Jump to content

Jobo CPP-3: any deliveries yet?


andyedward

Recommended Posts

Middle of March for the US.

 

It's a bit pricey and one needs to be sure to do the volume that will make it worthwhile. I'd be using it for processing only (no print developing) and at 5 USD per 35mm roll and 2.50 USD per sheet of film (for C41 locally here) I'd have to be sure to do enough (in addition to my time and also chemistry costs and inconvenience of handling color chemistry, etc..) But it is tempting, I'll admit.... :)

Link to post
Share on other sites

Middle of March for the US.

 

It's a bit pricey and one needs to be sure to do the volume that will make it worthwhile. I'd be using it for processing only (no print developing) and at 5 USD per 35mm roll and 2.50 USD per sheet of film (for C41 locally here) I'd have to be sure to do enough (in addition to my time and also chemistry costs and inconvenience of handling color chemistry, etc..) But it is tempting, I'll admit.... :)

 

I acquired a JOBO Autolab 1500 some years ago. At the time I was processing 7 rolls of 35mmm or 5 rolls of 120/220 per batch. Brilliant consistency, both col and BW. Trust me (I'm a photographer ;) ) colour is every bit as easy as BW. Start with a Tetenal pack from B&H. Measure out the the required chem vol for however many films you want and push the button. Done.

 

Current context. Since digital, my darkroom was 'locked up' for several years. Now, I am re-visiting film and processing only single rolls of whatever for my own pleasure. The JOBO is still worth it. It save return trips to the lab (and speeding fines that I used to get :eek: ) and road accidents. It gives a BETTER quality process than any lab I can find and I have a beer or coffee while it processes. It doesn't come much better.

 

A temperature controlled input is a great asset and speeds the warm up process considerably, but is not essential. Go for it!

Link to post
Share on other sites

I acquired a JOBO Autolab 1500 some years ago. At the time I was processing 7 rolls of 35mmm or 5 rolls of 120/220 per batch. Brilliant consistency, both col and BW. Trust me (I'm a photographer ;) ) colour is every bit as easy as BW. Start with a Tetenal pack from B&H. Measure out the the required chem vol for however many films you want and push the button. Done.

 

Current context. Since digital, my darkroom was 'locked up' for several years. Now, I am re-visiting film and processing only single rolls of whatever for my own pleasure. The JOBO is still worth it. It save return trips to the lab (and speeding fines that I used to get :eek: ) and road accidents. It gives a BETTER quality process than any lab I can find and I have a beer or coffee while it processes. It doesn't come much better.

 

A temperature controlled input is a great asset and speeds the warm up process considerably, but is not essential. Go for it!

 

For me it's not about any fear or unknowns of processing color film. I worked in a lab using a Refrema dip and dunk (rack and tank) for both E6 and C41 while I was in grad school.

 

My questioning of having the new Jobo at home is the reality of making back the initial cost (it's being advertised here for close to 3k USD), since I don't burn through a lot of film (I do around 1-2 projects a year which keeps me busy enough.) And also there's my own time spent processing film. Right now I get same day processing (and with a Refrema) and it's not that expensive here. And it's just a short 10 min drive from the house, too. So that's the issue for me: initial investment and personal time. Thinking it through, I now realize that I'd rather have the lab do it and spend my time elsewhere. But I'm certainly glad Jobo is marketing a new processor these days. :)

Link to post
Share on other sites

My interest in the new Jobo comes from wanting consistent developing results. I switched to film around 4 months ago, but will wait until I have a Jobo to develop my first film. I want to do the whole shooting-to-enlargement process myself, which was one of the draws of using film. Unfortunately, I dont get much time to shoot, but will be kept busy in the dark evenings developing the 60-70 rolls I've shot so far. The new Jobo is expensive, but this is a secondary consideration to the benefits I'm sure it will bring me

Link to post
Share on other sites

Andy,

you will still have to stand over it and empty, fill and change wash cycles etc. 70 films at say 6 a pop you will get tired!

 

I bought a used Jobo Autolab ATL 2200, (which can take expert drums for 5x4 up to 10x8, I did shoot that size but now only 5x4) and it manages the sequence beautifully, pinging when finished. I just fit the next preloaded 35mm tank and hit run again, it starts again, until I have exhausted the chemicals, then fill them up again, and carry on! Cost me £800 about six years ago, you should also look at a used ATL1500 as said earlier.

 

Cheers,

John

Link to post
Share on other sites

That TAS film processor looks kind of cool. Thanks for the info. I use a Jobo 2520 MultiTank 2 with the 2509n 4X5 reel and Jobo loader to process B+W sheet film. The reel holds 6 sheets of 4x5 film and you process via hand inversion just like doing 35mm/120 B+W film. That TAS processor could mean more consistency (and pretty much hands-free to a certain degree.)

 

With B+W film I'll spend the time and effort to process myself. Not only is B+W too expensive commercially but there are of course just too many variables with B+W (different affects from different developers, agitation, time, etc..) But since C-41 and E6 is 'standardized' for all the film flavors (expect of course for any push/pull) it's very rare not to get excellent and consistent results providing the lab is good and properly monitors their processors.

Link to post
Share on other sites

It is tempting but for less than half the price you can get a good used later serial number CPP2 that pretty much does the same thing. I have the CPP2 and like the individual input knobs versus menu diving one will have to do with the new CPP3 in order to make adjustments on the fly like drum RPM, temp, etc.

 

The built in process timer is nice too but I simply use my RH Designs Processmaster-II for that. I hope they sell though, if people rave about them, I might reconsider...

Link to post
Share on other sites

The CPP3 is a tad expensive when you can get a used previous version for a lot less or even an ATL-1000 or ATL-1500. I had a CPE2 and it is a fag if you have a lot of films. Last year I got an ATL-1500 and love it, load, program, switch on and walk away.

 

There is a Jobo ATL-1000 on EBay at the mo.

 

Spares are still around for them and also servicing/repair from Klaus in Germany. He is a mine of info/help on the Jobo gear.

Link to post
Share on other sites

Apart from the TAS I am using a Jobo CPA-2 with elevator.

I did a revision of the pump motor and a new elevator a few years ago and a new 2523 drum with some reels.Also all last modifications ("easy rollers" etc).

Total price Eur. 300,- because the unit itself was for a bottle of wine. Together with a lot of paper (40x50cm) drums too.

 

4825785067_b73058cb7b.jpg

 

And yes, of course 10x cheaper then a new unit which is all with second hand darkroom stuff in Holland. But you have to know how to change spare parts and how to do maintenance on such a unit. And the CPE/CPA/CPP are relatively very easy in design/maintenance. If a big ATL is broken it can be very complicated.

 

6240699799_415904292d.jpg

 

Pump motor change plus rotor, plastic moulding.

 

And for extra service here is an overview for the volume of the Jobo drums in rotary and inverse processing:

 

3382279003_6dd0e35f44_b.jpg

 

Best regards,

 

Robert

Link to post
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...