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Old Stock 50mm Summilux Asph Non-Coded


Samir Jahjah

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Given the scarcity of the current Summilux 50mm, what are the pros and cons of a new 'old-stock' Summilux 50mm Asph, but not coded.

 

The M9 allows me to select the lens manually (I am fine with that as most of my lenses are not coded), so the question is really whether the coded version of the Summilux has been improved compared to the non-coded one?

 

As for the price, is it simply worth the price of a coded lens minus the cost of getting it coded?

 

Views, comments?

 

Samir

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Optically there will not be any difference. The only thing to bear in mind is that, after the release of the M8, this lens was notorious in this forum for back-focus issues (not to be confused with focus shift). My own copy showed it and required two trips to Solms to be put right. I suspect that more recent examples (e.g. ones made during the 6-bit coding era) are calibrated to the so-called tighter tolerances required for the M8/M9 because there no longer seem to be so many complaints. Test the lens (wide-open) in the shop. If it's good, buy it.

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I would 2nd the observation on back focus issues. My 50 1.4asph made 4 trips to Solms to correct back focus issues and was finally replaced. Be aware that the 50 asph has been more difficult to add 6 bit coding. On most M lenses the standard procedure is to exchange your mount for another that has been coded. On the 50 asph they found that you need to use the original mount because some lenses require shimming to fine tune the calibration. On this lens I would only buy a 6 bit version and only if I could test the focus calibartion with a return possible.

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Test the lens (wide-open) in the shop. If it's good, buy it.

 

I thought the problem of focus shift arises as you reduce the aperture, and not wide open. I did some test in the store and it is hard to tell....I will try to get it for an hour or so to try it out in real-life situation.

 

I had two luxes on my M8 and both did have significant focusing problems...while none of my other lenses had problems at all !

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I would 2nd the observation on back focus issues. My 50 1.4asph made 4 trips to Solms to correct back focus issues and was finally replaced. Be aware that the 50 asph has been more difficult to add 6 bit coding. On most M lenses the standard procedure is to exchange your mount for another that has been coded. On the 50 asph they found that you need to use the original mount because some lenses require shimming to fine tune the calibration. On this lens I would only buy a 6 bit version and only if I could test the focus calibartion with a return possible.

 

Thanks for this information...I was not aware at all of this coding issue with the 50mm Lux.

 

 

I did test a Coded version in another store, and he had obvious focusing problems, basically the point of focus would be about 1 meter behind the point I focused on.

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It is my understanding that the only difference between an older 50 lux ASPH and a new one is 6 bit coding- otherwise they are the same "version." I bought my 50 lux ASPH when it first came out and subsequently had it coded by Leica after the M8 debut. I have had no focusing or other problems whatsoever while using it on an M8 or M9.

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.I would hope that most people never had a problem with their 50 1.4 asph and I am sure you can get another dozen people to indicate their lenses are spot on. I spent a lot of time and money working on this directly with Leica NJ . The 50 1.4 asph was by far the most difficult to calibrate ..more so even than the Noctilux. (the posts documenting my experience are in the archive ).

 

By version I was referring only to the 6 bit coding as the lenses are otherwise identical.

 

I have had dozens of M lenses coded by Leica and most (but not all ) have been straightforward . The summiluxes and the noctilux have been more difficult and not something I would want to repeat.

 

The 50 1.4 asph is a superb lens and highly recommended but I would hold out for a coded one and I would test it .

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.I would hope that most people never had a problem with their 50 1.4 asph and I am sure you can get another dozen people to indicate their lenses are spot on. I spent a lot of time and money working on this directly with Leica NJ . The 50 1.4 asph was by far the most difficult to calibrate ..more so even than the Noctilux.

 

Why is that? I am using a VC Asph 1.5 Nokton ... not sure if it has the same design as the Lux, but it focuses perfectly well and its performance is amazing. So why is the lux such a difficult lens to calibrate?

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Most, if not all, of the front or back focusing problems can be easily re-calibrated by someone competent. My 50 Lux asph was back focusing and both my 50 Lux pre-asph and 90 Cron AA were front focusing. All were adjusted by DAG and are now focusing perfectly. I sent them to DAG even though two of those were still under Passport warranty.

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Never had an issue with the stock 6-bit 50mm Lux. Worked flawlessly on my M8, M8.2 and now the M9.

 

Great, but that misses the point - the discussion here is about buying a non-coded example of the lens. There is plenty of anecdotal evidence to suggest that a number of these lenses show backfocus at the widest apertures and require a trip (or two) to Solms to be put right.

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