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M9-p ISO


costa43

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M9P ISO is no difference from M9, M-E 220 ISO.

If I want shutter speed to avoid motion blur on moving people,  low ISO pushing in PP never worked for me.

For else... With f1.4-f1.5 lenses wide open and in low light I leave all in auto and my M-E 220 chooses low ISO with not too slow shutter speed. But I still have to watch it. If it isn't very dark, my M-E 220 does overexpose. I have to dial in -1. Once it is darker I have to dial 0. :)

But who knows how M9P works...

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6 minutes ago, Ko.Fe. said:

M9P ISO is no difference from M9, M-E 220 ISO.

If I want shutter speed to avoid motion blur on moving people,  low ISO pushing in PP never worked for me.

For else... With f1.4-f1.5 lenses wide open and in low light I leave all in auto and my M-E 220 chooses low ISO with not too slow shutter speed. But I still have to watch it. If it isn't very dark, my M-E 220 does overexpose. I have to dial in -1. Once it is darker I have to dial 0. :)

But who knows how M9P works...

I shoot manual with the m8 and now m9-p but was just curious. I think the m9-p and m9 are the same camera so doubt there will be a difference.

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My understanding is that the m9 chip becomes iso invariant at 640

So I set that as my max iso because there's no difference from there on between amplifying the signal in the camera or on the computer, well 2021 software is probably better than 2009 in camera NR! 

Below 640 you should get a lower noise image by raising the iso in camera than you will pushing in post because as I understand it, the amplification is happening pre-ADC

The differences shouldn't be night and day but with the m9 any noise reduction is useful 

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Guest Nowhereman
14 minutes ago, Adam Bonn said:

My understanding is that the m9 chip becomes iso invariant at 640...

There's been a lot written about this and the conclusion has been the reverse of this: that, with the M9, the signal to noise ratio is better if you shoot at ISO 640 and "push" exposure in post processing, rather than increasing the ISO in the camera. There is a LUF thread on this and there is the careful work done by Jim Kasson in his articles here and here. There is also the fact that, generally, shooting at higher ISO has, increasingly, lower dynamic range: this means that it gets increasingly important to get the exposure right — which is generally more difficult in the light in images such as the  ones below.

M9 | Elmarit 21 ASPH | ISO 640 | f/2.8 | 1/45 sec | Pushed 2 stops | Pak Nam Pran

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M9 | Elmarit 21 ASPH | ISO 640 | f/2.8 | 1/45 sec | Pushed 1 stop | Bangkok

M9 | Elmarit 21 ASPH | ISO 640 | f/2.8 | 1/45 sec | Pushed 1½ stops | Bangkok________________________
Frog Leaping photobook

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17 minutes ago, Nowhereman said:

There's been a lot written about this and the conclusion has been the reverse of this: that, with the M9, the signal to noise ratio is better if you shoot at ISO 640 and "push" exposure in post processing, rather than increasing the ISO in the camera. __

Frog Leaping photobook

I must not have been very clear because that's exactly what I meant 

I never take the m9 over 640

If I need more iso than that I brighten in post

Below 640 I raise iso in camera (eg 160-640) and attempt to produce an exposure that doesn't necessitate much pushing in post

 

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28 minutes ago, Nowhereman said:

^ I think the problem is that you wrote that the M9 "becomes ISO invariant at 640". Actually, the M9 is effectively ISO-less between ISO 160 and 640. 
________________________
Frog Leaping photobook 

The problem is that I wrote "at" when I meant after

You have it the wrong way round. The M9 is ISO-less after 640, not before

Before ISO640 the M9 will use pre-ADC amplification, if you underexpose in this ISO range you'll introduce additional noise that the sensor needn't have captured, then amplify that noise when you push later in PP

After 640 the M9 will be reliant upon post ADC amplification, effectively meaning adding brightness is the same in post as it is in camera (ie ISO-invariant)

This fact is also demonstrated in the Jim Kasson article you linked

 

You’ll get the best results at ISO 160 with ETTR. If depth of field, subject or camera motion, or other things keep you from doing that, you’ll get slightly better results in the mids and higher tones by turning up the ISO to keep the histogram to the right than you will pushing equivalently in LR or ACR, and you’ll get essentially the same in the shadows. That’s only true up to ISO 640. After that, let the histogram go to the left and fix it in your raw developer program.

 

(Bold emphasis added by me)

That the lowest noise and highest DR is at ISO 160 should be no surprise to anyone :)

But Kasson is very clear before ISO640 raise ISO in camera, after ISO640 don't bother  (I spent a while researching all of this back when I got the M9 as I was coming from a 100% ISO-less camera and entering the world of Leica and I remember reading this article then) 

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On the M9- I use ISO2500 routinely in low-light. For the M8 in RAW mode, I leave it at ISO160, under-expose, and boost in post.

Same with the M Monochrom at ISO 5000 and 10000.

I did find that fast memory cards caused banding noise in my high ISO images. I use PNY and Sandisk 4x cards in the M9, M monochrom, and M8.

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Guest Nowhereman
On 2/15/2021 at 7:46 PM, tobey bilek said:

Does not matter where you push, result is same.  Unless you shoot at low , expand to 100-% and remove all noise, then push...

That's actually not the case, as Jim Kannon proves conclusively through his test work and graphs in his articles linked in post #9 above.
________________________
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