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Verdun Centenary anniversary  22 February WW1.

When I think of the human stupidity,  hundreds of thousands of men died here
and that still continues currently.The human is nasty and the arms trade

still has bright future , including our country :angry:

 

 

Kodachrome 64

Leica MP - 50 LA

 

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Best

Henry

Edited by Doc Henry
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x

Thank you David. I also think the b&w version is better because it brings out the contrasts in the image more powerfully. And Reservoir Dogs is one heck of a movie so I feel flattered :) The Flickrati also seem to like this version better than the colour one.

 

I prefer this. There is something 'Reservoir Dogs' about this photo to me - not the compliment you were probably looking for !

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To me it is number one. I like the Colors and the Special mood more as in numer 2. I also prefer the perspective with the blurred background in number 1.

best regards

Marc

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I like the Verdun photo very much Henry. 

 

About the macro setup, it looks as if you have one of those IR cut (?) filters in the second photo. If so, why?

 

br

philip

I mounted the lens on the M8 and I put on the M7 for the picture but normally no UV / IR filter

Well seen Philip :)

 

Thanks for your nice comment

Best

Henry

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Two versions again. I know they differ a lot in framing but I'm curious, which do you prefer and why?

 

203FE 80/2.8 on Portra 160 and scanned with the Coolscan 9000 (wet mount).

 

25072440145_8181049555_b.jpg

Flickr 

 

24954458942_55f27c9449_b.jpg

Flickr

 

interesting comparison that probably could serve as the basis for a psycho-analytical test of some kind :)  

Clearly a matter of personal taste

But my choice would be the first.  Reasons:

1.  my eyes are drawn to the foreground in either case

2.  the added depth in the second doesn't lead my eye very deep.   Perhaps if the floating balls we more prominent in the distance my view would be different.  But I don't think that the random floating devices (like the red thingy) add anything.  So I don't think there is much depth to the photo that carries all the way from the foreground to the background.  I see depth from the foreground to the mid-ground.  But that is where is stops for me.  

3.  Bokeh is always lovely and the colors of your premium portra film stock ;) make it particularly the case here.   It outweighs the interest from the DOF that for me stops at the mid-ground.

4.  I also like the clear translucence of the water in the foreground in the first.  It is very crisp and refreshing and conveys a tropical feel

Either photo would make a great stock photo and you should consider submitting them to Getty...

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wonderful portrait and wonderful choice of film.  excellent combo and beautiful results as can be expected from premium gear, premium film and a premium photographer :)

 

Well Adam, thanks a lot ! Happy to read this with my morning coffee :-)

 

Sunset, Central Park, NYC

EKTAR

attachicon.gifektar-1.jpg

 

Awesome colors and exposure , vintage 6x9 with Zeiss WA lens?

 

Cheers , JM

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A very nice portrait. The 'look' in the horse's eyes goes well with the barbed wire.

 

Thanks a lot Philip, 

 

I'm impressed with this lens and its fresh new coatings from Focal Point Inc , "an excellent combo" with the Ektar to quote Adam Miller :-)

 

(Btw, as usual, no added sharpening)

 

 

24486927024_1655b14305_b.jpg

"Curious !" by JM__, on Flickr

Edited by jmanivelle
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Immediate thought on seeing the colours - J M W Turner-ish.  Au-naturel or saturation & luminosity boosted?  Stunning result!

Thanks, Keith. Really appreciate the link and i will look into it. The processing is typically quite extensive for me but not because i spend time boosting saturation and changing colors but rather for the simple reason that I start with a very flat scan which deliberately has low contrast and satuation. I then go through the process of mostly adjusting the contrast levels, but on a very local level using the various white/highlight/light and black/darks values. Through this process the drama is infused according to my vision and the colors come into their own and fall into place. I did this with a giant print on Fujiflex paper in mind (which is not cheap but has awesome contrast, depth and sharpness).

It was a high contrast scene and i tried to keep the shadows and highlights where they naturally were and convey the emotional charge that i had while looking at this most surreal scene first hand.

Thanks again for your feedback!

 

 

 

 

 

 

  

Well Adam, thanks a lot ! Happy to read this with my morning coffee :-)

 

 

 

Awesome colors and exposure , vintage 6x9 with Zeiss WA lens?

 

Cheers , JM

Hi Jean-Marc - yes, i shot this with a 6x9 film back with my 1958 Linhof Technika Press and legendary custom fit Zeiss Biogon 53mm. The lens is only single coated but optically a real gem and one of the most highly sought after vintage MF lenses. The corner to corner sharpness when stopped down properly is remarkable from such an old lens. I tried out the very popular and highly praised modern Schneider super angulon XL 47mm last month and was suprised at how much fall off there was even on a 6x9 film; it made me appreciate the biogon even more.

I try to use the single coating to my advantage as a unique look. I am not convinced that the level of coating matter all the much (or at least as much) with a hybrid digital workflow

 

Thanks again and cheers! Adam

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Two versions again. I know they differ a lot in framing but I'm curious, which do you prefer and why?

 

203FE 80/2.8 on Portra 160 and scanned with the Coolscan 9000 (wet mount).

 

25072440145_8181049555_b.jpg

Flickr 

 

24954458942_55f27c9449_b.jpg

Flickr

I like them both, but prefer the 1st one. The 2nd one requires looking around (which is a nice voyage of discovery, but the first one "just is" - It is subtle all the way, including the sea / sky interface (something that used to be called a horizon).

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Two versions again. I know they differ a lot in framing but I'm curious, which do you prefer and why?

 

203FE 80/2.8 on Portra 160 and scanned with the Coolscan 9000 (wet mount).

 

25072440145_8181049555_b.jpg

Flickr 

 

24954458942_55f27c9449_b.jpg

Flickr

 

 

No 1 for me, the eye is well directed and enjoys the gentle bokeh.

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