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Color Space


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Afraid not. They limited a few of the options on the M262, such as only compressed DNG and no color space setting. Being a raw shooter, even though color space is an option on the higher-spec MP240, you have to have a JPEG capture mode enabled to activate the color space option. Since I leave it on DNG only, color space is not an enabled option.

 

With only a couple of pages of options, it's hard to miss much of anything available to customize on the M262.

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Afraid not. They limited a few of the options on the M262, such as only compressed DNG and no color space setting. Being a raw shooter, even though color space is an option on the higher-spec MP240, you have to have a JPEG capture mode enabled to activate the color space option. Since I leave it on DNG only, color space is not an enabled option.

 

With only a couple of pages of options, it's hard to miss much of anything available to customize on the M262.

DNG, as a RAW format, had no color space; that depends on how one chooses to export the files. The M240 is no different.

 

Jeff

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That is an article about JPEG camera output, not about raw, he does the DNG conversion outside the camera from the JPG file.

 

It  has no application to this particular question.

 

 

Digital cameras often have a setting that allows you to select either sRGB or Adobe RGB. What, exactly does this do? The answer is that, like the white balance and several other camera settings, it affects only the JPEG files that the camera produces. If you shoot RAW (and if you don’t, you really need to start) the sRGB or Adobe RGB setting has no impact whatsoever on the raw image data stored in the RAW file.

 

 

Demosaicing:  The rearrangement and interpolation of the raw image data (row-by-row sampled photo-site data) into pixel data channels (blue-green-green-red for the Beyer pattern), still in the sensor's native color space.

    Color Space Transformation:  The transformation from raw image data to a standard RGB color space. This step does use the camera’s white balance   setting.  In camera, the destination space is determined by the s/aRGB camera setting.

    Other Adjustments:  Contrast, saturation, sharpening, etc.

    JPEG encoding

    Lossless data compression (typically ZLW coding)

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