Leica Guy Posted February 16, 2019 Share #121 Posted February 16, 2019 Advertisement (gone after registration) I wonder if the Q2 is a highly leveraged Panasonic DCS1R. It does seem there’s lots of commonality in specs. https://www.dpreview.com/products/panasonic/slrs/panasonic_dcs1r 3 Quote Link to post Share on other sites More sharing options...
Advertisement Posted February 16, 2019 Posted February 16, 2019 Hi Leica Guy, Take a look here Q2 47 mps, Dirt & Drip proof & new EVF (FWIW!). I'm sure you'll find what you were looking for!
dancook Posted February 16, 2019 Share #122 Posted February 16, 2019 I am very curious about ISO handling of the new sensor, and of course how the image quality compares in general - I hope we don't lose character 3 Quote Link to post Share on other sites More sharing options...
bags27 Posted February 16, 2019 Author Share #123 Posted February 16, 2019 Does anyone know what an EL EVF is? here is what I fantasize. That when you change the crop mode from 28 to 35 to 50 and now to 75, it is not just an increasingly smaller outline within the EVF. Rather, the viewfinder magnifies to become that focal length in the entire screen. It would effectively be a zoom EVF, not a zoom lens. The outputted dng continues to be 28mm but the composition and focal point are effectively determined by the EVF and you can then make that dng crop in post. Jpgs are cropped in the camera. Comparing the jpg to the dng in post becomes a guide to what you composed. Whether this is true or not, 2 very important implications if the rumors are true. First, if it is announced on March 6, I’d expect the SL2 announced soon afterward because they’d share some technology and they need the news out before Panasonic ships in April. Second, I continue to think the M must be significantly transformed (EVF and bigger sensor at the very least) to avoid being put out of business by a Q2 that effectively covers the normal M range. 2 Quote Link to post Share on other sites More sharing options...
tom0511 Posted February 16, 2019 Share #124 Posted February 16, 2019 I understand if people complain about the 50/1.4 or 24-90 size, even though the overall handling is ok on the SL body. The 75 handles really good, it doesnt feel big or heavy at all, so the 35 and 50 feel the same. Yes, there are smaller 35 and 50mm lenses, but there are also 35 and 50mm lenses which are not that great wide open. I think the M is aimed on small size, the S on maximun IQ , and the SL system is in between. For people looking for small size its probably better to look into m43 (but not the pro level lenses) or Sony (but not the pro level lenses). Quote Link to post Share on other sites More sharing options...
Leica Guy Posted February 16, 2019 Share #125 Posted February 16, 2019 2 hours ago, bags27 said: Does anyone know what an EL EVF is? here is what I fantasize. That when you change the crop mode from 28 to 35 to 50 and now to 75, it is not just an increasingly smaller outline within the EVF. Rather, the viewfinder magnifies to become that focal length in the entire screen. It would effectively be a zoom EVF, not a zoom lens. The outputted dng continues to be 28mm but the composition and focal point are effectively determined by the EVF and you can then make that dng crop in post. Jpgs are cropped in the camera. Comparing the jpg to the dng in post becomes a guide to what you composed. Whether this is true or not, 2 very important implications if the rumors are true. First, if it is announced on March 6, I’d expect the SL2 announced soon afterward because they’d share some technology and they need the news out before Panasonic ships in April. Second, I continue to think the M must be significantly transformed (EVF and bigger sensor at the very least) to avoid being put out of business by a Q2 that effectively covers the normal M range. My guess is an EL EVF is a Leica branded name for high resolution. The panasonic EVF is 5.7 MPixels. They don’t call it EL. Quote Link to post Share on other sites More sharing options...
hdmesa Posted February 16, 2019 Share #126 Posted February 16, 2019 I'll be happy to add the Q2 alongside the Q-P without regret. His and hers for travel. For the 75mm crop, I hope they give us an additional option to zoom the image crop to fill the EVF (like the GFX does with 35mm mode) versus only having the white crop lines. A 75mm crop box on a 28mm lens is getting pretty small. 1 Quote Link to post Share on other sites More sharing options...
hdmesa Posted February 16, 2019 Share #127 Posted February 16, 2019 Advertisement (gone after registration) The only thing I'm not looking forward to are the inevitable and inane overreactions the first time someone refers to the current Q as the "Q1". Quote Link to post Share on other sites More sharing options...
hdmesa Posted February 16, 2019 Share #128 Posted February 16, 2019 2 hours ago, bags27 said: ...Second, I continue to think the M must be significantly transformed (EVF and bigger sensor at the very least) to avoid being put out of business by a Q2 that effectively covers the normal M range. The M will take a hit on all fronts – Q with 47mp and a 47mp SL2 with IBIS and a 150mp pixel shift mode. Imagine every M lens stabilized on an optimized Leica sensor (versus Sony, etc.'s corner smearing). Quote Link to post Share on other sites More sharing options...
