, 2016 And btw there's also Wittner Chrome 200d slide film available. I believe this is re-batched Agfachrome RSX. Verzonden vanaf mijn iPhone met behulp van Tapatalk Link to post Share on other sites More sharing options...
Guest NEIL-D-WILLIAMS Posted June 12, 2016 Share #16974 Posted June 12, 2016 The guy in KL said he doesn't do slides so I guess all that extra space in the nodding that you took up Gary needs to somehow get deleted..............give me a beer or three Link to post Share on other sites More sharing options...
gbealnz Posted June 12, 2016 Share #16975 Posted June 12, 2016 But if you were taking the Hasselblad to Switzerland Neil, I'd have suggested you try some, and get it processed over there. Gary Link to post Share on other sites More sharing options...
Guest NEIL-D-WILLIAMS Posted June 12, 2016 Share #16976 Posted June 12, 2016 But if you were taking the Hasselblad to Switzerland Neil, I'd have suggested you try some, and get it processed over there. Gary Mate I'm taking the Leica S with me and depending on how the demo with the H6D goes in the UK I might be leaving the Leica S at my daughters and taking a H6D with me[emoji3][emoji3] Sent from my iPhone using Tapatalk 1 Link to post Share on other sites More sharing options...
@McLeica Posted June 12, 2016 Share #16977 Posted June 12, 2016 Mate I'm taking the Leica S with me and depending on how the demo with the H6D goes in the UK I might be leaving the Leica S at my daughters and taking a H6D with me[emoji3][emoji3] Sent from my iPhone using Tapatalk GAS on steroids! Link to post Share on other sites More sharing options...
chrism Posted June 12, 2016 Share #16978 Posted June 12, 2016 Just to really confuse Neil, you can, in theory, take a colour slide film, develop it in B&W developer, expose it to light to effect the 'reversal' and then develop in C-41 chemicals. I've done it once, and I'm surprised I got an image at all. Very dark and very grainy, but then, I was simply guessing at times and temperatures. All slide film used to require a second exposure to light after the first developer, and that's why film reels were made of clear plastic at one time. The E6 process includes a chemical that does the reversal (mixed in with the colour developer in home kits) instead, and the process is easy but tedious. You have to be careful with temperatures just as with C41, but there are more baths and longer times involved. The thrill of seeing negatives coming off the reel is known to many of us, but colour positives? Even more exciting! It's true that scanning colour slides is so easy compared to colour negatives—no orange base colour and either no colour adjustments or just a minor tweak. Not like the evil Ektar! Chris 2 Link to post Share on other sites More sharing options...
Guest NEIL-D-WILLIAMS Posted June 12, 2016 Share #16979 Posted June 12, 2016 Just to really confuse Neil, you can, in theory, take a colour slide film, develop it in B&W developer, expose it to light to effect the 'reversal' and then develop in C-41 chemicals. I've done it once, and I'm surprised I got an image at all. Very dark and very grainy, but then, I was simply guessing at times and temperatures. All slide film used to require a second exposure to light after the first developer, and that's why film reels were made of clear plastic at one time. The E6 process includes a chemical that does the reversal (mixed in with the colour developer in home kits) instead, and the process is easy but tedious. You have to be careful with temperatures just as with C41, but there are more baths and longer times involved. The thrill of seeing negatives coming off the reel is known to many of us, but colour positives? Even more exciting! It's true that scanning colour slides is so easy compared to colour negatives—no orange base colour and either no colour adjustments or just a minor tweak. Not like the evil Ektar! Chris ChrisThe slide stuff has already been erased from my already full brain. I'm going back to digital [emoji3] Sent from my iPhone using Tapatalk 2 Link to post Share on other sites More sharing options...
Doc Henry Posted June 12, 2016 Author Share #16980 Posted June 12, 2016 Chris The slide stuff has already been erased from my already full brain. I'm going back to digital [emoji3] Sent from my iPhone using Tapatalk Then , we will not see you again on this thread Link to post Share on other sites More sharing options...
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