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HP5 + vs Tri-X Pan


Ornello

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vor 7 Stunden schrieb Ornello:

FX-15 was designed as a solvent developer to be used stock or 1+1 with fast films. Why not do that? I cut the sulfite in half because I don't think it is necessary to use so much with today's better films. So, at 1+1 dilution the concentration is 25g/l. Are you using my variation? Are these scans or wet prints? What kind of enlarger, etc.

Are you sure you mixed up FX-15 and not some other FX formula?

Yes - I'm sure I mixed up FX-15 according to the original formula. I couldn't know your modification when I mixed it up a few days ago.

So if you cut sulfite to the half and use it 1+1 we end up with the same amount of sulfite as if I dilute the original 1+3. As you wrote modern films shouldn't need so much sulfite any more.
It would be much more helpful if you let us participate on your findings and show us some examples pictures here. Guess they must be much better then mine.

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14 hours ago, johnwolf said:

This is a little OT, but I'm curious how much one needs to shoot to make bulk rolling sensible. I was considering it but ran some numbers and now question if it's worthwhile for me.

I figured 25 rolls to break even on the ro[ler and casettes. After that I figured a saving of about $70 on each subsequent 25 rolls. 25 rolls is a lot for me. 

Seems like you'd have to shoot pretty high volume for bulk rolling to make sense. Your thoughts?

John

Try here:

 

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You mean his many roll per year? It’s easier if no time limit and if it’s B&W. The chemical last forever, same if you freeze the films.

When I shot color, E6 or C41, I prepared small amount of chemical so that raw chemical can last longer. Doing so 40 rolls of E6 or 80 rolls of C41 roughly matches the chemical life (5 liter). Now you can’t get bulk load color film, but home developing C41 still makes sense. Sp the question changes to justification of color films instead of bulk load B&W.

More on C41, the most economical is Rollei C41 kit, 80-roll quantity , about $80. Shooting Kodak Ektar 100 then costs about $9 (film) + $1 per roll, 120 format or 136/36exp. => yearly spending is $800. I no longer shoot B&W because I can get both color and B&W results from C41, and I like C41 converted B&W better. Adjusting color channels for B&W is much more controllable.  

After I run out of the current chemical and films, I think I am done with film .  

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6 minutes ago, Einst_Stein said:

You mean his many roll per year? It’s easier if no time limit and if it’s B&W. The chemical last forever, same if you freeze the films.

When I shot color, E6 or C41, I prepared small amount of chemical so that raw chemical can last longer. Doing so 40 rolls of E6 or 80 rolls of C41 roughly matches the chemical life (5 liter). Now you can’t get bulk load color film, but home developing C41 still makes sense. Sp the question changes to justification of color films instead of bulk load B&W.

More on C41, the most economical is Rollei C41 kit, 80-roll quantity , about $80. Shooting Kodak Ektar 100 then costs about $9 (film) + $1 per roll, 120 format or 136/36exp. => yearly spending is $800. I no longer shoot B&W because I can get both color and B&W results from C41, and I like C41 converted B&W better. Adjusting color channels for B&W is much more controllable.  

After I run out of the current chemical and films, I think I am done with film .  

Please discuss film prices and cost saving approaches here:

 

 

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On 5/4/2022 at 5:09 PM, fotomas said:

Here now my results from TRI-X and HP5+ with FX-15, diluted 1+3. One might get an idea why Crawley recommended FX-15 for low and medium speed films. The grain becomes a bit coarse and clumpy. For comparison another 100% detail with TRI-X in an home brew two bath developer similar to Diafine. This developer is usually more for sharpness then for fine grain.

Overview with the whole image (here TRI-X in FX-15):

 

And now the details.
TRI-X in FX-15:

 

HP5+ in FX-15:

 

and now TRI-X in my two bath:

 

I was a bit astonished about the coarse grain since FX-15 has as much sodium sulfite as D-76. Maybe the combination from the three developing agents forces this. Would be interesting to see how the modified version worked.

Have you tried FX-15 stock yet? You should get results superior to D-76.

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  • 2 weeks later...
1 hour ago, LocalHero1953 said:

So many posts, so few pics.......

I have said repeatedly that I don't have access to a suitable scanner. 

After conducting numerous tests, I can offer my recommendations. 

First off, I don't see much need to use more than two or three films (though availability remains an issue). 

T-Max 400 (TMY-2) is so sharp and fine-grained that there is hardly any need for anything slower unless huge enlargements are planned, and you are using first-class lenses. 

The developer I recommend for TMY-2 is FX-21, because it tames the tendency for excessive highlight contrast. 10.5-11.5 minutes @ 68F/20C. Dilution 1+9 (from 15x concentrate). At present you have to mix FX-21 from scratch. Otherwise, I would suggest D-76 1:1 for 7-8 minutes or so.

HP5+, Tri-X, and Delta 400 are all similar in grain and sharpness, and FX-39 II is the developer I recommend. FX-39 II 1+14 at around 8.5-9 minutes.

FP4+ is wonderful stuff, but I don't use much of it.  FX-39 II is the developer I recommend. FX-39 II 1+17 at around 7.5 minutes.