Leica Guy Posted February 17, 2019 Share #129 Posted February 17, 2019 (edited) 2 hours ago, hdmesa said: The only thing I'm not looking forward to are the inevitable and inane overreactions the first time someone refers to the current Q as the "Q1". OMG. I just did that. I may be crucified. I think I’ll go back and edit my message to be the Q and only the Q i just edited my previous message. I hope I’m not ostracized from the forum. 😉 Edited February 17, 2019 by Infiniumguy 3 Quote Link to post Share on other sites More sharing options...
macalba Posted February 17, 2019 Share #130 Posted February 17, 2019 2 hours ago, Infiniumguy said: My guess is an EL EVF is a Leica branded name for high resolution. The panasonic EVF is 5.7 MPixels. They don’t call it EL. I think "EL" is "electroluminescent" (OLED). The Q has an "LCoS" viewfinder (Liquid Crystal (LCD)). So if the Q2 has an "EL" viewfinder it may mean that Leica is upgrading the viewfinder display from LCD to OLED like those on high-end smartphones and televisions. 3 1 Quote Link to post Share on other sites More sharing options...
bags27 Posted February 17, 2019 Author Share #131 Posted February 17, 2019 2 hours ago, macalba said: I think "EL" is "electroluminescent" (OLED). The Q has an "LCoS" viewfinder (Liquid Crystal (LCD)). So if the Q2 has an "EL" viewfinder it may mean that Leica is upgrading the viewfinder display from LCD to OLED like those on high-end smartphones and televisions. Pretty smart for a newbie 😀 Seriously, welcome! 1 Quote Link to post Share on other sites More sharing options...
NigelG Posted February 17, 2019 Share #132 Posted February 17, 2019 10 hours ago, Infiniumguy said: My guess is an EL EVF is a Leica branded name for high resolution. The panasonic EVF is 5.7 MPixels. They don’t call it EL. macalba is correct - AFAIK the “EL” is not related to resolution but the display technology. Fuji describe the EVF of their latest XE-3 as “an organic EL electronic viewfinder” and that has only 2.36m dots...... 1 Quote Link to post Share on other sites More sharing options...
Surfheart Posted February 17, 2019 Share #133 Posted February 17, 2019 I've only just bought a Q Don't care about the increased resolution, but better low light, dust and splash resistance and an improved EVF are things I would care about! Quote Link to post Share on other sites More sharing options...
M11 for me Posted February 17, 2019 Share #134 Posted February 17, 2019 Does somebody know how many MP you need as a minimum to print 1m wide (resp. approx. 37“)? Quote Link to post Share on other sites More sharing options...
dancook Posted February 17, 2019 Share #135 Posted February 17, 2019 5 minutes ago, Alex U. said: Does somebody know how many MP you need as a minimum to print 1m wide (resp. approx. 37“)? I did a quick google for a calculator, but you need to add viewing distance to the equation http://www.northlight-images.co.uk/what-print-resolution-works-for-what-viewing-distance/ I'm off out now, good luck Quote Link to post Share on other sites More sharing options...
nicci78 Posted February 17, 2019 Share #136 Posted February 17, 2019 17 hours ago, bags27 said: Does anyone know what an EL EVF is? here is what I fantasize. That when you change the crop mode from 28 to 35 to 50 and now to 75, it is not just an increasingly smaller outline within the EVF. Rather, the viewfinder magnifies to become that focal length in the entire screen. It would effectively be a zoom EVF, not a zoom lens. The outputted dng continues to be 28mm but the composition and focal point are effectively determined by the EVF and you can then make that dng crop in post. Jpgs are cropped in the camera. Comparing the jpg to the dng in post becomes a guide to what you composed. Whether this is true or not, 2 very important implications if the rumors are true. First, if it is announced on March 6, I’d expect the SL2 announced soon afterward because they’d share some technology and they need the news out before Panasonic ships in April. Second, I continue to think the M must be significantly transformed (EVF and bigger sensor at the very least) to avoid being put out of business by a Q2 that effectively covers the normal M range. Just bad japanese translation. It is just OLED viewfinder. Best EVF tech available now. Resolution is still unknown though. 1 Quote Link to post Share on other sites More sharing options...
