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FLE all the way. The hood design and construction is so much better. Optically, I feel like the FLE renders color better but they’re both super sharp. 

 

I still have both and the FLE is my everyday carry. The II is always just being rented out or borrowed. 

 

 

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055 (?) then? The Summilux 35/1.4 v2 has little to do with the current FLE. Two completely different beasts unless you compare them at f/5.6 or f/8. If you want softness around f/1.4- f/2 choose the v2. If you want some glow at the same apertures, same answer. If you want the most compact 35/1.4 ever made (AFAIK), ditto. If you want to shoot your mother in law, idem :D. But if you want sharpness, especially high acutance, the FLE is made for you.

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4 hours ago, budjames said:

I have the current version of the Summilux 35mm FLE ASPH. It's awesome!

Regards,
Bud James

Please check out my fine art and travel photography at www.budjames.photography or on Instagram at www.instagram.com/budjamesphoto.

I agree with Bud. It's a fabulous lens. frankly, I've been happy with all of my Leica lenses and I've been able to purchase most second hand in great condition at substantial discount

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vor 2 Stunden schrieb lct:

055 (?) then? The Summilux 35/1.4 v2 has little to do with the current FLE. 

What do these numbers (036-, 055-, 113-, 121-) mean? The citation is from Leica Wiki (English). /Jan

Edited by jankap
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Having owned v2 (sold), v3, v5, and used the v4... some notes:

  • v2 (Pre-ASPH - Sold) is nicely compact, but there is heavy spherical aberration wide open. It has a nice dreamy effect which works for some shots, but the effect gets old and it's really not an everyday lens. Prices have skyrocketed recently, and I sold it for a nice profit to fund the AA.
  • v3 (Double Aspherical - Own): The legendary lens with two machine ground, and hand-finished aspherical elements. If this lens wasn't so difficult to manufacture, it would've remained relevant up to the current FLE version. Sharp, no focus shift, with clean bokeh, and interestingly enough focuses down to ~0.6m (but is only coupled down to ~0.65m on the M10 and ~0.7m on the MP). Prices have more than doubled in recent years making this one hard to attain - I sold 4 lenses recently to get this one.
  • v4 (ASPH - Used): This was the redesign of the AA to use a single all-machine-ground aspherical element. At the time, this lens was already impressively sharp, but there are three issues: Not as sharp as the AA, focus shifting at f/2-2.8, and noticeable bokeh rings due to the imprecise aspherical machine grinding process at the time.
  • v5 (ASPH FLE - Own): This is the current version, and I have the Silver version as it came with my MP "Oliv". If there was a perfect lens, this would be it. Super sharp at all apertures, all distances, and in all conditions. Very clean bokeh, especially in the edges. I still like the rendering of the AA better than the FLE for most shots, but you can't beat the crispness of the rendering that comes out of the FLE.

Street Silhouettes has a nice post comparing versions of the 35 Cron and 35 Lux: https://www.streetsilhouettes.com/home/2017/3/30/leica-35mm-lenses-5-summicron-versions

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