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Hey forumers, I am new into Leica photography. I own a Leica C which is a really nice point and shoot camera but I thought I would expand my horizons to the rangefinder cameras. I bought a Leica III which was sold by a reputable photography store online, but for some reason the camera has a shutter cable release nipple in the front. I have done some research and was not able to locate another photograph of a Leica III with the same feature. My question, was this an option at the time or was it added later in its life?

 

Here are a couple of photos

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vor 35 Minuten schrieb Constantinos:

My question, was this an option at the time or was it added later in its life.

 

 

I also have a few such ltm Leicas. The contacts are all different. Also inside the installation is different. So installed later. I am not shure, think at the most.

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For pre-IIIc cameras, when adding flash sync Leitz used similar parts as IIIf have, flash contact has been added on top cover, at the back, under the accessory shoe. In order to accommodate internal contacts top cover must was been replaced, with contact numbers engraved. Leitz synced cameras have accessory shoe a bit higher than on non sync cameras. Internal contacts in Leitz flash conversions have all contacts under the top cover while most of third party have contact added at the bottom, sometimes very primitive done.

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Thank you Jerzy for this detailed "upgrade" information.

Can owners of both "third party" and Leica flash synch modifications, share pictures of these internal changes? I always wondered how and where the flash synch contacts are added, in such tiny spaces. Miniature magicians ...

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here we go, first three Leitz-factory modified, upgraded and synchronized ones:

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note the different position of the synch-contact at the rear dependig on the kind of rf-ocular, left and right ones got new to-plates, middle one the cheaper screwed-on sheet with the numbers of flasbulbs

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second a otherwise fine black/nickel III with non-factory mounted synchon-contact coming out at the front, you can see the cable running through the bottom

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last the relicts of a battered postwar III non-factory synchronized, you see the hole in the front for the plug already missing and some diagonal rought cutout in the cast chassis

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as I used parts of the still usable shutter I had to drill out the bottom screw of the shutter-curtain-roll as some sheet of cooper was soldered on that (as I already mentioned)

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Original Hot Shoe Leica IIIG.

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Leica Standard retro fitted.

 

Canon IIIA retrofitted contact. Similar to retro-fitted Leica flash contacts.
The contact with the flash is closed until the wire in the notch is free

Edited by Reini
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Some quick shots on my kitchen table:

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IIIc factory converted

IIIa converted 40 jears ago by Mr Reinhardt

IIIb with Geiss Synchronizer

 

Yours sincerely
Thomas

Edited by thomas_schertel
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The upgrade from the non-synchronised IIIc to the variable synchronised IIIf was probably one of the commonest upgrades done by factory in the early 1950's. My red blinds 1941 IIIc was factory upgraded with sync to a IIIf by Leica. A synchronised Model III must be a rather rarer beast. 

I had my father's IIIa synchronised by Wallace Heaton. We had a long debate where I tried to persuade him to have X sync but he insisted on having M sync so he could carry on using his Bilora bulb flash, rather than the Mecablitz 102 he had given me some years before and I had replaced with a larger Prinz electronic flash. 

Wilson

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vor 10 Minuten schrieb wlaidlaw:

 A synchronised Model III must be a rather rarer beast. 

..

Leica didn‘t offer sychronising a III without „updating“ it to a IIIa, which meant it got the 1/1000 instead of 1/500 as shortest shutter time together with the synchronization.

So there  may be quite a number of original Leica III which ended as IIIa syn.

The price for the update of a III to a IIIa was only 22,- DM in 1954; for an update to a IIIa syn you hade to pay 87,- DM  - quite a big difference at this time, though most users went for synchronization as using flash was the great thing at this time. 

The IIIa syn models from the 50s are no real „upgrades“ in the sense that they used the original camera and added some parts. In practice they were new built - only maintaining the original number. 

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2 hours ago, UliWer said:

Leica didn‘t offer sychronising a III without „updating“ it to a IIIa, which meant it got the 1/1000 instead of 1/500 as shortest shutter time together with the synchronization.

So there  may be quite a number of original Leica III which ended as IIIa syn.

The price for the update of a III to a IIIa was only 22,- DM in 1954; for an update to a IIIa syn you hade to pay 87,- DM  - quite a big difference at this time, though most users went for synchronization as using flash was the great thing at this time. 

The IIIa syn models from the 50s are no real „upgrades“ in the sense that they used the original camera and added some parts. In practice they were new built - only maintaining the original number. 

My IIIc "Stepper" to IIIf upgrade, I am fairly sure, has re-used the original top plate, with the flash sync numbers on a screwed on plate. Others have posted similar upgrades on "Stepper" cameras. In that it still has (or had) very elderly and totally rotten red blinds, I would guess that most of the shutter mechanism would be original as well. In the 1950's, I don't think red blinds were regarded as anything special and if required, would have been replaced with black blinds. My IIIa is currently away having a new set of red blinds put in and this is the last set this repairer has. Apparently the Nobby Sparrow red blinds proved unsatisfactory in use and Nobby recommended I did not use them, even if I located a set. He no longer sells them. 

Wilson

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