Stuart Richardson Posted February 17, 2019 Share #137 Posted February 17, 2019 (edited) 2 hours ago, Alex U. said: Does somebody know how many MP you need as a minimum to print 1m wide (resp. approx. 37“)? Hi Alex, I work as a printer, and unfortunately there is not really an easy answer for this. People's perceptions differ, and the tolerance level also varies depending on the subject matter, viewing distance and preference of the user. I have printed standard definition video stills to 1m wide that have been sold by galleries. They are mushy, but for some people, they do not mind at all (or even notice...they just take it as part of the aesthetic). In general, however, I would suggest a minimum of 18-20mp from a very good camera. The M9 could reach 1m, though it was a bit of a stretch. The 5DII looked a little worse, despite having more resolution. I would imagine that at low ISO, the 24mp Q would look ok at 1m by 66, if you captured it carefully. At 47mp it would look great, all else being equal. And I am speaking now from a technical standpoint. I have no doubt that a good photograph taken by the Q would still be a good photograph whether it was printed at A4 or 1mx67. I recall David Zwirner gallery in NY had William Eggleston prints from the 70s blown up to 1mX1.5m or so, despite being taken on 70s era color film. Doing so was controversial, but I was struck by the quality of the prints...their printer was superb, but part of the issue is that a good photo is a good photo regardless of size. The prints were grainy and soft, but it did not diminish the enjoyment. Edited February 17, 2019 by Stuart Richardson 4 Quote Link to post Share on other sites More sharing options...
MCJ Posted February 17, 2019 Share #138 Posted February 17, 2019 25 minutes ago, Stuart Richardson said: I would imagine that at low ISO, the 24mp Q would look ok at 1m by 66, if you captured it carefully. What unit of measure is the 66 you reference above? Quote Link to post Share on other sites More sharing options...
Stuart Richardson Posted February 17, 2019 Share #139 Posted February 17, 2019 centimeters! Quote Link to post Share on other sites More sharing options...
Leica Guy Posted February 17, 2019 Share #140 Posted February 17, 2019 (edited) 1 hour ago, Stuart Richardson said: Hi Alex, I work as a printer, and unfortunately there is not really an easy answer for this. People's perceptions differ, and the tolerance level also varies depending on the subject matter, viewing distance and preference of the user. I have printed standard definition video stills to 1m wide that have been sold by galleries. They are mushy, but for some people, they do not mind at all (or even notice...they just take it as part of the aesthetic). In general, however, I would suggest a minimum of 18-20mp from a very good camera. The M9 could reach 1m, though it was a bit of a stretch. The 5DII looked a little worse, despite having more resolution. I would imagine that at low ISO, the 24mp Q would look ok at 1m by 66, if you captured it carefully. At 47mp it would look great, all else being equal. And I am speaking now from a technical standpoint. I have no doubt that a good photograph taken by the Q would still be a good photograph whether it was printed at A4 or 1mx67. I recall David Zwirner gallery in NY had William Eggleston prints from the 70s blown up to 1mX1.5m or so, despite being taken on 70s era color film. Doing so was controversial, but I was struck by the quality of the prints...their printer was superb, but part of the issue is that a good photo is a good photo regardless of size. The prints were grainy and soft, but it did not diminish the enjoyment. Stusrt, Thank you for your experienced perspective on this very complex topic. A great print certainly has a lot more going for it than resolution. I pretty much do not try to print below 240 pixels / in. Do you have a minimum you normally advise. I have been amazed at tools like Lightroom (I’m sure there are better ones) that can do modest upsizing to increase resolution without noticeable artifacts. So much depends on viewing distance. Thank you for your insights. Edited February 17, 2019 by Infiniumguy 1 Quote Link to post Share on other sites More sharing options...
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