prk60091 Posted August 13, 2010 Share #21 Posted August 13, 2010 Advertisement (gone after registration) Which again is even more of an issue with the Arizona superlight. When I was shooting in New York it was a much more rare occasion to completely blow a sky (unless I was really being silly)... Here if you're at any part of the day that isn't 'golden' it's a risk... such is the nature of central cloudless bright skies I suppose. I certainly don't think expose to the right works in Arizona, at least not with any digital camera I've ever used. Nor with the x1 in Chicago this summer at least Link to post Share on other sites More sharing options...
Advertisement Posted August 13, 2010 Posted August 13, 2010 Hi prk60091, Take a look here EV compensation: how to ?. I'm sure you'll find what you were looking for!
BB W Posted August 13, 2010 Author Share #22 Posted August 13, 2010 Hmm, I live in New York - just outside of the city and it seems I am always going into the negative EV...definitely to the left but I have to add that this is when I am taking photos with very distinct differences between hightlights and shadows. This camera is more amazing to me every day. When I expose for the bright highlights in a scene such as I've just described, I'm amazed by what I can pull from the shadows. Who could not love this camera's RAW files? Yes, I wish I could see everything through the viewfinder - as in all the settings, but I think I'm getting to like this camera more and more. Link to post Share on other sites More sharing options...
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