fatihayoglu Posted April 22, 2019 Share #1 Posted April 22, 2019 Advertisement (gone after registration) Hi all, So I scan my negatives with a DSLR and macro lens, negatives being on a light table. When I scan, I always put the coated (or shinny) side of the negative towards the camera, however the other day I came across a video saying the matte side should be towards the camera , light coming from the shiny side, as it would be in the actual camera. so the question is which side of the negative should face to light, which face to camera? many thanks, Fatih Quote Link to post Share on other sites More sharing options...
Advertisement Posted April 22, 2019 Posted April 22, 2019 Hi fatihayoglu, Take a look here Film scan with DSLR, which side is up?. I'm sure you'll find what you were looking for!
plaidshirts Posted April 22, 2019 Share #2 Posted April 22, 2019 The matte, emulsion, side should be facing the light source with the shiny, base, side toward the scanner or the camera in your case. Quote Link to post Share on other sites More sharing options...
fatihayoglu Posted April 23, 2019 Author Share #3 Posted April 23, 2019 11 hours ago, plaidshirts said: The matte, emulsion, side should be facing the light source with the shiny, base, side toward the scanner or the camera in your case. Thanks a lot, I am glad I was following the correct protocol. Quote Link to post Share on other sites More sharing options...
monther Posted May 2, 2019 Share #4 Posted May 2, 2019 On 4/23/2019 at 7:54 AM, plaidshirts said: The matte, emulsion, side should be facing the light source with the shiny, base, side toward the scanner or the camera in your case. Why is that? Isn't it 'emulsion to emulsion'? (i.e.; emulsion towards the lens/sensor.) Reverse the 'scan' later if that's necessary? Quote Link to post Share on other sites More sharing options...
Doug A Posted May 2, 2019 Share #5 Posted May 2, 2019 Emulsion to emulsion is certainly the rule for a film to printing paper contact print. I haven't found that it makes a difference when "scanning" negatives with a digital camera. I keep the film emulsion side down so it is in contact with the smooth light box surface while the film base side is in contact with the metal mask of the BEOON copy stand. Quote Link to post Share on other sites More sharing options...
monther Posted May 2, 2019 Share #6 Posted May 2, 2019 Perhaps it makes no difference at all, I’m certainly not inclined to test it (life is far too short) but might scanning the ‘shiny side’ increase reflections and it would mean scanning through the film base. It won’t keep me up tonight either way but since the question was asked... I always considered the emulsion to be the side the image was recorded on so the side to be interested in. For best results don’t scan anything, enlarge and print to taste. Quote Link to post Share on other sites More sharing options...
plaidshirts Posted May 2, 2019 Share #7 Posted May 2, 2019 Advertisement (gone after registration) 10 hours ago, monther said: Why is that? Isn't it 'emulsion to emulsion'? (i.e.; emulsion towards the lens/sensor.) Reverse the 'scan' later if that's necessary? I don't know the technical reason why but both my scanners do it this way (Coolscan and Epson) and I've seen reports ranging from "doesn't make a difference" to "clearly better" from those that have used digital cameras to scan. Quote Link to post Share on other sites More sharing options...
philipus Posted May 3, 2019 Share #8 Posted May 3, 2019 I remember testing this on my Coolscan 9000 over Vuescan and did not see any difference in result whether I had the emulsion up or down. It may not apply to digitizing or other scanners, of course. br Philip Quote Link to post Share on other sites More sharing options...
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