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Who has used the Lally Cap for custom WB?


tom in mpls

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Having just read a post in another thread that refers to the Lally Cap for creating accurate custom WB, I am intrigued to hear from others who have tried it. Low tech, not pretty, but perhaps fast, easy and accurate? The concept sounds the same as the Expo Disk, but it isn't made in Leica lens sizes.

 

Lally Cap

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I have tried several tools to get accurate WB, and found the little stick-on card from Stephen Johnson Photography to work the quickest.

 

I just take a photo of the lens cap at arm's length when I need spot-on color accuracy and in either Lightroom or Camera Raw calibrate the photos that follow it to that WB setting and voila. I am attaching a photo of the 24mm Summilux lens cap with the card on it.

 

Haven't used anything else since!

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I have tried several tools to get accurate WB, and found the little stick-on card from Stephen Johnson Photography to work the quickest.

 

I have tried the Ba-lens (I hope that right), A lens cap with a WB bubble built in. Works ok, except on really wide lenses. How does this card handle really wide lenses like 12mm or 16mm? Lally Cap has no problems...

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I use the Lally cap and it works well. However, I find in Lightroom, I still sometimes make minor adjustments to color temperature. I view those adjustments no differently than any other post-capture digital adjustments (e.g., saturation, contrast, etc.).

 

The Lally cap, like all of the WB tools, does two things well. First, it makes the LCD readout on the camera look more like what you are hoping for--thereby permitting you to reshoot if you don't like what you you expected. Second, by doing the former, you have a better record of where you are trying to get to in post production. If the entire photo has a yellow or blue cast, you have to rely on your memory of what it was supposed to look like.

 

What is nice about the Lally cap is that it is elastic cloth so it fits a wide variety of lenses--you don't need different sizes.

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I have tried the Ba-lens (I hope that right), A lens cap with a WB bubble built in. Works ok, except on really wide lenses. How does this card handle really wide lenses like 12mm or 16mm? Lally Cap has no problems...

 

See this with the Voigtlander 15mm lens on the M9 I tried yesterday morning at sunrise.....:

I personally liek the result t wide angle!

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See this with the Voigtlander 15mm lens on the M9 I tried yesterday morning at sunrise.....:

I personally liek the result t wide angle!

 

So I guess you are adjusting your WB in post? How would that work if you are trying to set MWB in camera? The card in the picture is not big enough to fill the MWB frame in camera.

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So I guess you are adjusting your WB in post? How would that work if you are trying to set MWB in camera? The card in the picture is not big enough to fill the MWB frame in camera.

 

Yes I am. I find it easier than taking out the Sekonic Color Meter that gives final results that are almost identical. At sunrise, the color temp changes so quickly that it is much easier this way. You would have to adjust color setting or take new WB photos every five minutes or so!

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Is it really only me that prefers the non white balanced version? From my point of view white balance is a crime to the senses, we live in an unbalanced world.

 

Stephen, I only adjusted the WB setting for this thread. The "actual" colors of the morning were extremely close to the WB version. Unbalanced world or not, it is more realistic ;)

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Yes I am. I find it easier than taking out the Sekonic Color Meter that gives final results that are almost identical. At sunrise, the color temp changes so quickly that it is much easier this way. You would have to adjust color setting or take new WB photos every five minutes or so!

 

I can imagine. However the Lally Cap/ExpoDisk/BaLens/etc does not go to that extreme, but give pretty good results. I am not a "do it in post" person, I seem to get better results doing as much in camera as possible, including WB. We all have different ways... As long as we are happy with the end product, it really does not matter. An in-shot grey card has been used since the dawn of this technology. So if it works, cool.

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I'm looking for a solution to create good profiles for cornerfix. I bought a 58mm expo-cap for $59 from B&H and it hard vignettes like crazy on anything wide. I'm thinking something like the lally cap (which I'll just make myself of course) is the only realistic solution.

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Just a little update, I took apart the expocap (FYI it's two pieces of white plastic with a paperthin piece of transparent cyan plastic between them inside). I screwed the retaining ring (58mm) from the expocap onto a 58mm UV filter with one of the pieces of white plastic sandwiched between. I took the opportunity to create cornerfix profiles for each aperture with my <50mm lenses, worked a treat.

 

I also used it to create an IR cornerfix profile for my 35mm ZM C-Biogon because it has immense red-edge in IR, but none in VIS.

 

Example:

before:

IR_7.jpg

after:

IR_8.jpg

All processing identical, aside from cornerfix.

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