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Fuji can also have a very nice and faithful color like Kodak

Here one picture for you :)

 

Fuji Superia 100

MP - Summilux 35 Asph

 

The entrance of the theater

Imperial City  Huê (Vietnam)

 

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Henry

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x

and near the entrance above , a big tree with many flowers called Flamboyant

or Delonix regia

 

Nice flowers with beautiful red  (Adam would love this red)

 

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Fuji Superia 100

MP - 35 LA

 

Best

Henry

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Difficult light condition inside Saint Jacques Church in afternoon but still possible to photograph :)

....  with the summilux 1.4

Next time I'll pushed to 800 :)

Not need the M Monochrom :rolleyes:

(Don't be angry Adam)

 

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Leica MP

Ilford HP5

Summilux 35 asph

 

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Henry

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A plane crashes landing ,  it looks like this :o

 

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Kodak Portra 160 (no correction)

M7

Summicron 28 Asp

 

a remark : :)

 

Why I like the film?
because it is not necessary for color to correct all the time , in Lightroom or Photoshop as with digital images

like the picture I posted here
for example Kodak Portra is a true alternative ... because there is nothing to correct  for most the time

 

Best

Henry

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For Marc a second picture in the same church.

Not too much light and I must wait for the ray of sun at the end of afternoon  :)
 

 

Ilford HP5

Leica MP

Summilux 35 Asph

 

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Henry

 

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When I was a kid, I loved big planes like small planes ,but who does not like airplanes ? :)

I like the color of KP , no need correction   !  advantage to the film :)

 

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Kodak Portra 160

Leica M7

Summilux 35 Asph

 

Best

Henry

 

 

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Ric - That is very kind and makes me think that perhaps I came across as arrogant.  I in no way meant to suggest that I am better than Eric or anyone else.   So please forgive me if I came across that way.  I just wanted to be clear that I don't borrow from anyone's style or try to emulate anyone.  I try to execute on my own vision, for better or worse.  I do, however, draw  inspiration from people that I come across that help me think outside of the box and push my own limits.  Garry Winogrand is a good example.  I unfortunately can't be shooting as much as he did to be able to articulate a consistent vision as voluminously as he did.  But I find his work to have a very interesting and personal aspect and a thread of imperfection at the same time.  He didn't take his photos too seriously; but collectively they were (and are) so celebrated - and interesting to look at.   

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Hi Adam and Ric,

I love this thread , in fact I love you  :)  because I learn a lot of things such as exchanges here between Ric and Adam
Gentlemen my respect
! Thank you

 

http://erickimphotography.com/blog/2012/08/20/10-things-garry-winogrand-can-teach-you-about-street-photography/

 

and these links GW has a M4 and a 28 mm :

 

https://www.youtube.com/watch?v=3RM9KcYEYXs

http://blog.leica-camera.com/photographers/interviews/joel-meyerowitz-icon-with-a-leica/

 

Best

Henry

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Guest Benqui

Looking for shells (M6,Portra 400, Canon 1.8/35)

 

best regards

 

Marc

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Very nice Marc!  And timely as I am headed back to Miami next week and was planning on taking Portra 400 rather than the films I have been using (portra 160 and cinestill 50) there (I luckily just got back from there).  Love the light. 

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M3, 50mm dual range summicron, Tri-X

 

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SP continuation in b&w for Adam  :)

I had my MP and I wanted to photograph them at the subway exit, but one of the ladies did not want and put his bag in front of her face. Not easy in SP to please every one !

 

Marseille street photo (SP)

April 2015

 

MP - HP5 Ilford - Summilux 35 Asph

 

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Thanks for looking

 

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Henry

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Kodak Portra 160

M7 Summilux 35 asph

 

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Thanls for looking

 

Best regards

Henry

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Freezing fog with Ilford

 

HP5

M7 Cron 28 Asph

 

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Best regards

Henry

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Guest Benqui

Very nice Marc!  And timely as I am headed back to Miami next week and was planning on taking Portra 400 rather than the films I have been using (portra 160 and cinestill 50) there (I luckily just got back from there).  Love the light. 

Thanx a lot Adam! Portra 400 is my favorite film, you can really use it for everything. Strictly speaking it is my "one size fits all" film.

 

best regards

Marc

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Guest Benqui

Great shot, Marc. The only thing I am curious about is the halo around the left side of the person. Am I right, that it is due to post processing?

Yes it is James. The face of the fisherman was a bit too dark in my opinion, so I tried to "illuminate" him a bit.

best regards

 

Marc

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