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Leica M10 Monochrom Images

Likaleica

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2048 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “choose Fil
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Ken Abrahams

Ken Abrahams

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M10M iso 800, 50 M APO at f2 and 1/4000 s

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Likaleica
Likaleica

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eawriter
eawriter

After dozens of posts in the M246 thread, this is my first in this thread, because, after resisting for a year, I sold the M246 and bought the M10M.  We (finally) had a rainstorm in the San Franc

Mefty
Mefty

Great Camera 

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Fedro

Fedro

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abandoned ... Summaron 28

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Fedro

Fedro

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keep an eye on you - summaron 28

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Fedro

Fedro

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summaron 28

 

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scroy

scroy

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28mm - Summicron, 1/4000s, f/4, ISO 50K processed in LR [+40NR]

Test Shot at the Boston Leica Store

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Deido

Deido

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Little Duckling

Reflection of a row of houses in a stream. M10M + Summilux 28/1,4 ISO 20000, Crop 300%

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mikejettphotography

mikejettphotography

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I had a great time putting the new Monochrom through its paces at the March for Life in Washington, D.C. yesterday. More photos in the album on my IG: http://www.instagram.com/mikejett.photography

 

 

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robgo2

robgo2

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On 1/20/2020 at 11:14 AM, elmars said:

The M10-M ist definitetly not a bad weather camera. By the way: Bad weather for a digital camera is a hazy sky. On a sunny day the EV difference between a blue sky and the surrounding is little; on a hazy day the sky is much brighter than the surrounding.

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It sounds to me as though you have not learned the technique for getting proper exposure with a digital camera. 

One of the great strengths of digital photography is having pre-shot exposure information in the form of a live histogram. With a live histogram, the photographer can tell where exposure lies on the histogram scale before releasing the shutter.  If it is overexposed or underexposed, he/she can easily make an adjustment AND see the results of the adjustment in the histogram in real-time. Hence, a hazy sky poses no particular problem for a digital photographer, probably much less than for a film photographer.

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erudolph

erudolph

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When the SL2 arrived, I was surprised by two things:  1) how much information could be got from the shadows, and 2) how, with the L-mount Summicron and 24-90, out-of-camera images often required only the smallest tweaks in post production.  When the M10M arrived (yesterday) I found myself doing quite a bit more post-production.  Then I realized how conservative the histogram is and that I was underexposing.  Today I put a yellow filter on the 28mm Summicron v2. 

 

 

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erudolph

erudolph

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28mm Summicron, Yellow filter, f/2, 1/60, ISO 1000

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Ken Abrahams

Ken Abrahams

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Walker - 400 iso 50 M APO orange filter f2.8 

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28mm Summicron

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marcg

marcg

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4 hours ago, Kendoo said:

Walker - 400 iso 50 M APO orange filter f2.8 

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when I click this photo up to its maximum, I'm very surprised to see a very grainy image and which I haven't noticed with any of the other images posted here. Given the extremely mild settings of your camera for this image, – why do you think that might be?

 

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Fedro

Fedro

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not sure if that's her name though .. - summaron 28

 

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Fedro

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summaron 28

 

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Ken Abrahams

Ken Abrahams

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47 minutes ago, marcg said:

when I click this photo up to its maximum, I'm very surprised to see a very grainy image and which I haven't noticed with any of the other images posted here. Given the extremely mild settings of your camera for this image, – why do you think that might be?

 

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Thanks for pixel peeping in there. I added grain in SlvrEfx. Exploring the workflow used for MM1 similarly on M10M. Excuse me while I experiment on you all. Well picked up. It took me a few years on the MM1 to creat exactly what I wanted. 
 

clearly these are two very different cameras 

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FrozenInTime

FrozenInTime

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To be brutally honest, the majority of images so far are underwhelming :

Compared to the first few pages in the M9M and M246 image threads much is lacking both pictorially and with tonality.

The hardest question to ask is : how much of this is down to  - the weather; a need to post as soon as possible ;  a shift in experience levels; camera output - lack of profiles;  post processing difficulty  ?

 

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marcg

marcg

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2 hours ago, Kendoo said:

Thanks for pixel peeping in there. I added grain in SlvrEfx. Exploring the workflow used for MM1 similarly on M10M. Excuse me while I experiment on you all. Well picked up. It took me a few years on the MM1 to creat exactly what I wanted. 
 

clearly these are two very different cameras 

thanks. Yes I am pixel peeping and I expect that most people are because this is such a new camera and we are all trying to understand it as well as we can without actually paying £7.2 K or getting our hands on it in some other way.

The information you provided alongside the image was very helpful – and I wish that more people would disclose that kind of information rather than simply the lens that they had used – but of course we didn't know that there was any postprocessing or the extent of it.

Your explanation is very helpful

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