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R lens image thread.


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Morning walk with Summilux-R 35mm and SL.

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Time for a nap at the San Diego Zoo.

Leica R8 with DMR digital back (B&W convert) ISO 200, 35-70mm Vario-Elmar f/4 zoom lens, f/4.0, 1/4s.

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Semana santa de Alicante 2017, Pentax K-1, Leica Elmarit-R 135/2.8 II.

Edited by teiki arii
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Leica R8 + Vario-Elmar-R 35-70 mm f/4, Kodak Ultramax 400, Nikon Coolscan V ED.

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Edited by Technician
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Bonjour. C'est mon summicron 35mm.

5Dsr 50s /f11 100 iso

A plus tard ??

 

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Edited by Vincent-Bretagne
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Semana santa de Alicante 2017, Pentax K-1, Leica Summicron-R 50/2.

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Super Angulon 21/4 quite close

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Jan

 

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R35-70/4, ~40mm, f/4. M9. Teaching myself scale focusing with a mostly predictable failure rate, but sometimes the misses turn out nicely. To feature the bug, I've titled this "myopia." 

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Hallo,

some days before I had a question here in the forum about the 4/70-210 R. There I promised some pictures taken with this lans. The lens has sometimes not the best reputation (made in Japan, Minolta?) but I think it's not the worst :) as some people say. Make your own decision :) 

The "hen-house" here (old transport pallets) is full open at 210mm - Leica SL - no crop

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Here in TRI-X conversation: 4/70-210 full open at 210mm - Leica SL

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... and here at about 70mm f8

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an here the last one - just like the other full open but don't ask for the focal length 

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SL2S + Elmarit R 180mm V2

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SL2S + Elmarit R 180mm V2

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Aboard the USS Recruit training vessel. A salute to the red dot.

Leica R8 with DMR digital back, ISO 200, 35-70mm Vario-Elmar f/4 zoom lens, f/4.0, 1/6,000s.

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Edited by SHenry
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The USS Recruit training vessel.

Leica R8 with DMR digital back (B&W convert), ISO 200, 35-70mm Vario-Elmar f/4 zoom lens, f/4.0, 1/3,000s.

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Sometimes my knees and shoulders get sore while walking around. Mostly I blame myself for not staying in shape. But, today, I wondered if the city wasn't taking active part. ("Would be a shame if we had to cut the budget and things started dropping on people. Here's an illustration. Neither of us want that, right, buddy?")

(In the upper-center you see a ~5-story, 450-ton counterweight that drops up to 110 feet several times per day, and has done since 1910. It is easy to walk by and not look up. Or to think, "it has worked for so long, why worry?" Or to let my imagination run.)

35-70/4, a lens that continues to gain my appreciation. M9. Accidentally coded as WATE, possibly causing the curved beams which you didn't notice were curved until I said something. Maybe ~60mm, f/4. 

 

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