Chuck Posted September 2, 2023 Share #1 Posted September 2, 2023 Advertisement (gone after registration) I like (love) the way Elmar lenses “draw the light” (I have a 35mm from 1948 and a 50mm Elmar-M from 1997). I know there is the 28 mm Elmarit ASPH, but that is not an Elmar construction, I don’t think (it’s ASPH for sure). I’m wondering if production of a 28mm Elmar would make any sense. Would love any thoughts from this informed group, and if there would be any interest as well. Link to post Share on other sites More sharing options...
Advertisement Posted September 2, 2023 Posted September 2, 2023 Hi Chuck, Take a look here How about a 28mm Elmar (f/3.5 or f/2.8)?. I'm sure you'll find what you were looking for!
a.noctilux Posted September 2, 2023 Share #2 Posted September 2, 2023 My dream came true with Summaron-M 28mm. https://www.l-camera-forum.com/topic/265598-leica-summaron-28-image-thread/ loving much the Summaron LTM 2.8cm I had for loan, and not wanting old LTM, I was in the first buyers of the M new Summaron-M 28mm. Link to post Share on other sites More sharing options...
Chuck Posted September 2, 2023 Author Share #3 Posted September 2, 2023 6 minutes ago, a.noctilux said: My dream came true with Summaron-M 28mm. https://www.l-camera-forum.com/topic/265598-leica-summaron-28-image-thread/ loving much the Summaron LTM 2.8cm I had for loan, and not wanting old LTM, I was in the first buyers of the M new Summaron-M 28mm. Yes, I have that beauty as well and am crazy about it. I opted for the "Made in Portugal" version as it was a little less expensive at the time than the "Made in Germany" version but identical in construction other than the nomenclature stamping on the bottom of the lens as far as I know. How spoiled we are with so many Leica lenses to dote over! Link to post Share on other sites More sharing options...
Anbaric Posted September 2, 2023 Share #4 Posted September 2, 2023 There was a Zeiss 28mm Tessar for Contax back in the day, which might be about as close as you can get, but it was only f/8. These are affordable in the original mount. A much less affordable modern M conversion has been done: https://skyllaney.com/product/carl-zeiss-jena-2-8cm-f-8-tessar-converted-to-leica-m-via-omnar/ https://skyllaney.com/2022/04/01/conversions-powered-by-omnar/ I don't know if there are any vintage conversions to LTM knocking around. 1 Link to post Share on other sites More sharing options...
Pyrogallol Posted September 2, 2023 Share #5 Posted September 2, 2023 1 hour ago, Anbaric said: There was a Zeiss 28mm Tessar for Contax back in the day, which might be about as close as you can get, but it was only f/8. These are affordable in the original mount. A much less affordable modern M conversion has been done: https://skyllaney.com/product/carl-zeiss-jena-2-8cm-f-8-tessar-converted-to-leica-m-via-omnar/ https://skyllaney.com/2022/04/01/conversions-powered-by-omnar/ I don't know if there are any vintage conversions to LTM knocking around. Like this, sharp despite a crack in the tiny glass. Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/381559-how-about-a-28mm-elmar-f35-or-f28/?do=findComment&comment=4848933'>More sharing options...
adan Posted September 3, 2023 Share #6 Posted September 3, 2023 (edited) On 9/2/2023 at 7:22 AM, Chuck said: I like (love) the way Elmar lenses “draw the light” (I have a 35mm from 1948 and a 50mm Elmar-M from 1997). I know there is the 28 mm Elmarit ASPH, but that is not an Elmar construction, I don’t think (it’s ASPH for sure). Just for the record, there is not really any firm relationship whatsoever between lens name, or even lens structure (Tessar-type, double-gauss, etc.), and rendering. Far too many other factors involved - glass types used, coatings used, production consistency/era, the lens designer's preferred balancing of competing aberrations. The 1997 50 Elmar-M f/2.8 has very different rendering even from the 1950s 50 Elmar f/2.8. Mostly contrast and color. Conversely, I've been told that my 1970s 50mm Summicron III (f/2.0, Canadian-made, 6-element double-gauss) "renders like" a 35 Elmar or Summaron (f/3.5, German-made, 4-element Tessar-type or 6-element DG). And BTW - I do love my 50 Summicron's rendering and "light wrapping" also. So I hear you. You might look into the 28mm Elmarit v.2, (1972-79) as a lens with gentle contrast that wraps light into the shadows. Soft in the corners until f/8 or so, and not 6-bit codable (but doesn't need it much - long back-focus built-in as it was the revision designed not to interfere with the metering semaphore arms of the M5/CL, so no corner color shifts). http://wiki.l-camera-forum.com/leica-wiki.en/index.php/28mm_f/2.8_Elmarit_II Here's a sample: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Edited September 3, 2023 by adan 2 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/381559-how-about-a-28mm-elmar-f35-or-f28/?do=findComment&comment=4849810'>More sharing options...
Chuck Posted September 4, 2023 Author Share #7 Posted September 4, 2023 Advertisement (gone after registration) 8 hours ago, adan said: Just for the record, there is not really any firm relationship whatsoever between lens name, or even lens structure (Tessar-type, double-gauss, etc.), and rendering. Far too many other factors involved - glass types used, coatings used, production consistency/era, the lens designer's preferred balancing of competing aberrations. The 1997 50 Elmar-M f/2.8 has very different rendering even from the 1950s 50 Elmar f/2.8. Mostly contrast and color. Conversely, I've been told that my 1970s 50mm Summicron III (f/2.0, Canadian-made, 6-element double-gauss) "renders like" a 35 Elmar or Summaron (f/3.5, German-made, 4-element Tessar-type or 6-element DG). And BTW - I do love my 50 Summicron's rendering and "light wrapping" also. So I hear you. You might look into the 28mm Elmarit v.2, (1972-79) as a lens with gentle contrast that wraps light into the shadows. Soft in the corners until f/8 or so, and not 6-bit codable (but doesn't need it much - long back-focus built-in as it was the revision designed not to interfere with the metering semaphore arms of the M5/CL, so no corner color shifts). http://wiki.l-camera-forum.com/leica-wiki.en/index.php/28mm_f/2.8_Elmarit_II Here's a sample: Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! These are (very) interesting and informative comments — thanks, adan. The influencers on image “look” seem obvious when considered in the light (😉) of your comments. So many factors involved. Your point about the lack of a firm relationship between lens name and rendering brings to mind The Bard’s very well known words on names: “What's in a name? That which we call a rose by any other name would smell just as sweet.” I will look into the 28mm Elmarit v.2. I very much like the look of the sample you posted. Link to post Share on other sites More sharing options...
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