Pan-F + is hard to deal with.  The developer I recommend for Pan-F + is FX-21, because it tames the tendency for excessive contrast. 13.5 @ 68F/20C. Dilution 1+14 (from 15x concentrate). At present you have to mix FX-21 from scratch. Otherwise, I would suggest D-76 1:2 for 7-8 minutes or so.

Acros is excellent. Data not yet ready. FX-39 II 1+14 for 7-8 minutes is a starting point.

Delta 3200 is best in FX-39 II diluted 1+9 for 12 minutes or so.

T-Max 3200 does well in FX-39 II diluted 1+14 for 10-11 minutes.

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2 hours ago, Ornello said:

I have said repeatedly that I don't have access to a suitable scanner. 

After conducting numerous tests, I can offer my recommendations. 

First off, I don't see much need to use more than two or three films (though availability remains an issue). 

T-Max 400 (TMY-2) is so sharp and fine-grained that there is hardly any need for anything slower unless huge enlargements are planned, and you are using first-class lenses. 

The developer I recommend for TMY-2 is FX-21, because it tames the tendency for excessive highlight contrast. 10.5-11.5 minutes @ 68F/20C. Dilution 1+9 (from 15x concentrate). At present you have to mix FX-21 from scratch. Otherwise, I would suggest D-76 1:1 for 7-8 minutes or so.

HP5+, Tri-X, and Delta 400 are all similar in grain and sharpness, and FX-39 II is the developer I recommend. FX-39 II 1+14 at around 8.5-9 minutes.

FP4+ is wonderful stuff, but I don't use much of it.  FX-39 II is the developer I recommend. FX-39 II 1+17 at around 7.5 minutes.

Pan-F + is hard to deal with.  The developer I recommend for Pan-F + is FX-21, because it tames the tendency for excessive contrast. 13.5 @ 68F/20C. Dilution 1+14 (from 15x concentrate). At present you have to mix FX-21 from scratch. Otherwise, I would suggest D-76 1:2 for 7-8 minutes or so.

Acros is excellent. Data not yet ready. FX-39 II 1+14 for 7-8 minutes is a starting point.

Delta 3200 is best in FX-39 II diluted 1+9 for 12 minutes or so.

T-Max 3200 does well in FX-39 II diluted 1+14 for 10-11 minutes.

 

FX-21 developer formula 15x concentrate for 1+14 dilution to make 1 litre

 

Component

Amount in grammes

Rounded Amount

Metol

2.1495

2.15

Sodium Sulfite

30.0

30.0

Hydroquinone

1.0995

1.1

Phenidone

0.1245

0.13

Sodium Metabisulfite

6.15

6.2

Potassium Carbonate (monohydrated)

22.035

22.0

Sodium Bicarbonate

3.9

3.9

Sodium Citrate

3.9

3.9

Potassium Iodide

0.0825

0.1

Potassium Bromide

0.33

0.3

Sodium Hydroxide

5.0

5.0

 

Edited by Ornello
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Latest results show HP5+ and Delta 400 developed in FX-39 II diluted 1+14 for 8.5 minutes @ 68F/20C to be close to perfect. Prints look great! Tri-X may need closer to 9 minutes.

I am not sure that Delta 400 is much better than HP5+ in either sharpness or fineness of grain.

 

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3 hours ago, Ornello said:

Latest results show HP5+ and Delta 400 developed in FX-39 II diluted 1+14 for 8.5 minutes @ 68F/20C to be close to perfect. Prints look great! Tri-X may need closer to 9 minutes.

I am not sure that Delta 400 is much better than HP5+ in either sharpness or fineness of grain.

 

My imagination thinks you have got it wrong, prove me wrong.

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22 hours ago, Ornello said:

Latest results show HP5+ and Delta 400 developed in FX-39 II diluted 1+14 for 8.5 minutes @ 68F/20C to be close to perfect. Prints look great! Tri-X may need closer to 9 minutes.

I am not sure that Delta 400 is much better than HP5+ in either sharpness or fineness of grain.

 

Latest results show Tri-X and Delta 400 developed in FX-39 II diluted 1+14 for 9.25 minutes @ 68F/20C to be close to perfect. Prints look great! HP5+ needs only 8.5 minutes.

I am not sure that Delta 400 is much better than HP5+ in either sharpness or fineness of grain.

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4 hours ago, Ornello said:

Latest results show Tri-X and Delta 400 developed in FX-39 II diluted 1+14 for 9.25 minutes @ 68F/20C to be close to perfect. Prints look great! HP5+ needs only 8.5 minutes.

I am not sure that Delta 400 is much better than HP5+ in either sharpness or fineness of grain.

Still can't see in my imagination what you are seeing in your prints, actually the results look worse.

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Recommendations:

Develop Tri-X in FX-39 II diluted 1+14 for 9.75 minutes @ 68F/20C.

Develop Delta 400 in FX-39 II diluted 1+14 for 9.25 minutes @ 68F/20C.

Develop HP5+ in FX-39 II diluted 1+14 for 8.5 minutes @ 68F/20C.

Develop T-Max 400 in FX-39 II diluted 1+14 for 9.5 minutes @ 68F/20C.

Develop T-Max 400 in FX-21 diluted 1+9 for 11 minutes @ 68F/20C.

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